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Kao Kalia Yang - From the Tops of the Trees

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Kao Kalia Yang From the Tops of the Trees
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From the Tops of the Trees: summary, description and annotation

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Father, is all of the world a refugee camp?
Young Kalia has never, known life beyond the fences of the Ban Vinai Refugee Camp. The Thai camp holds many thousands of Hmong families who fled in the aftermath of the little-known Secret War in Laos that was, waged, during Americas Vietnam War. For Kalia and her cousins, life isnt always easy, but they still find ways to play, racing with chickens and riding a beloved pet dog.
Just four years old, Kalia is still figuring out her place in the world. When she asks what is beyond the fence, at first her father has no answers for her. But, on the following day, he leads her to the tallest tree in the camp and, secure in her fathers arms, Kalia sees the spread of a world beyond.
Kao Kalia Yangs sensitive prose and Rachel Wadas evocative illustrations bring to life this tender true story of the love between a father and a daughter.
Born to Hmong refugees, Kalia has only ever known the confines of the Ban Vinai refugee camp in Thailand. Even while playing with her cousins, reminders of the hardships of their life are always present. She overhears the aunties sharing their uncertainty and fear of the future. They are a people with no home country and are still, trying to find peace. Kalia asks her father why they live behind a gate and wonders what lies beyond the fences that surround the camp. The next day they climb a tall tree, and he shows her the vast expanse around them, from familiar camp landmarks to distant mountains where the sky meets earth. This story of resilience and generational hope is told in an expressive, straightforward narrative style. The simplicity of the text adds a level of poignancy that moves readers to reflection. The layered and heavily textured illustrations complement the text while highlighting the humanity of the refugees and providing a quiet dignity to camp life. The military-like color palette of olive greens, golden yellows, and rich browns reinforces the guarded atmosphere but also represents the transitional period from winter to spring, a time ripe with anticipation and promise.

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From the Tops of the Trees - photo 1
For the loving arms that hold us high so we can s - photo 2
For the loving arms that hold us high so we can see beyond the fences of our - photo 3
For the loving arms that hold us high so we can see beyond the fences of our - photo 4
For the loving arms that hold us high so we can see beyond the fences of our - photo 5

For the loving arms that hold us high so we can see beyond the fences of our worlds K.K.Y.

To Kalia, who has gone beyond the tops of the trees to share her story with the world R.W.

Text copyright 2021 by Kao Kalia Yang

Illustrations copyright 2021 by Rachel Wada

All rights reserved. International copyright secured. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any meanselectronic, mechanical, photocopying, recording, or otherwisewithout the prior written permission of Lerner Publishing Group, Inc., except for the inclusion of brief quotations in an acknowledged review.

Carolrhoda Books

An imprint of Lerner Publishing Group, Inc.

First Avenue North

Minneapolis, MN 55401 USA

For reading levels and more information, look up this title at www.lernerbooks.com .

Authors note photo courtesy of Chue Moua. Map by Laura Westlund/Independent Picture Service.

Designed by Emily Harris.

Main body text set in Horley Old Style MT Std.

Typeface provided by Monotype Typography.

The illustrations in this book were created with a combination of traditional mediums, including graphite and watercolor, and digital mediums, including Adobe Photoshop and Procreate.

Library of Congress Cataloging-in-Publication Data

Names: Yang, Kao Kalia, 1980 author. | Wada, Rachel, illustrator.

Title: From the tops of the trees / Kao Kalia Yang ; illustrated by Rachel Wada.

Description: Minneapolis : Carolrhoda Books, [2021] | Audience: Ages | Audience: Grades | Summary: A powerful true story of a young girl who has never known life outside a refugee camp and a father determined to help her dream beyond the fences that confine them Provided by publisher.

Identifiers: LCCN 2020049356 (print) | LCCN 2020049357 (ebook) | ISBN 9781541581302 | ISBN 9781728430584 (ebook)

Subjects: LCSH: RefugeesJuvenile literature. | Refugee campsJuvenile literature.

Classification: LCC HV640 .Y368 2021 (print) | LCC HV640 (ebook) | DDC 362.7/7914dc23

LC record available at https://lccn.loc.gov/2020049356

LC ebook record available at https://lccn.loc.gov/2020049357

Manufactured in the United States of America

1-47329-47956-3/24/2021

Kao Kalia Yang illustrated by Rachel Wada t Carolrhoda Books Minneapolis - photo 6

Kao Kalia Yang

illustrated by Rachel Wada

t Carolrhoda Books Minneapolis

Ban Vinai Refugee Camp Thailand 1985 When the sun gets to the highest point - photo 7

Ban Vinai Refugee Camp, Thailand, 1985

When the sun gets to the highest point in the sky, the leaves of our favorite tree become a great umbrella of cool for my cousins and me to play under.

Hurry!

Mai throws a ball of rice onto the ground. Yer races the chickens in the yard to get to it. A bald rooster with black tail feathers beats her. The look on her face is so sad and so hungry the fun disappears.

I wave the Lion Dog and the Jackie Chan Dog close I hold onto the Lion Dogs - photo 8
I wave the Lion Dog and the Jackie Chan Dog close I hold onto the Lion Dogs - photo 9

I wave the Lion Dog and the Jackie Chan Dog close. I hold onto the Lion Dogs neck and climb on his back. I push my little legs into his sides and try not to fall when he starts to walk. I can feel myself slipping off his back, but Im not afraid. My father catches me just in time.

In his arms he lifts me higher and higher I squeal My father says When - photo 10

In his arms, he lifts me higher and higher. I squeal.

My father says, When someone falls, you have to pick them up and lift them higher than they were before!

After a night of heavy rain and wind we wake to find pebbly fruits scattered - photo 11

After a night of heavy rain and wind, we wake to find pebbly fruits scattered on the ground. Beneath our tree, Yer and I crouch low and look for the fruits that are still good enough to eat.

We know that if we eat too many, well get stomachaches and our mothers will be mad. If we eat only one or two, we can pretend were eating hard candy and it is a very special treat.

In the quiet we can hear the aunties talking about the war as they sew They - photo 12
In the quiet we can hear the aunties talking about the war as they sew They - photo 13
In the quiet we can hear the aunties talking about the war as they sew They - photo 14

In the quiet, we can hear the aunties talking about the war as they sew. They talk to each other about the river they had to cross to get to Thailand. They talk to each other about how Thailand wants Hmong refugees to leave their country. They are scared to return to the old country. They are scared to go to a new country. The adults talk of war, and they get scared all over again as if the war was not yet over.

That afternoon I ask my father about the war and he says Youre safe He - photo 15

That afternoon I ask my father about the war, and he says, Youre safe.

He takes one of my small hands in his big one and tells me, Look at your hand. He points down at the tips of my toes and says, Look at your feet.

He says, Your hands and your feet will travel far to find peace.

His eyes are as serious as his voice, so I say, Yes, they will.

It is rations day Every week a big truck comes into the empty space in the - photo 16
It is rations day Every week a big truck comes into the empty space in the - photo 17

It is rations day. Every week, a big truck comes into the empty space in the middle of where we live. Thai soldiers give each family enough food for three days. They tell us they are practicing a Humane Deterrence Policy so that no more Hmong people come into the country. I dont know what they are talking about, but I do what the adults around me do and nod my head like I understand.

That evening before my bath I look down into the cement well and ask my - photo 18
That evening before my bath I look down into the cement well and ask my - photo 19
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