• Complain

Michelle Horwood - Sharing Authority in the Museum: Distributed objects, reassembled relationships

Here you can read online Michelle Horwood - Sharing Authority in the Museum: Distributed objects, reassembled relationships full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2018, publisher: Routledge, genre: Home and family. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

Michelle Horwood Sharing Authority in the Museum: Distributed objects, reassembled relationships
  • Book:
    Sharing Authority in the Museum: Distributed objects, reassembled relationships
  • Author:
  • Publisher:
    Routledge
  • Genre:
  • Year:
    2018
  • Rating:
    3 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 60
    • 1
    • 2
    • 3
    • 4
    • 5

Sharing Authority in the Museum: Distributed objects, reassembled relationships: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Sharing Authority in the Museum: Distributed objects, reassembled relationships" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

Sharing Authority in the Museum provides a detailed and fully contextualised study of a heritage assemblage over time, from the mid-nineteenth century to the present day. Focussing on Mori objects, predominantly originating from the Ng Paerangi tribe, housed in Oxfords Pitt Rivers Museum, the book examines thenuances of cross-cultural interactions between an indigenous community and an anthropological museum.

Analysis centres on the legacy of historic ethnographic collecting on indigenous communities and museums, and the impact of different value systems and world views on access to heritage objects. Questions of curatorial responsibilities and authority over access rights are explored. Proposing a method for indigenous engagement to address this legacy, and making recommendations to guide participants when forging relationships based around indigenous cultural heritage, Michelle Horwood shows how to negotiate power and authority within these assemblages. She argues that by doing this and acknowledging and communicating our difficult histories, together we can move from collaborative approaches to shared authority and indigenous self-determination, progressing the task of decolonising the museum.

Addressing a salient, complex issue by way of a grounded case study, Sharing Authority in the Museum is key reading for museum practitioners working with ethnographic collections, as well as scholars and students working in the fields of museum, heritage, Indigenous or cultural studies. It should also be of great interest to indigenous communities wishing to take the lessons learned from Ng Paerangis experiences further within their own spheres of museum engagement.

Michelle Horwood: author's other books


Who wrote Sharing Authority in the Museum: Distributed objects, reassembled relationships? Find out the surname, the name of the author of the book and a list of all author's works by series.

Sharing Authority in the Museum: Distributed objects, reassembled relationships — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Sharing Authority in the Museum: Distributed objects, reassembled relationships" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
Sharing Authority in the Museum
Sharing Authority in the Museum provides a detailed and fully contextualised study of a heritage assemblage over time, from the mid-nineteenth century to the present day. Focussing on Mori objects, predominantly originating from the Ng Paerangi tribe, housed in Oxfords Pitt Rivers Museum, the book examines the nuances of cross-cultural interactions between an indigenous community and an anthropological museum.
Analysis centres on the legacy of historic ethnographic collecting on indigenous communities and museums, and the impact of different value systems and world views on access to heritage objects. Questions of curatorial responsibilities and authority over access rights are explored. Proposing a method for indigenous engagement to address this legacy, and making recommendations to guide participants when forging relationships based around indigenous cultural heritage, Michelle Horwood shows how to negotiate power and authority within these assemblages. She argues that by doing this and acknowledging and communicating our difficult histories, together we can move from collaborative approaches to shared authority and indigenous self-determination, progressing the task of decolonising the museum.
Addressing a salient, complex issue by way of a grounded case study, Sharing Authority in the Museum is key reading for museum practitioners working with ethnographic collections, as well as scholars and students working in the fields of museum, heritage, Indigenous or cultural studies. It should also be of great interest to indigenous communities wishing to take the lessons learned from Ng Paerangis experiences further within their own spheres of museum engagement.
Michelle Horwood is a teacher, scholar and museum curator. She has worked extensively in the heritage sector as a curator, archaeologist and researcher, where connecting communities with their heritage has been the primary focus of her professional practice.
Museums in Focus
Series Editor: Kylie Message
Committed to the articulation of big, even risky, ideas in small format publications, Museums in Focus challenges authors and readers to experiment with, innovate, and press museums and the intellectual frameworks through which we view these. It offers a platform for approaches that radically rethink the relationships between cultural and intellectual dissent and crisis and debates about museums, politics and the broader public sphere.
Museums in Focus is motivated by the intellectual hypothesis that museums are not innately useful, safe or even public places, and that recalibrating our thinking about them might benefit from adopting a more radical and oppositional form of logic and approach. Examining this problem requires a level of comfort with (or at least tolerance of) the idea of crisis, dissent, protest and radical thinking, and authors might benefit from considering how cultural and intellectual crisis, regeneration and anxiety have been dealt with in other disciplines and contexts.
Recently published titles:
Museums and Racism
Kylie Message
Sharing Authority in the Museum
Distributed objects, reassembled relationships
Michelle Horwood
https://www.routledge.com/Routledge-Museums-in-Focus/book-series/RMIF
Logo by James Verdon 2017 Anonymous graffiti Athens Image and logo by - photo 1
Logo by James Verdon (2017)
Sharing Authority in the Museum Distributed objects reassembled relationships - image 2
Anonymous graffiti, Athens. Image and logo by James Verdon (2017).
Sharing Authority in the Museum
Distributed Objects, Reassembled Relationships
Michelle Horwood
Sharing Authority in the Museum Distributed objects reassembled relationships - image 3
First published 2019
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
and by Routledge
52 Vanderbilt Avenue, New York, NY 10017
Routledge is an imprint of the Taylor & Francis Group, an informa business
2019 Michelle Horwood
The right of Michelle Horwood to be identified as author of this work has been asserted by her in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging-in-Publication Data
A catalog record for this book has been requested
ISBN: 978-0-8153-6993-6 (hbk)
ISBN: 978-1-351-25112-9 (ebk)
Typeset in Times New Roman
by Apex CoVantage, LLC
For John, Henry and Mackenzie
Contents
  1. iii
  2. iv
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
This book started out as a germ of an idea for PhD research to crystallise the powerful impact my experiences as a museum curator, working with Mori communities and their material heritage in Whanganui, had on my professional practice, and I am grateful to many people for helping with its development. My greatest and heartfelt thanks go to my family to my mother Margaret, my sister Nicola, my husband John, and sons Henry and Mackenzie, and remembering my father Basil without whose support and encouragement this book would not have been possible.
For all those who participated in and supported my research, thank you for providing me with access to your communities and collections, for permission to share your words, mtauranga and taonga, and for your openness, generosity, hospitality and kindness. In particular I acknowledge Ng Paerangi people past and present. I will be forever grateful to you for walking this path with me and supporting my exploration of your heritage. I would especially like to thank Ken Clarke, Hera Pina, Haimona Rzoska, Morvin Simon whnau and Katrina Hwira for welcoming me so warmly into your world and giving of your time and knowledge so generously. Also the Ng Paerangi team who travelled to Oxford with me Hera, Haimona, Katrina, Wpaki Peeti, Luana Tawaroa, Takahia Tawaroa, Teresa Peeti, Ereti Wisneski and Tuata Angus and to the wider community for making their travel possible.
I extend a huge thank you to Dr Conal McCarthy for his sustained intellectual engagement in and enthusiasm for my work. Also Dr Laura Peers for her support, and that of her colleagues at Pitt Rivers Museum. Thanks also to my past colleagues at Whanganui Regional Museum, and present friends, in particular Sharon Dell, for starting this ball rolling, and Libby Sharpe and Sandi Black for access to collections and records. To my colleagues and students at Toihoukura, thank you for providing insights into the benefits of dual knowledge systems, for continuing to teach me about the value of community, and for your patience with my many mistakes as I navigate your world.
Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Sharing Authority in the Museum: Distributed objects, reassembled relationships»

Look at similar books to Sharing Authority in the Museum: Distributed objects, reassembled relationships. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Sharing Authority in the Museum: Distributed objects, reassembled relationships»

Discussion, reviews of the book Sharing Authority in the Museum: Distributed objects, reassembled relationships and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.