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Sloan De Forest - Must-See Sci-Fi: 50 Movies That Are Out of This World

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Spanning nine decades and branded by the most trusted authority on film, Turner Classic Movies: Must-See Sci-Fi showcases 50 of the most shocking, weird, wonderful, and mind-bending movies ever made.
From A Trip to the Moon (1902) to Arrival (2016), science fiction cinema has produced a body of classics with a broader range of styles, stories, and subject matter than perhaps any other film genre. They are movies that embed themselves in the depths of the mind, coloring our view of day-to-day reality and probably fueling a few dreams (and nightmares) along the way.
In Turner Classic Movies: Must-See Sci-Fi, fifty unforgettable films are profiled, including beloved favorites like The Day the Earth Stood Still (1951) and Fantastic Voyage (1966), groundbreaking shockers like Planet of the Apes (1968) and Alien (1979), and lesser-known landmarks like Things to Come (1936) and Solaris (1972). Illustrated by astounding color and black-and-white images, the book presents the best of this mind-bending genre, detailing through insightful commentary and behind-the-scenes stories why each film remains essential viewing. A perfect gift for any film buff or sci-fi fanatic!

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Copyright 2018 by Turner Classic Movies Hachette Book Group supports the right - photo 1

Copyright 2018 by Turner Classic Movies

Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture.

The scanning, uploading, and distribution of this book without permission is a theft of the authors intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact permissions@hbgusa.com. Thank you for your support of the authors rights.

Running Press

Hachette Book Group

1290 Avenue of the Americas, New York, NY 10104

www.runningpress.com

@Running_Press

First Edition: May 2018

Published by Running Press, an imprint of Perseus Books, LLC, a subsidiary of Hachette Book Group, Inc. The Running Press name and logo is a trademark of the Hachette Book Group

The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to www.hachettespeakersbureau.com or call (866) 376-6591.

The publisher is not responsible for websites (or their content) that are not owned by the publisher.

Library of Congress Control Number: 2017962962

ISBNs: 978-0-7624-9152-0 (paperback), 978-0-7624-9153-7 (ebook)

E3-20180130-JV-PC

All images in this book are from the Del Valle Archive courtesy of David Del Valle, and from Turner Classic Movies.

The photos and images in this book are for educational purposes. Efforts have been made to secure the necessary rights from photographers and/or copyright holders. In the case of photos that had no accreditation, if proper credit is later discovered, such credits will be added to subsequent printings.

Sigourney Weaver in Alien 1979 Kenneth Villiers and Pearl Argyle in Things - photo 2

Sigourney Weaver in Alien (1979)

Kenneth Villiers and Pearl Argyle in Things to Come 1936 I - photo 3

Kenneth Villiers and Pearl Argyle in Things to Come (1936)

I remember going to see my first science-fiction movie as a kid in 1936 It was - photo 4
I remember going to see my first science-fiction movie as a kid in 1936 It was - photo 5

I remember going to see my first science-fiction movie as a kid in 1936. It was a Saturday matinee of Things to Come, an awe-inspiring, futuristic epic from the brilliant mind of H. G. Wells. It ignited my imagination, inspiring a lifelong interest in the genre. As a director, writer, and producer, science fiction, like horror, is a genre I keep returning to again and again throughout my career, in part because it has such a devoted following. Sci-fi fans not only buy movie tickets, they love to discuss every detail they have absorbed from watching and re-watching their favorites.

The first film I ever produced, Monster from the Ocean Floor, was about a creature that had mutated due to atomic radiation. It was made in 1954, the same year Them! and Gojira were released. It was part of a money-making trend (atomic mutants were all the rage), but it also had a few underlying themes and political statements. Working outside of the Hollywood establishment, we were able to experiment, to play, to have funand to use science fiction to question and comment on society. Science fiction was synonymous with low budgets in those days. Because there were no big stars in the pictures, it was the genrethe ideathat sold tickets. Therefore, the more outrageous the concept, the better.

Since then, science-fiction movies have undergone an incredible evolution. When I started in the business, it was all about monsters. In the world of low-budget filmmaking, we had little money for special effects, and of course we did not yet have the computer technology of today. So we relied heavily on imagination. Over the past sixty years, I have seen science fiction grow from papier-mch-and-wire monsters (which could be very effective indeedlook at George Pals The War of the Worlds, for one) to lifelike computer-generated graphics. Ive observed the genre as atomic monsters of the 1950s gave way to the hallucinogenic extraterrestrial experiences of 2001: A Space Odyssey (1968), witnessed first-hand the impact Star Wars (1977) had on cinema, and watched as James Cameron went from spending $6 million on The Terminator in 1984 to over $230 million on Avatar in 2009. And the budgets just keep getting bigger.

But even in the age of expensive wonders, making a science-fiction movie still boils down to imagination. All the money and sophisticated technology in the world cannot produce an entertaining film unless there is an idea behind it. Its always disappointing to go and see a big-budget extravaganza with spectacular effects, but to leave the theater feeling empty because the story had nothing original to say. Unforgettable science-fiction stories stimulate the mind just a little, in addition to their sheer entertainment value. After all, fun is what we go to the movies for. Thats why classic sci-fi movies remain so enjoyable: they offer thrills, chills, and sometimes laughs, but they also make you think.

The must-see sci-fi movies in this book are considered classics because they were made with imagination. Whether a timeless Hollywood favorite like James Whales Frankenstein (1931) or a modestly budgeted independent like John Sayless The Brother from Another Planet (1984), each of these fifty films transcends its era. Each has a universal quality that allows it to live on for future generations to discover. If youre already a fanatic or if youre just discovering them for the first time, I hope you enjoy these movies as much as I have. May your imagination run wild.

T he most memorable science-fiction movies are ones that defy our expectations. Even the experience of writing about science fiction defied my expectations. As I deeply explored the genre, I was struck by the uniqueness of every storyhow dissimilar each was from the nextrather than their similarities. What does a comedy like Back to the Future (1985) have in common with a thriller like Alien (1979)? Does Barbarella (1968) share any elements with The Invisible Man (1933)? Even categorizing certain titles as science fiction proved more challenging than I had imagined. Like the shape-shifting monster in The Thing (1982), sci-fi cinema takes many forms and is almost impossible to wrangle in an expected direction.

So how do we know a science-fiction movie when we see it? According to writer Phil Hardy, who labeled science fiction the impossible genre, virtually all sci-fi films in some way or another call into question the world we live in and accept as absolute. In other words, they question our reality. Science fiction looks at our world and asks, What if? What if we could travel back and forth in time? What if there are aliens on other planets? What if everything we believe to be real is, in fact, a computer-generated illusion? Specifically, science fiction confronts the what-ifs of technology by questioning our relationship to scientific progress and projecting advancements that might lie just beyond the horizon. Where is science leading mankind? Unforgettable sci-fi films not only pose such heavy-duty questions, they proceed to answer them in dazzling detail.

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