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June Foray - Did You Grow Up with Me, Too?: The Autobiography of June Foray

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June Foray Did You Grow Up with Me, Too?: The Autobiography of June Foray
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Like millions of people, Ive been listening to June Foray for most of my life. I remember when I first encountered Rocky and Bullwinkle in their first season on TV, and falling under the spell of Jay Wards sharply-written, wonderfully performed cartoons. What I cant remember is when I learned that the same woman who provided the voice of Rocky also acted as Natasha, Nell, and a host of other characters on the series, including the gravely-voiced fairy godmother who was patterned after character actress Marjorie Main. But as a diehard cartoon fan, it didnt take me long to memorize the names of the actors in the shows credits (fleeting though they were). Around the same time I became enamored of Stan Frebergs comedy records, including such hit singles as St. George and the Dragonet and classic albums like Stan Freberg Presents the United States of America. The rich, colorful voices on those records became permanently ingrained in my consciousness, and in time I connected the dots and realized that June, Paul Frees, and Daws Butler were the same people I heard on so many cartoon soundtracks. - Leonard Maltin, from his Foreword

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Left to right Joe Barbera Walter Lantz Don Messick Daws Butler me and Bill - photo 1

Left to right: Joe Barbera, Walter Lantz, Don Messick, Daws Butler, me and Bill Hanna. Five men I miss a lot.

Heres my star on the Hollywood Walk of Fame appropriately enough right next to - photo 2

Heres my star on the Hollywood Walk of Fame appropriately enough, right next to Jay Wards. The gentleman with me is Belgian filmmaker Lieven Debrauwer and he seems almost as happy about it as I was.

Foreword by Leonard Maltin

Like millions of people, Ive been listening to June Foray for most of my life. I remember when I first encountered Rocky and Bullwinkle in their first season on TV, and falling under the spell of Jay Wards sharply-written, wonderfully performed cartoons.

What I cant remember is when I learned that the same woman who provided the voice of Rocky also acted as Natasha, Nell, and a host of other characters on the series, including the gravely-voiced fairy godmother who was patterned after character actress Marjorie Main. But as a diehard cartoon fan, it didnt take me long to memorize the names of the actors in the shows credits (fleeting though they were).

Around the same time I became enamored of Stan Frebergs comedy records, including such hit singles as St. George and the Dragonet and classic albums like Stan Freberg Presents the United States of America. The rich, colorful voices on those records became permanently ingrained in my consciousness, and in time I connected the dots and realized that June, Paul Frees, and Daws Butler were the same people I heard on so many cartoon soundtracks.

Little did I dream that years later I would get to know the very same June Foray. Appropriately enough, our first encounter was at an animation festival in 1974; oddly enough, it was halfway around the world in Zagreb. I soon learned that as the sparkplug of ASIFA-Hollywood and a longtime member of the Board of Governors of the Academy of Motion Picture Arts and Sciences, June was a tireless cheerleader for animation and short subjects, working to bring recognition to its leading lights.

I think my proudest moment was showcasing June and Bill Scott on a segment for Entertainment Tonight in the early 1980s. After I conducted an interview with these old friends and colleagues, I asked if they would be willing to step into our cramped voice-over booth and read through a few pages of an original script from the show. Then I watched them go into action. Within moments, they werent performers reading lines off a page; they became Rocky and Bullwinkle, right before my eyes. The best people in this specialized profession dont simply do funny voices. They are gifted actors whose talent is too often taken for granted.

June is a buoyant, seemingly ageless person who loves life, and revels in the response she gets from fans young and old. When I was fortunate enough to attend the Oscar nominees luncheon in 2007, I asked director Martin Scorsese who he was excited to have met that day, among the hundred-or-so contenders and Academy guests. He smiled and said, June Foray!

Who wouldnt be excited to meet a living show business legend? Now you can all get to know her better in this long-overdue memoir.


Leonard Maltin

Me in the early sixties My mother She was born Ida Robinson Very - photo 3

Me in the early sixties.

My mother She was born Ida Robinson Very supportive Extremely intelligent - photo 4

My mother. She was born Ida Robinson. Very supportive. Extremely intelligent. My great-great-grandmother was a Mohawk Indian in Quebec and she married into the Allard family.

Chapter Two

Learning to Talk

It finally penetrated. Perhaps it was just an attempt to save what was left of my beat-up little body, but at least this time it was what I wanted and so next it was off to elocution lessons.

Emulating the postmen who defy rain, sleet and dark of night, Geri, Bert and I trudged about three miles every week to the Forest Park library, checking out as many books as each was allowed, those exhilarating classics by Shakespeare, Hugo, Dickens and Chaucer.

They enhanced the myriad of books that Mom and Dad bought for us, especially at Christmas. I even recall getting Bomba, the Jungle Boy. My copy of The Complete Works of Edgar Allan Poe still remains on my shelf, as do those Elizabethan plays. Its a particularly terrifying thought that if television had been invented at that time, imagine how it would have detracted from those Halcyon literature-packed hours. We did, nevertheless, stop to listen to Amos and Andy. Some things are just essential.

As I memorized passages, I would acquire the personas of the book characters in my head. This lead to, I think, developing the vocal and perhaps the intellectual ability to represent them as a performer. I was Queen Guinevere or Lady Macbeth or Titania, Queen of the Faeries.

My first elocution teacher, Miss OLeary, introduced me to Little Orphan Annies come to our house to stay and rhymes contained in the book Heart Throbs, which included Joyce Kilmers Trees, and several by Edgar Guest. It was Dorothy Parker with her mordant wit who wrote: Id rather flunk a Wasserman test than read a poem by Eddie Guest.

Those were my feelings exactly, which weekly annoyed Miss OLeary when she discovered that I had memorized To Lucasta On Going To The Wars by Sir Richard Lovelace, instead of the detested Guest. I could not love Thee, dear, so much, loved I not honor more.

There was no doubt about it. We had to upgrade the teacher. The intensive search found Mrs. Elizabeth Larson, a classy, delicate-looking lady, who appeared on the stage with prominent actors like Warner Oland, who eventually migrated to Hollywood and the movies playing Charlie Chan. That was good enough for me and my parents. We had to hand it to Mrs. Larson, because it was she who tempered, honed and professionalized my inherent emerging talent, casting me in plays and ultimately on her radio show at the tender age of twelve. It was at this time when Mrs. Larson said:

June, I cant teach you anymore. Youre better than I am.

Her words, never to be forgotten, instilled enough hubris in me to apply for a professional job. Participating in high-school plays and being voted the best actress in the class didnt hurt, either.


The study of the French language fascinated me, having read Voltaire, Victor Hugo and especially Rostand, whose Cyrano devastated me. He was the ultimate sacrificial lamb! Miss McCarthy was the French teacher at Forest Park Junior High, and when I enrolled in her class, I anticipated an exciting adventure, which is exactly what it turned out to be. We translated Les Miserables from French into English, much easier than the other way around.

Of course, I identified with Collee. Ah, Miss McCarthy, how indebted I am to you, because my ability to speak French has rewarded me all over the world in my travels, even in Russia.

Mr. Rosenberg, who taught Latin, was my next mentor in a foreign language, albeit a dead one. He was a short, plump man, who incessantly caressed the wart on his nose, and I could never comprehend why he called me June when every other student was Miss or Mister. Maybe I was sexy at sweet sixteen.

I guess, in hindsight, I should have asked why I got preferential treatment. But still, Mr. Rosenberg enjoyed the same amount of gratitude I had for Miss McCarthy.

Our class translated Julius Caesar with the accounts of battle after bale, not my first antipathy to war, having experienced the feeling while memorizing poems. Even in my senior years, I can still conjugate Latin verbs and decline nouns. With the present world torn asunder, I wonder if all Gaul is still divided into three parts. Poor Hiies. Poor Huns. Poor Gaul. Poor World. Poor us.

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