HOLY COW!
AN INDIAN ADVENTURE
SARAH MACDONALD
BANTAM BOOKS
LONDON TORONTO SYDNEY AUCKLAND JOHANNESBURG
This eBook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the authors and publishers rights and those responsible may be liable in law accordingly.
Version 1.0
Epub ISBN 9781407084398
www.randomhouse.co.uk
HOLY COW!
A BANTAM BOOK 9780553816013
Originally published in Australia and New Zealand in 2002 by
Bantam, a division of The Random House Australia Pty Ltd
First publication in Great Britain
PRINTING HISTORY
Bantam edition published 2004
15 17 19 20 18 16
Copyright Sarah Macdonald 2002
The right of Sarah Macdonald to be identified as the author of this work has been asserted in accordance with sections 77 and 78 of the Copyright Designs and Patents Act 1988.
Every effort has been made to obtain the necessary permissions with reference to copyright material; should there be any omissions in this respect we apologize and shall be pleased to make the appropriate acknowledgements in any future edition.
Condition of Sale This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsquent purchaser.
Set in 11.5/14pt Minion by Falcon Oast Graphic Art Ltd.
Bantam Books are published by Transworld Publishers, 6163 Uxbridge Road, London W5 5SA, a division of The Random House Group Ltd.
Addresses for Random House Group Ltd companies outside the UK can be found at: www.randomhouse.co.uk The Random House Group Ltd Reg. No. 954009.
Made and printed in Great Britain by Cox & Wyman Ltd, Reading, Berkshire.
The Random House Group Limited makes every effort to ensure that the papers used in its books are made from trees that have been legally sourced from well-managed and credibly certified forests. Our paper procurement policy can be found at: www.randomhouse.co.uk/paper.htm.
Contents
Preface
A Good Hand Job
Chapter One
Through the Looking Glass
Chapter Two
Death, Rebirth and Sputum
Chapter Three
Sex, Lies and Saving Face
Chapter Four
Three Weddings and a Funeral
Chapter Five
Insane in the Membrane
Chapter Six
Sikhing the Holy Hair
Chapter Seven
Indian Summer in Suburbia
Chapter Eight
Heaven in Hell
Intermission
My Wedding Season
Chapter Nine
The Big Pot Festival
Chapter Ten
Suffering My Way to Happiness
Chapter Eleven
Trading Places in the Promised Lands
Chapter Twelve
Birds of a Feather Become Extinct Together
Chapter Thirteen
Come to Mummy
Chapter Fourteen
Guru Girlfriend
Chapter Fifteen
Face to Face with God
Chapter Sixteen
Hail Mary and Goodbye God
Chapter Seventeen
War and Inner Peace
Chapter Eighteen
Land of the Gods
To my mum and dad for having me
To Jonathan for taking me
and
To India for making me.
Sarah Macdonald grew up in Sydney and studied psychology at university. Rejecting the idea of ever practising as a shrink, she travelled for a year hoping that a few months in India at the end of the journey would give her a vision of her destiny. It didnt, although a soothsayer predicted that she would return.
After completing a traineeship at the Australian Broadcasting Corporation, Sarah worked for Triple J, Australias most influential music and youth affairs radio station, as their political correspondent in Canberra. Along with some work on television productions such as Recovery, Race Around the World and Two Shot, Sarah presented Triple Js Art Show and was the voice of the Morning Show until the end of the century when she left to join her partner Jonathan Harley in India. And then the true adventure began. Sarah is now a presenter on Radio National and lives in Sydney.
Acclaim forHoly Cow!
Kathy Lette meets Tom Robbins on a slow train to Varanasi with Bill Bryson supplying the onion bhajis... Very, very funny. Sarah Macdonald captures everything that is frustrating, infuriating and exhilarating about India and presents it in an irresistible package
Peter Moore, author of Swahili for the Broken-Hearted
An extraordinary journey of self-discovery... a unique insight into the transcendental charms of India
Sunday Telegraph (Australia)
An entertaining romp through India... highly readable Isobel Losada, author of The Battersea Park Road to Enlightenment
Heres A-Class redemption, pick your fix: big hair or no hair, saffron robes, hugely hung or celibate, human cacophony or silence, Koran, Torah, Gita, Granth Sahib, Zend Avesta, Bible or shopping. Macdonald pays up in the spiritual mega-market that is India. She touches on it all, and it wraps itself around her inextricably as she weaves her way, and her tale, North to South, from confusion to confession. Raunchy religion with redemption on the side
Justine Hardy, author of Bollywood Boy
Hilarious and incredible
B magazine
Click here to visit a minisite of Sarah Macdonalds photographs
www.booksattransworld.co.uk
PREFACE
A Good Hand Job
New Delhi airport 1988
Madam, pleazzzzzzzzzze.
A high-pitched wheezy whine in my ear.
For the final time, fuuuuuuuck off.
My low growl through clenched teeth is a shamefully unoriginal, pathetic response, but its all Im capable of at two on Christmas morning. For three days my friend Nic and I have been sitting on plastic airport chairs waiting for the stifling, stinky smog to lift. For three nights Ive lain on a bed in an airport hotel listening to Nic bounce the sounds of violent double-ender projectile vomits and diarrhoea explosions off the bathroom walls.
India is Hotel California: you can check out anytime you like, but you can never leave.
Tonight, in such a lovely place, the voices down my ear corridor belong to the airport toilet cleaner. He has abandoned his post at the urinal to pursue his part-time job as a professional beggar. Shuffling in a stooped circle, he hovers around us as patient and persistent as a vulture waiting for death. He can smell our exhaustion and weakness, and we can smell him his blue overalls are stained with urine and stink of mothballs; his breath reeks of