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Amy C. Evans - A Good Meal Is Hard to Find: Storied Recipes from Deep South

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A Good Meal Is Hard to Find: Storied Recipes from Deep South: summary, description and annotation

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A Good Meal Is Hard to Find is more than just a cookbook: its a love letter to the women and food of the Deep South.
With charming narratives, visual storytelling, and delectable recipes, A Good Meal Is Hard to Find is everything youve ever wanted in a Southern cookbook.
Inside are 60 go-to recipes organized into five chapters-Mornings Glories, Lingering Lunches, Dinner Dates & Late-Night Takes, Afternoon Pick-Me-Ups, and Anytime Sweets. Written by award-winning cookbook author and Southern food expert Martha Hall Foose.
Each of the 60 recipes opens with a short vignette about a story about a unique Southern character.
Divided into five chapters from breakfast to dinner, with cocktails and desserts in between
Recipes paired with gorgeous, vintage-inspired oil paintings by Amy C. Evans
Inspired by generations of storytelling and Southern comfort food, this genre-bending cookbook is a must-have for cookbook lovers, vintage collectors, and Southern cooking enthusiasts alike.
Recipes include Francines Strawberry-Glazed Doughnuts, Camilles Bridge Club Egg Salad, The Suzy Bs Spinach and Mushroom Frito Pie, Stellas Harissa Gold Chicken, and Estelles Butterscotch Pound Cake. Master the art of traditional Southern cooking and soul food.
Perfect for fans of Pooles: Recipes and Stores from a Modern Diner by Ashley Christensen, Magnolia Table by Joanna Gaines, and Heritage by Sean Brock
A great cookbook for readers of Southern Living and Garden & Gun.

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I HAVE GIVEN UP TRYING TO BE A GRACIOUS LADY I AM GOING - photo 1

I HAVE GIVEN UP TRYING TO BE A GRACIOUS LADY I AM GOING BACK TO RAISING - photo 2

A Good Meal Is Hard to Find Storied Recipes from Deep South - image 3

A Good Meal Is Hard to Find Storied Recipes from Deep South - image 4

"I HAVE GIVEN UP TRYING TO BE A GRACIOUS LADY... I AM GOING BACK TO RAISING MANDRILS."

FLANNERY OCONNOR

A Good Meal Is Hard to Find Storied Recipes from Deep South - image 5

DEDICATIONS

For my grandmother, Alla Grace Browder Riley;

my mother, Mary Ann Riley Evans;

and my daughter, Sofia Grace.

-Amy

For my mother, Cynthia Yandell Vaughan Foose,

with admiration and love.

-Martha

Text copyright 2020 by Amy C Evans and Martha Hall Foose Illustrations - photo 6

Text copyright 2020 by Amy C. Evans and Martha Hall Foose

Illustrations copyright 2020 by Amy C. Evans

All rights reserved. No part of this book may be reproduced in any form without written permission from the publisher.

The characters in this book are fictional. Names, locations, and incidents are either the products of the authors imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

ISBN 9781452175935 (epub, mobi)

Library of Congress Cataloging-in-Publication Data:
Names: Evans, Amy C., author, illustrator. | Foose, Martha Hall, author.
Title: A good meal is hard to find : storied recipes from the deep South / Amy C. Evans and Martha Hall Foose.
Description: San Francisco : Chronicle Books, [2020]
Identifiers: LCCN 2018042967 | ISBN 9781452169781 (hc : alk. paper)
Subjects: LCSH: Cooking, American--Southern style. | Cooking--Southern States. | LCGFT: Cookbooks.
Classification: LCC TX715.2.S68 E9 2020 | DDC 641.5975--dc23 LC record available at https://lccn.loc.gov/2018042967

Design by Kelley Galbreath and Lizzie Vaughan.

Chronicle books and gifts are available at special quantity discounts to corporations, professional associations, literacy programs, and other organizations.
For details and discount information, please contact our corporate/premiums department at or at 1-800-759-0190.

Chronicle Books LLC
680 Second Street
San Francisco, California 94107
www.chroniclebooks.com

TABLE OF Contents

Picture 7

Picture 8Picture 9

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Picture 11Picture 12

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Picture 14Picture 15

Picture 16

Picture 17F - photo 18

Foreword AMY THE PAINTER I STARTED MAKING - photo 19

Foreword AMY THE PAINTER I STARTED MAKING PORTRAITS OF THE LADIES as I - photo 20Foreword AMY THE PAINTER I STARTED MAKING PORTRAITS OF THE LADIES as I - photo 21

Foreword AMY THE PAINTER I STARTED MAKING PORTRAITS OF THE LADIES as I - photo 22

Foreword
AMY, THE PAINTER

I STARTED MAKING PORTRAITS OF THE LADIES, as I like to call them, back in about 2006. I remember being in my Oxford, Mississippi, studio, working on one of my usual still life paintings of vintage objects, when it occurred to me: What if I created a story to go with these crazy collections of seemingly mismatched things? I had never been interested in giving my work anything more than simple descriptive titles before that moment, but it started to make sense that dreaming up a story for my quirky picture puzzles would add another dimension to themand offer up a good reason for a few petit fours to appear in the same painting as a can of hairspray.

As soon as I committed to the idea, the stories spilled out like buttons from a jar. Later on in the series, as I began painting on bigger panels, I started to include vintage fabric patterns in the composition as a way to set a ladys life story in a particular era. After a while, I managed to amass a motley cast of characters that spanned generations. Strong women who dont mind eating alone and can do for themselves. Quirky gals who have oddball habits and are stuck in their ways. Good talkers who like to eat cake for breakfast and will gladly accept the offer of a well-considered cocktail. It turns out that The Ladies are an awful lot like the women I get to call my friends.

One of those strong-willed, food-loving, super-hospitable friends is Martha Foose. On one of my visits to Marthas home in Greenwood, Mississippi, I walked into her kitchen, and there was a half-eaten strawberry cake on the counter. It didnt take but a minute for us to sit down at her kitchen bed, as she calls it (a generously padded banquette that anchors two sides of her breakfast table), to enjoy hefty slices of pink cake, along with jelly jars of bourbon to wash them down. I havent the slightest idea what time of day it was. It could very well have been midmorning or midnight. What I do know is that sitting in Marthas kitchen is one of my very favorite places to be, and its where I spent many hours over the course of our collaboration on this book.

Martha and I first met in Greenwood probably sometime during the summer of - photo 23

Martha and I first met in Greenwood, probably sometime during the summer of 2003. I was in town to document area restaurants. Martha had recently returned to the Delta to open a bakery. I would bet money that it was her cousin LeAnne who first introduced us. However it happened, Martha and I got on like a house on fire. And I fell in love with the town of Greenwood, too. I loved it so much that I got married there in 2005. Martha made my wedding cake. It was red velvet, and I never tire of sharing the eye-popping tidbit that Martha used sixteen bottles of food coloring to achieve the perfect shade of oxblood. My marriage didnt stick, but our friendship did.

All told, I lived in Mississippi for thirteen years. I called the university town of Oxford home for all of that time, but I took a Delta ramble every chance I could. And I still do. I moved back to my hometown of Houston, Texas, in 2014, but I keep returning to Mississippi because it is my soul place. It is the place where I feel most connected to the land and the people, the food and the stories.

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