Acquisitions Editor: Mariann Barsolo
Development Editor: Pete Gaughan
Technical Editor: Jeff Greene
Production Editor: Liz Britten
Copy Editor: Kim Wimpsett
Editorial Manager: Pete Gaughan
Production Manager: Tim Tate
Vice President and Executive Group Publisher: Richard Swadley
Vice President and Publisher: Neil Edde
Book Designer: Mark Ong, Side By Side Studios
Compositor: Chris Gillespie, Happenstance Type-O-Rama
Proofreader: Nancy Bell
Indexer: Ted Laux
Project Coordinator, Cover: Katherine Crocker
Cover Designer: Ryan Sneed
Cover Image: Carrie Vines
Copyright 2012 by John Wiley & Sons, Inc., Indianapolis, Indiana
Published by John Wiley & Sons, Inc., Indianapolis, Indiana
Published simultaneously in Canada
ISBN: 978-0-470-87660-2
ISBN: 978-1-118-22100-6 (ebk.)
ISBN: 978-1-118-23477-8 (ebk.)
ISBN: 978-1-118-25934-4 (ebk.)
No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, (201) 748-6011, fax (201) 748-6008, or online at http://www.wiley.com/go/permissions .
Limit of Liability/Disclaimer of Warranty: The publisher and the author make no representations or warranties with respect to the accuracy or completeness of the contents of this work and specifically disclaim all warranties, including without limitation warranties of fitness for a particular purpose. No warranty may be created or extended by sales or promotional materials. The advice and strategies contained herein may not be suitable for every situation. This work is sold with the understanding that the publisher is not engaged in rendering legal, accounting, or other professional services. If professional assistance is required, the services of a competent professional person should be sought. Neither the publisher nor the author shall be liable for damages arising herefrom. The fact that an organization or Web site is referred to in this work as a citation and/or a potential source of further information does not mean that the author or the publisher endorses the information the organization or Web site may provide or recommendations it may make. Further, readers should be aware that Internet Web sites listed in this work may have changed or disappeared between when this work was written and when it is read.
For general information on our other products and services or to obtain technical support, please contact our Customer Care Department within the U.S. at (877) 762-2974, outside the U.S. at (317) 572-3993 or fax (317) 572-4002.
Wiley publishes in a variety of print and electronic formats and by print-on-demand. Some material included with standard print versions of this book may not be included in e-books or in print-on-demand. If this book refers to media such as a CD or DVD that is not included in the version you purchased, you may download this material at http://booksupport.wiley.com . For more information about Wiley products, visit www.wiley.com .
Library of Congress Control Number: 2011941729
TRADEMARKS: Wiley, the Wiley logo, and the Sybex logo are trademarks or registered trademarks of John Wiley & Sons, Inc. and/or its affiliates, in the United States and other countries, and may not be used without written permission. All other trademarks are the property of their respective owners. John Wiley & Sons, Inc. is not associated with any product or vendor mentioned in this book.
10 9 8 7 6 5 4 3 2 1
Dear Reader,
Thank you for choosing The DSLR Filmmakers Handbook: Real World Production Techniques. This book is part of a family of premium-quality Sybex books, all of which are written by outstanding authors who combine practical experience with a gift for teaching.
Sybex was founded in 1976. More than 30 years later, were still committed to producing consistently exceptional books. With each of our titles, were working hard to set a new standard for the industry. From the paper we print on, to the authors we work with, our goal is to bring you the best books available.
I hope you see all that reflected in these pages. Id be very interested to hear your comments and get your feedback on how were doing. Feel free to let me know what you think about this or any other Sybex book by sending me an email at nedde@wiley.com . If you think youve found a technical error in this book, please visit http://sybex.custhelp.com . Customer feedback is critical to our efforts at Sybex.
Best regards,
Neil Edde
Vice President and Publisher
Sybex, an Imprint of Wiley
To our kids, who put up with us.
Acknowledgments
We could not have written this book without the help and support of many people. First we need to thank our kids, Trinity and Stonewall, for being so patient with us during the whole writing experience as well as being good subjects in so many of our examples and testing over the past couple of years.
We must also thank our contributors, Michael Heagle and Daniel Brown. Michael wrote the chapter on fixing it in post and did a superb job of making the subject matter of post-production seem to be no problem at all. Daniel wrote the entire section about shooting underwater photos and video. His many years of experience were invaluable and distilled to a point where we believe anyone reading his tips will be well on their way to top-quality underwater images.
We also want to thank some of our close friends who allowed us to share some of their invaluable knowledge with their permission. Shane and Lydia Hurlbut and their top-of-the-line Hurlbut Visuals Elite team were awesome. They are leaders in the field and helped us tremendously in better learning the DSLR video cameras and workflows; we also gleaned some information from their blog at www.hurlbutvisuals.com . Additionally, Chris Fenwick, editor extraordinaire, was invaluable in helping with a simplified workflow for compressing final images getting them ready for multiple devices. Thanks to Scott Sheppard for the many hours of assistance in helping set up test after test and being a sounding board for everything from lenses to editing to compression to color, and more; Milo Durben for his invaluable knowledge of gripping and rigging and the patience for all the images we had to take during the course of writing the book; and Jack Boniface for being a great sounding board and a great help with consulting on the audio portions of the book.
We also cannot thank enough our cast and crew of The Shamus for their outstanding performances and their patience in working with a young technology so early in the DSLR game: to our actors, Charles Hubble, Greg Hain, Emily Tyra, Sarah Richardson, Sam Landman, Sasha Andreev, and the many other outstanding actors; and to our crew, Michael Dvork, Ryan Dodge, Tammy Hollingsworth, Deena Graf, Thomas Popp, and the rest of the gang who helped make the film such a joy to work on.