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John Matteson - Eden’s Outcasts: The Story of Louisa May Alcott and Her Father

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John Matteson Eden’s Outcasts: The Story of Louisa May Alcott and Her Father
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Eden’s Outcasts: The Story of Louisa May Alcott and Her Father: summary, description and annotation

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An amazing story [told] with clarity and intelligence ... colorful and insightful.Martin Rubin, Los Angeles Times

Winner of the Pulitzer Prize for Biography

Louisa May Alcott is known universally. Yet during Louisas youth, the famous Alcott was her father, Bronsonan eminent teacher and a friend of Emerson and Thoreau. He desired perfection, for the world and from his family. Louisa challenged him with her mercurial moods and yearnings for money and fame. The other prize she deeply covetedher fathers understandingseemed hardest to win. This story of Bronson and Louisas tense yet loving relationship adds dimensions to Louisas life, her work, and the relationships of fathers and daughters.

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More praise for
EDENS OUTCASTS

One of the pleasures of the book is to be taken back to a time and place of intellectual and moral grandeur. In producing such a rounded, detailed and compelling portrait of Louisa, [her father] Bronson, their family and their times, Matteson has provided us with a valuable context for appreciating that enduring masterpiece Little Women .

Martin Rubin, Los Angeles Times

A splendid new dual biography[a] lively tour of the early 19th century, when American humanistic optimism flowed, fed by an aquifer that lay in New England. There, powerful voicesincluding Bronson Alcottscondemned slavery, war, greed and convention. Compassionate and compelling.

Daniel Dyer, San Diego Union-Tribune

Mattesons engrossing biography of the Alcotts achieves a rare fusion of intellectual precision and emotional empathy.

Madeleine B. Stern, author of Louisa May Alcott

Mattesons portrait of Bronson and Louisa is painted on a large canvas, capturing an era when ideals and practice collided as never before in the history of the American nation.

Megan Marshall, author of The Peabody Sisters

[An] engrossing dual portrait. An interesting take on a well-known family. Summing Up: Recommended.

Choice

Matteson tells the odd, fascinating story of the ber idealistic Bronson Alcott and the impact of his life decisions on his daughter, beloved childrens book authoress Louisa May Alcott. Particularly for those unfamiliar with the Alcott story, this is a journey of much interest.

Christian Science Monitor

John Matteson paints a compelling portrait of one of the most well-known and well-connected transcendentalist philosophers of the 19th century.

Bookmarks

Mattesons book is gracefully written, a solid contribution to the bookshelf of New England literature.

Steve Goddards History Wire

Matteson removes the roof from the home of this one-of-a-kind American family, revealing both the tragedies and the triumphs of its two most famous members. He gives a well-deserved dignity to an original American philosopher, Bronson Alcott, and offers scholars and the general reader one of the finest biographies to date of Louisa May Alcott. Edens Outcasts is the true story of the much-beloved little women.

Daniel Shealy, editor of The Selected Letters of Louisa May Alcott

Edens Outcasts is impossible to put down.

Jamie Spencer, STLtoday.com

Carefully researched and sensitively written. Essential.

Kirkus Reviews , starred review

Matteson gracefully interprets an astounding family drama of compassion and creativity, folly and courage. Mattesons lucid, commanding biography casts new light on an unusual father-daughter bond and a new land at war with itself.

Donna Seaman, Booklist

In Edens Outcasts John Matteson represents father and daughter as fallible, fascinating, and lovable people who in the dramatic interplay of their lives came to accept and appreciate themselves and each other. Against the backdrop of Transcendentalism, Abolitionism, and the Civil War, peopled by the leading lights of their times, theirs is a family romance full of incident and surprise, told by Matteson with skill, erudition, and insight.

Harriett Reisen, author and codirector of The Louisa May Alcott Project

E DENS O UTCASTS

IN A PAGE FROM BRONSONS JOURNALS OUTLINES OF HIS AND LOUISAS HANDS OVERLAP - photo 1

IN A PAGE FROM BRONSONS JOURNALS, OUTLINES OF HIS AND LOUISAS HANDS OVERLAP.

(COURTESY OF HOUGHTON LIBRARY, HARVARD UNIVERSITY)

EDENS OUTCASTS

THE STORY OF LOUISA MAY ALCOTT AND HER FATHER

JOHN MATTESON

W. W. NORTON & COMPANY

New York London

Copyright 2007 by John Matteson

All rights reserved
First published as a Norton 2008

For information about permission to reproduce selections from this book, write to Permissions, W. W. Norton & Company, Inc., 500 Fifth Avenue, New York, NY 10110

Library of Congress Cataloging-in-Publication Data

Matteson, John.
Eden's outcasts: the story of Louisa May Alcott and her father/
John Matteson.1st ed.
p. cm.
Includes bibliographical references.
ISBN: 978-0-393-07757-5
1. Alcott, Louisa May,
18321888Family. 2. Authors, AmericanFamily relationships.
3. Fathers and daughtersUnited StatesBiography. I. Title.
PS1018.M34 2007
818'.403dc22

2007013707

W. W. Norton & Company, Inc.
500 Fifth Avenue, New York, N.Y. 10110
www.wwnorton.com

W. W. Norton & Company Ltd.
Castle House, 75/76 Wells Street, W1T 3QT

FOR

Rosemary, Michelle, and Rebecca

FAMILY IS BUT THE NAME FOR A LARGER SYNTHESIS
OF SPIRITS.A.B.A. , 1836

ACKNOWLEDGMENTS

W RITING A BIOGRAPHY REQUIRES THE AUTHOR TO LIVE with his subjects. I am thankful to all the Alcotts and their friends for being such genial and buoyant company. A student of the Alcotts is also fortunate to be part of another family, consisting of those who have dedicated themselves to the study and preservation of the Alcott legacy. In the course of this project, I have been blessed by my associations with Madeleine B. Stern, Jan Turnquist, Sarah Elbert, Daniel Shealy, Joel Myerson, Katharine Houghton, and the late Leona Rostenberg. The staff of Orchard House, especially Jenny Gratz and Maria Powers, were always there with all the answers I needed. I would also like to thank everyone at Houghton Library for their impeccable assistance. Ann Shumard (my big sister) and Lizanne Garrett at the National Portrait Gallery moved with lightning speed to provide images and permissions. Mike Volmar at the Fruitlands Museum was always at the ready when needs arose. To all these extraordinary people, I am profoundly grateful.

Throughout the writing of this book, I have had the pleasure and privilege of teaching in the English department at John Jay College of Criminal Justice in the City University of New York. I have benefited in particular from the wise counsel and enthusiastic encouragement of three wonderful department chairs, Bob Crozier, Timothy Stevens, and Jon-Christian Suggs, who have always done everything possible to make my ix professional path a smooth and rewarding one. I would be less than what I am if it were not for the wise counsel and selfless support of Marc Dolan and Karen Kaplowitz. If kindness and humor help to make a job worth doing, then virtually every one of my colleagues deserves mention here, but to the following I am especially grateful: Ira Bloomgarden, Effie Cochran, Betsy Gitter, Richard Haw, Ann Huse, Livia Katz, Adam McKible, Marny Tabb, and Cristine Varholy. I also thank Jacob Marini for ably ferreting out grant money for this project during lean times. My thanks go as well to David Yaffe, whose friendship, humor, and encouragement are pearls beyond price.

I would like to thank Bill McPhaul for teaching me to write with precision and Victor Brombert for teaching me how to write with love. I shall be forever grateful to Dan Rodgers, Sacvan Bercovitch, and George Gopen, who embody in my eyes the very best of the teaching profession. I have been enriched beyond measure by the friendship and guidance of my mentors in the Columbia Ph.D. program: Andrew Delbanco, Ann Douglas, Karl Kroeber, Jonathan Levin, John Rosenberg, Priscilla Wald, and, primus inter pares, Robert A. Ferguson.

This book would not exist if it were not for the brilliant professionalism of my agent, Peter Steinberg. At W. W. Norton, I would have been lost without the superb, sensitive editing of Amy Cherry and the advice of Lydia Fitzpatrick. My copy editor, Elizabeth Pierson, was meticulous and supportive throughout the process.

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