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Mazie K. Hirono - Heart of Fire: An Immigrant Daughters Story

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Mazie K. Hirono Heart of Fire: An Immigrant Daughters Story
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Heart of Fire: An Immigrant Daughters Story: summary, description and annotation

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From Mazie Hirono, the first Asian-American woman and the only immigrant serving in the U.S. Senate, the intimate and inspiring story of how a girl born in rural Japan went on to become a hero on the left ( The Washington Post ) - and of the mother whose courageous choices made her journey possible
Mazie Hirono is one of the most fiercely outspoken Democrats in Congress, but her journey to the U.S. Senate was far from likely. Raised poor on her familys rice farm in rural Japan, Hirono was seven years old when her mother left her abusive husband and sailed with her two elder children to the United States, crossing the Pacific in steerage in search of a better life. Though the girl then known as Keiko did not speak English when she entered school in Hawaii, she would go on to hold state and national office, winning election to the U.S. Senate in 2012.
This intimate and inspiring memoir traces her remarkable life from her upbringing in Hawaii, where the family first lived in a single room in a Honolulu boarding house while her mother worked two jobs to keep them afloat; to her emergence as a highly effective legislator whose determination to help the most vulnerable was grounded in her own experiences of economic insecurity, lack of healthcare access, and family separation. Finally, it chronicles her evolution from dogged yet soft-spoken public servant into the fiery critic and advocate we know her as today.
For the vast majority of Mazie Hironos five decades in public service, even as she fought for the causes she believed in, she strove to remain polite and reserved. Steeped in the non-confrontational cultures of Japan and Hawaii, and aware of the expectation that women in politics should never show an excess of emotion, she had schooled herself to bite her tongue, even as her male colleagues continually underestimated her. After the 2016 election, however, it was clear that she could moderate herself no longer. In the face of an autocratic administration, Hirono was called to at last give voice to the fire that had always been inside her.
The moving and galvanizing account of a woman coming into her own power over the course of a lifetime in public service, and of the mother who encouraged her immigrant daughters dreams, Heart of Fire is the story of a uniquely American journey, written by one of those fighting hardest to ensure that a story like hers is still possible.

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Keiko age three Fukushima Japan VIKING An imprint of Penguin Random House - photo 1
Keiko age three Fukushima Japan VIKING An imprint of Penguin Random House - photo 2

Keiko, age three, Fukushima, Japan

VIKING An imprint of Penguin Random House LLC penguinrandomhousecom Copyright - photo 3

VIKING

An imprint of Penguin Random House LLC

penguinrandomhouse.com

Copyright 2021 by Mazie K. Hirono

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

Photo of the author with David Hagino () courtesy of Alan Van Etten/Friends of Mazie Hirono.

Photo of the author and Leighton Oshima on the Senate subway () AP Photo/Harry Hamburg.

Photo of the author with John Lewis () courtesy of the Faith & Politics Institute; HPM Ltd. Photo by Mark Harrison.

Photo of the author with Senators Richard Blumenthal and Kamala Harris () AP Photo/Carolyn Kaster.

Portrait of the author with Betty Friedans The Feminine Mystique () Celeste Sloman/The New York Times/Redux.

Photo of the author with Supreme Court Associate Justice Ruth Bader Ginsburg () courtesy of Vincent Eng.

Cards () by Laura Hirono.

Cards () by the author.

All other images courtesy of the author.

LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA

Names: Hirono, Mazie, 1947 author.

Title: Heart of fire : an immigrant daughters story / Mazie K. Hirono.

Description: [New York] : Viking, 2021. | Includes bibliographical references.

Identifiers: LCCN 2020053648 (print) | LCCN 2020053649 (ebook) | ISBN 9781984881601 (hardcover) | ISBN 9781984881618 (ebook)

Subjects: LCSH: United States. Congress. SenateBiography. | United States. Congress. HouseBiography. | Japanese American womenHawaiiBiography. | Lieutenant governorsHawaiiBiography. | LegislatorsHawaiiBiography. | Women legislatorsHawaiiBiography. | LegislatorsUnited StatesBiography. | Women legislatorsUnited StatesBiography. | United StatesPolitics and government1989 | HawaiiPolitics and government1959

Classification: LCC E901.1 .H57 2021 (print) | LCC E901.1 (ebook) | DDC 328.73/092 [B]dc23

LC record available at https://lccn.loc.gov/2020053648

LC ebook record available at https://lccn.loc.gov/2020053649

pid_prh_5.6.1_c0_r0

To my mother, Laura Chieko,

who dared everything, and

whose compass is my surest guide

To my husband, Leighton,

who makes me laugh, and inspires me

to keep taking copious notes

Contents
Authors Note

As with all memoirs, the dialogue in this narrative has been re-created from the authors best recollection and characterizes the spirit and substance of conversations rather than the precise words that may have been spoken.

PREFACE Necessary Fire In one of my most vivid childhood memories I am sitting - photo 4
PREFACE
Necessary Fire

In one of my most vivid childhood memories, I am sitting on the curb next to the bus stop with my older brother, Roy, waiting for our mother to get home. Three nights a week, after she leaves her day job as a typesetter at a Japanese-language newspaper, she goes to work as a server for a caterer downtown. Roy is eleven and I am nine. Most days after school, we play in the street and climb trees with boys from the neighborhood until late, and then we wait at the bus stop. A soft evening breeze cools our flushed faces as we sit chewing wads of wax candy, pleasantly tired from our games. In the tree branches above us, roosting sparrows ruffle their wings, their chatter mingling with the occasional rumble of passing cars. I think how different the night noises are here in Hawaii, compared to the stillness of evenings in rural Japan, where I was born.

Roy and I jump to our feet at the sight of our mothers bus turning onto Kewalo Street. We crowd around the door as it opens, knowing Mom will be the only passenger getting off at this hour. On this night, when Mom steps off the bus, she stumbles and steadies herself with a hand on Roys shoulder. She pauses, closes her eyes, and sucks in a deep breath. She looks pale and worn, and I realize shes not feeling well. I watch her face closely as Roy and I walk slowly beside her to the white clapboard boardinghouse where we live together in a single small room.

As soon as we are inside, Mom changes out of her white servers uniform and climbs under the sheets. She lies sideways across the mattress the three of us share, feet hanging off the side, careful to leave space for Roy and me. She refuses the bowl of rice that I have saved for her dinner and turns to the wall, a tiny moan escaping her. I touch her face. Her skin is on fire. I gather her clothes from the top of the dresser, where she has neatly placed them, and find that the cloth is soaked through. I try to appear calm, but Im frightened. Roy stretches out next to our mother, watching her sleep, his forehead creased. I can tell hes worrying, too. Not knowing what else to do, I walk to the communal washbasin at the end of the hall, carrying Moms uniform. Barely tall enough to reach the sink, I stand on a small step and drape the white cloth over the wooden washboard. I set about scrubbing the sweat stains from her clothes, working vigorously to distract myself from the fear that makes me feel hollow at the center. Mom has only one white servers uniform and will need to wear it again for her next shift, later in the week.

I know how hard my mother works to keep us afloat, and I have already begun looking for ways to help her. Every day during the school year, Mom leaves two quarters on the table for Roy and me to buy lunch. A couple of times a month, she adds a dime for each of us. Roy always spends his dime, but I drop mine into the slot of a metal baseball piggy bank that Mom gave me. It is a cheap thing she picked up for a few cents, but I treasure it. In the evening before bed, I shake it, pleased by the jingle of coins. Some nights, I open the piggy bank and arrange the dimes in ever-lengthening rows on the floor, enjoying the simple fact of them.

One evening a few weeks before, I shook my piggy bank, anticipating its jingle. But it made no sound. I had to buy food, Mom explained when she arrived home later that night. Where my saved coins had been, there was now only the heaviness of her regret. It chased my own disappointment away instantly. It had taken me many months to save those coins, but I understood that Mom had needed them. A few days later, she pressed a new coin in my palm. She folded my fist around it, smiling at me ruefully. The cool metal in my hand felt like a kind of promise as I pulled my piggy bank from under the bed and dropped the dime into its slot. Hearing its lonely clink, I knew there was nothing else to do but to begin saving again.

Now, I rinse Moms uniform and hang it to dry on a communal line in the yard. By the time I get back to our room, Mom and Roy are both snoring softly. I sleep fitfully that night, alert to Moms every movement and sigh. Im half-awake when she rises before daybreak as usual, dresses quietly so as not to disturb us, and leaves for her day job at the newspaper. After shes gone, I lie there, staring into the darkness. Beside me, Roy rolls onto his back and softly exhales.

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