Ian Nathan - Inside the Magic: The Making of Fantastic Beasts and Where to Find Them

Published in 2016 by
Harper Design
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Copyright 2016 Warner Bros. Entertainment Inc.
FANTASTIC BEASTS AND WHERE TO FIND THEM characters, names and related indicia are & TM Warner Bros. Entertainment Inc. WB SHIELD: TM & WBEI.
J.K. ROWLINGS WIZARDING WORLD TM J.K. Rowling and Warner Bros. Entertainment Inc. Publishing Rights JKR. (s16)

Cover design HarperCollinsPublishers Ltd 2016
Cover layout design HarperCollinsPublishers Ltd 2016

First Printing, 2016

Project Editor: Chris Smith
Editor: Georgie Cauthery
Design & layout: Simeon Greenaway
Production Manager: Kathy Turtle

HarperCollins would like to thank David Heyman, Victoria Selover, Elaine Piechowski, Melanie Swartz, Jill Benscoter, Gina Cavalier & Niki Judd.

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Library of Congress Control Number: 2016959348
Source ISBN: 9780062571328
Ebook Edition November 2016 ISBN: 9780062684790
Version: 2016-11-11

I t all started with a slightly clandestine meeting with David Yates about an unknown project. This was around Christmas time in the basement of a hidden little club in Soho, London, and there was a roaring fire. I knew that David had made the Harry Potter films, and during our meeting he began to reveal things about a screenplay that J.K. Rowling was writing. Sitting by the fire as he was telling the story, I was completely hypnotised.

Over the next year we would meet and he would gently tease me with more and more of J.K. Rowlings ideas. I became so invested in the story, hearing all these updates of what was going on in Newts world, that when I was then cast I was elated. I finally got to read the script and I was astounded. J.K. Rowling had managed to encompass elements of a thriller, comedy, romance: different genres almost, and yet it was all woven together with such delicacy and was powerful emotionally. It actually had me sobbing.

What is wonderful for me in what J.K. Rowling has written, and what director David Yates has done when adapting her words, is their absolute conviction to the realness of the wizarding world.

One of my clearest memories was the day that David said, Eddie, pick a wand. It was this extraordinarily magical moment. It sounds absurd but I felt like being a nine-year-old at Christmas. It was funny because, there I was, holding this thing this was the moment my inner nine-year-old had been waiting for my whole life, and I had absolutely no idea what to do! Not a clue. I felt ridiculously self-conscious and got complete stage fright.

In the end I went back and watched many of Daniel, Emma and Ruperts moments in the Potter films and looked at what their wand-work was like. They were pretty inspiring, I must say. I may have thieved a few ideas.

After years of secretly thinking I might be able to blag a part in the Weasley clan being borderline ginger it was wonderful to be able to jump into this world. But what was particularly great was to fall in love with my character specifically. Newt isnt easy. He doesnt ask for peoples approval; he can be a bit hard and he marches to the beat of his own drum, but there is also a childlike quality to him, and you can hopefully sense from his relationship with the beasts that he has a great heart.

The whole experience of getting to play Newt was a complete riot. Ill never forget one scene on top of the department store with this gigantic winged creature called an Occamy. Basically, the Occamy goes a wee bit crazy and lifts Newt up onto its back. When we shot it I was suspended in the air riding some kind of massive green bucking bronco (because the creature will be added later, digitally) shouting about insects and teapots, with cameras soaring around me left, right and everywhere. It felt totally, totally surreal. But, touch wood, it will end up looking pretty thrilling.

Entering the wizarding world, the world of J.K.s imagination, has superseded all the fantastical expectations that I had already had. I truly count myself a lucky, lucky man.

I n the summer of 2011, with the release of the eighth and final Harry Potter film, I closed the book on one of the most fulfilling chapters of my career, having spent more than a decade immersed in the wizarding world, created by the brilliant Jo Rowling. Little could I have imagined then that, just a few years later, I would be returning to that world for a new adventure, called Fantastic Beasts and Where to Find Them.

I will admit to feeling mildly apprehensive when Jo first announced that she was writing the screenplay for the film. Her genius as a novelist is without question; nevertheless, being an inspired author and an accomplished screenwriter dont necessarily go hand-in-hand. As soon as I began reading her script, however, my concerns evaporated. Her gift for creating vivid, enchanting characters, and for drawing the reader into engaging stories with true thematic depth, resonated on every page.

With this original screenplay, Jo has brought to Fantastic Beasts a number of the elements that have made Harry Potter so beloved. Her script is filled with the endless wonder and magic of the wizarding world; it delivers the same fun and thrilling adventure; and it weaves in rich, timeless themes that are both touching and thought-provokingthe fear of others that comes with a divided world; the feeling of being an outsider in search of a family; the need to be true to oneself. And yet this film is utterly fresh and distinct; offering untold surprises to the most dedicated of Harry Potter fans. It takes us far away from the insular world of Hogwarts into new and unexplored corners of this magical world: to the vibrant streets of 1926 New York, where wizards and witches exist in secret; and to the depths of Newts magical case, filled with the weird and wonderful creatures he has gathered from around the globe each with their own distinct personality. Our main characters are not teenagers: they are adults. And yet they are still innocents struggling with the challenges of finding their place in the world.