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Marion Turner - Chaucer: A European Life

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A groundbreaking biography that recreates the cosmopolitan world in which a wine merchants son became one of the most celebrated of all English poets
More than any other canonical English writer, Geoffrey Chaucer lived and worked at the centre of political life--yet his poems are anything but conventional. Edgy, complicated, and often dark, they reflect a conflicted world, and their astonishing diversity and innovative language earned Chaucer renown as the father of English literature. Marion Turner, however, reveals him as a greatEuropeanwriter and thinker. To understand his accomplishment, she reconstructs in unprecedented detail the cosmopolitan world of Chaucers adventurous life, focusing on the places and spaces that fired his imagination.
Uncovering important new information about Chaucers travels, private life, and the early circulation of his writings, this innovative biography documents a series of vivid episodes, moving from the commercial wharves of London to the frescoed chapels of Florence and the kingdom of Navarre, where Christians, Muslims, and Jews lived side by side. The narrative recounts Chaucers experiences as a prisoner of war in France, as a father visiting his daughters nunnery, as a member of a chaotic Parliament, and as a diplomat in Milan, where he encountered the writings of Dante and Boccaccio. At the same time, the book offers a comprehensive exploration of Chaucers writings, taking the reader to the Troy ofTroilus and Criseyde, the gardens of the dream visions, and the peripheries and thresholds ofTheCanterbury Tales.
By exploring the places Chaucer visited, the buildings he inhabited, the books he read, and the art and objects he saw, this landmark biography tells the extraordinary story of how a wine merchants son became the poet ofThe Canterbury Tales.

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CHAUCER CHAUCER A EUROPEAN LIFE Marion Turner PRINCETON UNIVERSITY PRESS - photo 1

CHAUCER

CHAUCER

A EUROPEAN LIFE

Marion Turner PRINCETON UNIVERSITY PRESS PRINCETON AND OXFORD Copyright 2019 - photo 2

Marion Turner

PRINCETON UNIVERSITY PRESS

PRINCETON AND OXFORD

Copyright 2019 by Princeton University Press

Published by Princeton University Press

41 William Street, Princeton, New Jersey 08540

6 Oxford Street, Woodstock, Oxfordshire OX20 1TR

press.princeton.edu

All Rights Reserved

LCCN 2018948733

ISBN 978-069-1-16009-2

eISBN 9780691185682

Version 1.0

British Library Cataloging-in-Publication Data is available

Editorial: Ben Tate and Hannah Paul

Production Editorial: Debbie Tegarden

Text Design: Lorraine Doneker

Jacket Designer: Amanda Weiss

Jacket Art: (top): Hereford Mappa Mundi, c. 13th century; (bottom) adapted from Steamship Victoria of the Anchor Line, c. 1876

Production: Jacquie Poirier

Publicity: Jodi Price and Katie Lewis

Copyeditor: Cathryn Slovensky

epigraph excerpted from H is for Hawk by Helen Macdonald. Copyright 2014 by Helen Macdonald. Published by Jonathan Cape. Reprinted by permission of The Random House Group Limited and Grove/Atlantic, Inc.

Chapter 15 epigraph excerpted from The Waste Land in Collected Poems 19091962 by T. S. Eliot. Copyright 1936 by Houghton Mifflin Publishing Company. Renewed 1964 by Thomas Stearns Eliot. Reprinted by permission of Houghton Mifflin Harcourt Publishing Company and Faber & Faber. All rights reserved.

The epigraph by T. S. Eliot is also reproduced by permission of Faber and Faber Limited, publisher of the the Waste Land in the United Kingdom.

For Cecilia, Peter, and Elliot

CONTENTS
  1. ix
  2. xi
  3. xv
  4. 363
  5. 368
PLATES

(Illustrations follow page 266)

Medieval Merchants House, Southampton Historic England Archive

The opening of the General Prologue of the Canterbury Tales, The Ellesmere Chaucer, mssEL 26 C 9, fol. 1r, c. 14001410, The Huntington Library, San Marino, California

Old palace, Olite, Navarre Marion Turner

Iglesia de Santiago (Church of St James), Roncesvalles, Navarre Marion Turner

Ra de la Judera, Olite, Navarre Marion Turner

Giotto (Giotto di Bondone, 12661336), Scenes from the Life of St Francis: Death of the Saint. Florence, Santa Croce (Cappella Bardi). 2018. Photo Scala, Florence

Scribal comments on the Wife of Baths Prologue, The Ellesmere Chaucer, mssEL 26 C 9, fol. 63r, c. 14001410, The Huntington Library, San Marino, California

Chaucers Retractions, in the Canterbury Tales, The Ellesmere Chaucer, mssEL 26 C 9, fol. 232v, c. 14001410, The Huntington Library, San Marino, California

St Helens Bishopsgate Marion Turner

The Tower of London Marion Turner

Astrolabe, c. 1370. Inv. 49359. Museum of the History of Science, University of Oxford

Sculpture of a poet laureate, fourteenth century, Castello Sforzesco, Milan Marion Turner

Visconti coat of arms (the biscione), Castello Visconteo, Pavia Marion Turner

Tomb and equestrian monument of Bernab Visconti sculpted by Bonino da Campione, 135763, Castello Sforzesco, Milan Marion Turner

Medieval walled garden, Royal Palace of Olite, Navarre Marion Turner

Richard II, the Westminster portrait, c. 1395 Dean and Chapter of Westminster

Chaucers tomb, Poets Corner, Westminster Abbey, 1556 Dean and Chapter of Westminster

Portrait of Chaucer, in Thomas Hoccleve, The Regiment of Princes, Harley MS 4866, fol. 88r, c. 141120 By permission of the British Library

Alice Chaucers tomb, Ewelme, Oxfordshire, c. 1470s Marion Turner

ILLUSTRATIONS

Family Trees

Maps

Europe and Beyond, c. 1360

Chaucers London

London Area and Northern Kent

ACKNOWLEDGEMENTS This book has benefited hugely from its early readers - photo 3
ACKNOWLEDGEMENTS This book has benefited hugely from its early readers - photo 4
ACKNOWLEDGEMENTS

This book has benefited hugely from its early readers: Anthony Bale, Elliot Kendall, and Paul Strohm, acute interpreters, kind interlocutors, willing cocktail drinkers. I also want to extend profound thanks to the careful and thoughtful anonymous readers for Princeton University Press. My editor at the Press, Ben Tate, has been the best of all possible editors, and the rest of the wonderful team at PUP, especially Hannah Paul, Debbie Tegarden, Dimitri Karetnikov, Katie Lewis and Cathy Slovensky, have provided the most supportive and vibrant environment possible. I cannot thank them enough. The British Academy awarded me a mid-career fellowship to work on this book, which allowed me invaluable time to research, write, and think, and I am deeply grateful to them for believing in my project. This book would have taken far longer without their help.

I am also very lucky to work with wonderful colleagues in Oxford, to teach inspiring students here, at Jesus College, Oriel College, and the English Faculty, and to be part of an exceptionally intelligent and kind international community. I cant thank everyone, but here are a few people to whom I am especially grateful for conversations either recent or long ago: Helen Barr, Ardis Butterfield, Chris Cannon, Rita Copeland, Isabel Davis, John Ganim, Alex Gillespie, Vincent Gillespie, Claire Harman, Hermione Lee, Laurie Maguire, Robyn Malo, Katie Murphy, Sophie Ratcliffe, Sebastian Sobecki, Emily Steiner, Helen Swift, Peter Travis, Stephanie Trigg, Dan Wakelin, and David Wallace. In the late stages of the book, Emily Dolmans provided excellent research and editorial assistance, and Tom Broughton-Willett crafted the index. I have learnt a lot from graduate students, especially Hannah Bower and Rebecca Menmuir, and the students who have worked with me on the Placing Chaucer course. Wide-ranging conversations with undergraduates too numerous to mention individually are at the heart of my working life; I feel amazed every day that I get to teach such extraordinary students.

Im also very grateful to have had the opportunity to give papers about this book at the Universities of Cambridge, Oxford, Sussex, and Warwick; at the Medieval Academy in Atlanta; at the MLA conference in Vancouver; and at the New Chaucer Society Congresses in Reykjavik, London, and Toronto. I often speak at schools, and the opportunity to talk to young people about Chaucer is a huge privilege. It is always inspiring to discuss Chaucer with people who have only recently begun to discover his subtleties, humour, and infinite variety.

Finally, I want to thank my family. My parents, David and Sheelagh, have continued to claim interest in Chaucer, and Im very lucky to have their unwavering support. My more extended familyespecially Katie, Damon, Michael, and Ruby, my aunts Rita and Moira and their families, my Kendall family at the other side of the world, and many friends who are like family, particularly Kirstie Blair, Ned Fletcher, Jessie and Mark Flugge, Camille and Joe Mazarelo, Tim Phillips, Natalie Walker, and Rachel Wevillare essential to my life and happiness. And everything I do is built on the foundation of the three people with whom I share a home, the lights and loves of my life. Two of them have lived with this book for much of their lives, sustained only by the hope of one day attending a book-launch party featuring a Chaucer cake. Elliot, Cecilia, and Peter, this book is for you.

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