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Betty Edwards - Drawing on the Right Side of the Brain

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Betty Edwards Drawing on the Right Side of the Brain
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An imprint of Penguin Random House LLC

penguinrandomhouse.com

Copyright 1979, 1989, 1999, 2012 by Betty Edwards

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

Tarcher and Perigee are registered trademarks, and the colophon is a trademark of Penguin Random House LLC.

Library of Congress Cataloging-in-Publication Data

Edwards, Betty, date.

Drawing on the right side of the brain / Betty Edwards. Definitive, 4th ed.

p.cm.

Rev. and expanded ed. of: New drawing on the right side of the brain. 1999.

1. Drawing Technique. 2. Visual perception. 3. Cerebral dominance. I. Edwards, Betty. New drawing on the right side of the brain. II. Title.

NC730.E3420122012001232

741.2dc23

Ebook ISBN 9781101561805

Book design by Joe Molloy

While the author has made every effort to provide accurate telephone numbers and Internet addresses at the time of publication, neither the publisher nor the author assumes any responsibility for errors, or for changes that occur after publication. Further, the publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.

a_prh_6.0_139549818_c1_r2

D EDICATION

To my granddaughters, who

have taken to drawing the

way fish take to swimming

and birds to flying, simply by

sometimes sitting in on their

Dads drawing workshops.

Dear Sophie and Francesca,

this book is for you,

with thanks for all the joy

you have brought into my world.

Self-portrait by Sophie Bomeisler, July 29, 2011, when she was 11.

Self-portrait by Francesca Bomeisler, July 29, 2010, when she was 8.

Contents
Acknowledgments

I shall be forever grateful to Dr. Roger W. Sperry (19131994), neuropsychologist, neurobiologist, and Nobel laureate, for his generosity and kindness in discussing the original text with me. At a time in 1978 when I was most discouraged and doubtful about the manuscript I was writing, I summoned the courage to send it to him. Not long after that, I was filled with gratitude to receive his kind response in a letter that began, I have just read your splendid manuscript. He suggested that we meet to review and clarify some errors in my laypersons effort to write about his research. That invitation began a series of once-a-week meetings in his office at the California Institute of Technology, resulting in revision after revision of Chapter Three of the manuscript, the chapter in which I attempted to describe the split-brain studies.

Most gratifyingly, when Drawing on the Right Side of the Brain was finally published in 1979, Dr. Sperry wrote a statement for the back cover:

her application of the brain research findings to drawing conforms well with the available evidence and in many places reinforces and advances the right hemisphere story with new observations.

I asked him why he had used the to begin his statement. He replied, with his usual sly humor, that if any of his colleagues objected to his approval of this nonscientific book, he could always say that something was left out. At that time, objections to Dr. Sperrys findings were frequent, especially regarding his demonstrations that the right-brain hemisphere was capable of fully human, high-level cognition. These objections diminished over the years, as corroboration of his insights became undeniable. The Nobel Prize in Medicine in 1981 ensured Dr. Sperrys eminent position in the history of science.

Many other people have contributed greatly to my book. In this brief acknowledgment, I wish to thank at least a few.

My publisher, Jeremy Tarcher, for his enthusiastic support over more than thirty years.

My representative, Robert B. Barnett of the law firm Williams & Connolly, Washington, DC, for always being a great advocate and friend.

Joel Fotinos, Vice-President and Publisher of Tarcher/Penguin, for setting this project in motion and for his longtime friendship.

Sara Carder, my Tarcher/Penguin Executive Editor, for her enthusiastic support, help, and encouragement.

Dr. J. William Bergquist, for his generous assistance with the first edition of the book and with my doctoral research that preceded it.

Joe Molloy, my longtime friend, who has designed all of my books for publication. Somehow, he makes superb design appear to be effortless, and it isnt.

Anne Bomeisler Farrell, my daughter, who as editor has brought her great writing skills to help me with this project. Throughout, she has been my anchor and support.

Brian Bomeisler, my son, for his long years of work helping me to revise, refine, and clarify these lessons in drawing. His skills as an artist and as our lead workshop teacher have enabled countless students to succeed at drawing.

Sandra Manning, who so ably manages the Drawing on the Right Side of the Brain office and workshops. Her wonderful contribution was in researching and obtaining international permissions to reproduce the many new illustrations found in this edition.

My son-in-law, John Farrell, and my granddaughters Sophie Bomeisler and Francesca Bomeisler, who have been my enthusiastic cheerleaders.

My thanks also go to the many art teachers and artists across the country and in many other parts of the world who have used the ideas in my book to help bring drawing skills to their students.

And last, I wish to express my gratitude to all of the students whom I have been privileged to know over the decades. It was they who enabled me to form the ideas for the original book and who have since guided me in refining the teaching sequences. Most of all, it has been the students who have made my work so personally rewarding. Thank you!

Introduction

Drawing used to be a civilized thing to do, like reading and writing.

It was taught in elementary schools. It was democratic.

It was a boon to happiness.

M ICHAEL K IMMELMAN

For more than thirty years, Drawing on the Right Side of the Brain has been a work in progress. Since the original publication in 1979, I have revised the book three times, with each revision about a decade apart: the first in 1989, the second, 1999, and now a third, 2012 version. In each revision, my main purpose has been to incorporate instructional improvements that my group of teachers and I had gleaned from continuously teaching drawing over the intervening years, as well as bringing up-to-date ideas and information from education and neuroscience that relate to drawing. As you will see in this new version, much of the original material remains, as it has passed the test of time, while I continue to refine the lessons and clarify instructions. In addition, I make some new points about emergent right-brain significance and the astonishing, relatively new science called neuroplasticity. I make a case for my lifes goal, the possibility that public schools will once again teach drawing, not only as a civilized thing to do and a boon to happiness, but also as perceptual training for improving creative thinking.

The power of perception

Many of my readers have intuitively understood that this book is not only about learning to draw, and it is certainly not about Art with a capital A. The true subject is perception. Yes, the lessons have helped many people attain the basic ability to draw, and that is a main purpose of the book. But the larger underlying purpose was always to bring right hemisphere functions into focus and to teach readers how to

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