PRAISE FOR
A Woman on the Edge of Time
An Observer book of the year
Beautifully writtenwholly uniqueA Woman on the Edge of Time is an elegy/memoir that is also a kind of detective storyin which the author investigates, with as much dread as hope, the circumstances leading to the suicide of his charismatic and accomplished mother many years before. It is difficult not to rush through Jeremy Gavrons compelling story, which would translate brilliantly into cinematic form.
JOYCE CAROL OATES
Jeremy Gavrons quest to find his mother has produced a groundbreaking book and moving portrait of a spirited young womana captive wifewho refused to accept the social constraints of her time. Unforgettable.
TINA BROWN
This is a memoir and a non-memoir, one on many levels, of Hannah Gavrons absence, of her charismatic presence, and a vivid vision too of the decades which framed her.... This pioneering, intense and visceral work... is both an act of mourning and a revelation of life. The genius of A Woman on the Edge of Time is that the impossible, very real Hannah Gavroncheeky, warm, clever, determined, brilliant, shining, paradoxicalcomes so fully back to life.
ALI SMITH, Times Literary Supplement
A thoughtful meditation on a ruthless, mysterious final act.
Kirkus Reviews
This volume succeeds as both a poignant memoir and a well-researched and -constructed investigation of a life ended too soon. An engrossing and highly recommended portrait of a woman who burned too brightly for her time and the long-term effects of suicide by a child left behind.
Library Journal
[Gavrons] writing poignantly touches the enigmatic interior life of a mother forever out of reach.
Publishers Weekly
Jeremy Gavrons exquisitely orchestrated dance with his late mother is not only an intimate family affair but also a fresh appraisal of a generation of women on the verge of history. Though her contemporary Sylvia Plath has claimed that space, Hannah Gavronan intellectual rather than an artist, distressed but not mentally illmay be the more resonant exemplar. Reading about her suicide, and the still unfinished struggle it reflects, kept me awake at night.
DIANE MCWHORTER, Pulitzer Prizewinning author of Carry Me Home
The best memoirs ask the reader to assess her own place and relations in the world; A Woman on the Edge of Time does just that.
ANTONYA NELSON, author of Funny Once
Mesmerising... Meticulous, even-handed and quietly revelatory, [A Woman on the Edge of Time] may be read both as a kind of detective story, the readers stomach fluttering wildly each time he tracks down another witness, and as a work of social history, a sly skewering of the limitations, whether spoken or unspoken, which were then placed on women.
RACHEL COOKE, Observer
Gavron is too subtle and intelligent to make the mistake of believing that suicide is ever about only one thing. And here, in beautiful, mesmeric prose, he delves deep into the shadow side of his mothers life.... The result is a memoir that is surely going to be regarded as a classic of the genre.
Independent
Jeremy Gavrons quest [in writing A Woman on the Edge of Time] is a double quest: to find out what his mother was like in life and to find out why she killed herself.... The tenacity with which he pursues this goal is extraordinary.... The taboo of silence that shrouded Jeremys childhood is broken. Those complicit with it arent arraigned; the tone is patient and compassionate. But Hannah [Gavron] steps out of the shadow, fifty years on, and the great unsaids are finally spoken.
BLAKE MORRISON, Guardian
Gavrons attempt to understand, and thus forgive... the mother who abandoned him, is admirable.
Financial Times
Gavron has written a book as brave and honest as it is heart-stopping and gripping. With the meticulousness of a detective and the heart and soul of an abandoned son, he sets out to examine a family tragedy so raw and agonising that it is rarely talked, let alone written, about. I felt for himand every man, woman and child in this bookwhilst at the same time finding myself unable to put it down. Yes, you sense him stepping, with touching sensitivity, through some desperately painful (and potentially dangerous) territory. But if authors cant write about the mysteries closest to their hearts, then what point is there, really, in memoir?
JULIE MYERSON, author of Home: The Story of Everyone Who Ever Lived in Our House
A Woman on the Edge of Time possesses all the signature verve, imagination and elegance of Gavrons writing but he brings to this, the story of his mothers suicide when he was four years old, a particular burning, restless intelligence. The result is a memoir of devastating, heartbreaking power: I had to put my life on hold to finish it.
MAGGIE OFARRELL, author of Instructions for a Heatwave
Ive just finished reading Jeremy Gavrons new book, and Im quite overwhelmed by the artistry of this memoir/detective story/sociological study. It is in essence a reconstruction of his mothers lifebut its not only about his mother, and what drove her to kill herself at twenty-nine. It is about so much more. About womenvibrant, ambitious, intelligent women, who came of age in the 50s in that precarious post-war decade before feminism took hold. It is a beautifully written and remarkably honest book that many women will identify withwhat it means to try to have it all, while society does nothing to support you. I found it deeply moving, insightful, and gripping.
ESTHER FREUD, author of Lucky Break
Profoundly moving... taking an almost impossibly tragic quest and turning it, as only seriously good writers can, into an understanding of the comedy of human errors.... This remarkable book will appeal to anybody interested in mid-20th century feminism. Its also a fascinating document about the devastating legacy of suicide.... I cannot recommend this book highly enough.
HENRIETTA GARNETT, Literary Review
Occasionally one comes across a book that needs to be read as much as it clearly needed to be written. Jeremy Gavrons impressive, tough yet affecting investigation into his mothers suicide at the age of twenty-nine in 1965 is such a story. Hannah Gavron was one of the brightest and most vivid young women of her generationI know because it was my generation too. She killed herself inexplicably only months before the publication of her study of young mothers lives in the early 1960s, the very first book of its kind in this country. She called her book The Captive Wife. Her sons book, A Woman on the Edge of Time, is both his storythe story of the aftermath of a suicideand his mothers story. Growing up knowing little about her, with no memories of her himself (he was four years old when she died), he has pieced together her life with meticulous attention: digging up documents, tracking down scores of people who knew her, both bringing her alive and coming, at the end, to a heartbreaking understanding of her death. In one sense, what he has uncovered is a tragic personal story, one womans story, but it is more than that: Jeremy Gavron evokes the lives of all women in those pre-feminist years and so constructs a masterly portrait of an era. This is such a fine and beautiful book. A testament to a lost mother, and times past.
CARMEN CALLIL, author of Bad Faith: A Forgotten History of Family and Fatherland and the renowned founder of Virago Press and former head of Chatto & Windus and the Hogarth Press