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Frederick Taylor - Dresden: Tuesday, February 13, 1945

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Frederick Taylor Dresden: Tuesday, February 13, 1945
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    Dresden: Tuesday, February 13, 1945
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The bombing began shortly after 10:00 P.M. on February 13, 1945. In the fifteen hours that followed, 1,100 American and British heavy bombers dropped more than 4,500 tons of high-explosive bombs and incendiary devices, leaving the ancient city of Dresden -- the Florence of the Elbe -- in flaming ruins and claiming the lives of thousands of its citizens. Twelve weeks later the German surrender was in hand, signaling the end of World War II.

Yet today the bombing of Dresden is embedded in our collective consciousness not as the toppling blow to Nazi Germany but as one of historys cruelest wartime atrocities, a vicious and militarily unjustifiable act of vengeful retribution against a peaceful, beautiful, defenseless city somehow removed from the war-making machinery that had otherwise consumed all of Germany.

What really happened at Dresden -- both the facts of the events themselves and the reasons behind the remarkable legacy of propaganda that has left us in the dark about those events for nearly sixty years -- is the subject of Frederick Taylors ground breaking study. After careful research into British, American, and German archives (including recently discovered documents, now available after decades of communist censorship) and interviews with both bombers and survivors, Taylor -- a bilingual scholar, translator, and writer -- has created the most complete portrait ever assembled of the city, its people, and those involved in its fate. Many of his findings require a revelatory shift in how we understand these events. For instance, he demonstrates that

  • the numbers of dead -- frequently cited in excess of 100,000 -- were greatly exaggerated, for propaganda purposes, by Josef Goebbels (Taylor estimates the actual death toll at between 25,000 and 40,000)
  • charges that Allied pilots overhead shot down German civilians as they fled toward safety were patently false
  • contrary to popular belief, Dresden was a city of considerable military importance, both as a transportation hub and a major producer of armaments and military provisions.
  • Dresden: Tuesday, February 13, 1945 is the first truly informed and fair-minded history of the bombing that lives in infamy. Frederick Taylors book, a responsible and long-overdue corrective to a sixty-year-long legacy of misinformation masquerading as fact, will be remembered for generations both as a work of enduring scholarship and as a moving, compassionate narrative of a human tragedy of historic significance.

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    Frederick Taylor
    Dresden

    Tuesday, February 13, 1945

    To Alice How lonely lies the city that was full of people All her gates are - photo 1

    To Alice

    How lonely lies the city that was full of people. All her gates are desolate. The holy stones lie scattered at the head of every street. From on high He sent fire, into my bones He made it descend. Is this the city that was called the perfection of beauty, the joy of the earth?

    She took no thought of her doom; therefore her fall is terrible, she has no comforter. For this our heart has become sick, for these things our eyes have grown dim.

    Why do you forget us forever, why do you so long forsake us? Restore us to your self, O Lord, that we may be restored. Renew our days of old, O Lord, behold my affliction, O Lord, and behold my distress!

    L AMENTATIONS OF J EREMIAH , 1, 1, 14, 13; 2, 15; 1, 9; 5, 17, 2021; 1, 9

    Wie liegt die Stadt so wst, die voll Volks war. Alle ihre Tore stehen de. Wie liegen die Steine des Heiligtums vorn auf allen Gassen zerstreut. Er hat ein Feuer aus der Hhe in meine Gebeine gesandt und es lassen walten. Ist das die Stadt, von der man sagt, sie sei die allerschnste, der sich das ganze Land freuet?

    Sie htte nicht gedacht, dass es ihr zuletzt so gehen wrde; sie ist ja greulich heruntergestossen und hat dazu niemand, der sie trstet. Darum ist unser Herz betrbt, und unsre Augen finster geworden.

    Warum willst Du unser so gar vergessen und uns lebenslang so gar verlassen? Bringe uns, Herr, wieder zu dir, dass wir wieder heimkommen. Erneue unsre Tage wie vor alters. Herr, siehe an mein Elend, ach Herr, siehe an mein Elend!

    K LAGELIED J EREM . 1, 1, 14, 13; 2, 15; 1, 9; 5, 17, 2021; 1, 9

    Verses from Luthers translation of the Bible, arranged in: Funeral Motet for mixed choir a cappella: Wie Liegt die Stadt so Wst. Introduction to the Dresden Requiem by Rudolf Mauersberger (18891971).

    Contents

    Saxons

    Florence on the Elbe

    Blood and Treasure

    The Twin Kingdom

    Florence on the Elbe

    The Last King of Saxony

    The Saxon Mussolini

    A Pearl with a New Setting

    First the Synagogue Burns, Then the City

    Laws of the Air

    Call Me Meier

    Blitz

    Fire and the Sword

    The Reichs Air Raid Shelter

    A City of No Military or Industrial Importance?

    Total War

    Ardennes and After

    Thunderclap and Yalta

    Intimations of Mortality

    Time and Chance

    Shrove Tuesday

    Tally-Ho!

    Air Raid Shelter the Best Protection

    The Perfect Firestorm

    Catastrophe

    Ash Wednesday

    Aftermath

    After the Fall

    City of the Dead

    Propaganda

    The Final Fury

    The War Is Over. Long Live the War

    The Socialist City

    The Sleep of Reason

    Commemoration

    The Massacre on the Elbe Meadows

    Counting the Dead

    Legends of the Fall

    WHEN THE FACTS become the legend, print the legend! So says Dutton Peabody, the cynical newspaperman in the classic Western movie The Man Who Shot Liberty Valance .

    As a student in the 1960s, I knew only the legend of Dresden, because it was just about all that was ever printed. Like so many others of my age, I had learned of the citys destruction principally through a work of fiction: Kurt Vonneguts acidly surreal masterpiece, Slaughterhouse-Five. A brilliant novel, written partly from the perspective of his own grim personal experiences as a prisoner of war who shared the citys fatebut a figment of the imagination nonetheless.

    For thirty years Vonneguts bestselling workand books by David Irving and Alexander McKeesufficed to describe the catastrophic air raid on Dresden in February 1945, which for most readers in the English-speaking world and elsewhere came to represent not just the savage apogee of the conventional bombing war but something far worse: a senseless crime. The message these works conveyed for us, the next generation in Britain and the United States, was one of almost entirely unmitigated shame. Dresden was the unforgivable thing our fathers did in the name of freedom and humanity, taking to the air to destroy a beautiful and, above all, innocent European city. This was the great blot on the Allies war record, the one that could not be explained away.

    Perhaps there were always parts of the legend that didnt ring entirely true. The vast casualty figures citedrising into the hundreds of thousandsso much more horrifying than the consequences of any other conventional air raid, and greater, some claimed, than the numbers killed at Hiroshima or Nagasaki. The notion that Dresden, a city of almost three-quarters of a million hardworking human beings in one of the oldest-established industrial regions of Europe, concerned itself only with harmless cultural pursuits and the making of luxury goods and china, even in the middle of the Nazi regimes self-proclaimed Total War. The almost complete lack, wherever one looked, of any background information on the city, its political passions, economic problems and social anxieties: its ugly and intolerant aspects, which must be considered along with its beautiful, cultured side.

    Part of the problem was always that, less than three months after its destruction, Dresden exchanged one set of totalitarian masters for another, when the Communists replaced the Nazis. What records remained after 1945 of the citys former life were less than fully open to scholars and investigators, and most of its surviving people kept the silence of official conformity. Versions of what happened between ten P.M . on the night of February 13, 1945, and noon on February 14, 1945many originating from the fertile brain of Hitlers propaganda minister, Josef Goebbelsbecame set in cold-war stone, and further reexamination of the circumstances was not encouraged by a communist government eager to blacken the names of the Western Allies. The liberating moment came in 1989, with the collapse of the Soviet Union and the end of communism in East Germany. At last the people of Dresden could write, discuss, and access their collective memory without hindrance or fear of official persecution, and so could outside scholars and investigators.

    The most objective work previously available concerning the destruction of Dresden has all been in German. Gtz Bergander, Dresden-born and a teenage witness of the bombing, later a radio journalist and writer based in Berlin, wrote his book Dresden im Luftkrieg (Dresden in the Air War) in the 1970s and after 1989 revised it extensively in the light of the new information becoming available. Scandalouslyconsidering the heedlessness with which apocalyptic legends of Dresdens fall continue to be printed in the English-speaking worldHerr Berganders scrupulous, rich, and fascinating account of the attacks on his home city has never been translated into English. Likewise in the case of another Dresden historian, Matthias Neutzner, whose books Lebenszeichen (Signs of Life) and Martha Heinrich Acht (Martha Heinrich EightDresdens code name on the German air defense grid) manage the almost impossible task of setting Dresdens destruction in wartime perspective while at the same time heightening to an all but unbearable level of intensity the tragic human loss it involved.

    It was after I read these books, and came into contact with their authors, that my own journey began. The journey was, of course, a physical one: to Dresden and Berlin and London and Washington to consult records and documents; from an RAF veterans cottage in Norfolk to a former slave laborers house on the edge of the Bavarian forest; from interviews with Dresdens survivors in hotel rooms to emotional conversations in neat apartments built on the very rubble of the districts where eye-witnesses had grown up. It was also, however, a mental journey, confronting evidence that did not fit my old idea of what Dresden had been, and forcing myself to see the wartime years, not through the eyes of the pacifistically inclined baby-boomer I had been and remain, but as it might have been regarded by those who lived and fought, suffered and struggled at the time, when the future was unknown and thousands of innocents were still dying every day.

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