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Charlotte Greenhalgh - Aging in Twentieth-Century Britain

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Charlotte Greenhalgh Aging in Twentieth-Century Britain
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As todays baby boomers reach retirement and old age, this timely study looks back at the first generation who aged in the British welfare state. Using innovative research methods, Charlotte Greenhalgh sheds light on the experiences of elderly people in twentieth-century Britain. She adds further insights from the interviews and photographs of celebrated social scientists such as Peter Townsend, whose work helped transform care of the aged. A comprehensive and sensitive examination of the creative pursuits, family relations, work lives, health, and living conditions of the elderly, Aging in Twentieth-Century Britain charts the determined efforts of aging Britons to shape public understandings of old age in the modern era.

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Aging in Twentieth-Century Britain BERKELEY SERIES IN BRITISH STUDIES - photo 1
Aging in Twentieth-Century Britain
BERKELEY SERIES IN BRITISH STUDIES

Edited by Mark Bevir and James Vernon

The Peculiarities of Liberal Modernity in Imperial Britain, edited by Simon Gunn and James Vernon

Dilemmas of Decline: British Intellectuals and World Politics, 19451975 , by Ian Hall

The Savage Visit: New World People and Popular Imperial Culture in Britain, 17101795 , by Kate Fullagar

The Afterlife of Empire, by Jordanna Bailkin

Smyrnas Ashes: Humanitarianism, Genocide, and the Birth of the Middle East, by Michelle Tusan

Pathological Bodies: Medicine and Political Culture, by Corinna Wagner

A Problem of Great Importance: Population, Race, and Power in the British Empire, 19181973 , by Karl Ittmann

Liberalism in Empire: An Alternative History, by Andrew Sartori

Distant Strangers: How Britain Became Modern, by James Vernon

Edmund Burke and the Conservative Logic of Empire, by Daniel I. ONeill

Governing Systems: Modernity and the Making of Public Health in England, 18301910 , by Tom Crook

Aging in Twentieth-Century Britain, by Charlotte Greenhalgh

Aging in Twentieth-Century Britain

Charlotte Greenhalgh

Picture 2

UNIVERSITY OF CALIFORNIA PRESS

University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu.

University of California Press

Oakland, California

2018 by Charlotte Greenhalgh

Library of Congress Cataloging-in-Publication Data

Names: Greenhalgh, Charlotte, 1983 author.

Title: Aging in twentieth-century Britain / Charlotte Greenhalgh.

Description: Oakland, California : University of California Press, [2018] | Series: Berkeley Series in British Studies ; 12 | Includes bibliographical references and index. |

Identifiers: LCCN 2018002049 (print) | LCCN 2018005555 (ebook) | ISBN 9780520970809 (Pub) | ISBN 9780520298781 (cloth : alk. paper) | ISBN 9780520298798 (pbk. : alk. paper)

Subjects: LCSH : Older peopleGreat Britain.

Classification: LCC HQ 1064. G 7 (ebook) | LCC HQ 1064. G 7 G 736 2018 (print) | DDC 305.260941dc23

LC record available at https://lccn.loc.gov/2018002049

Manufactured in the United States of America

26 25 24 23 22 21 20 19 18

10 9 8 7 6 5 4 3 2 1

Dedicated to Penelopes grandparents,
Vicki and Geoff Burgess
and Laurel and Rodney Greenhalgh

CONTENTS
ILLUSTRATIONS
ACKNOWLEDGEMENTS

My professional life has been transformed by generous mentors, and I am deeply grateful to each of them. Caroline Daley gave me the confidence and skills that I needed to get started as an academic. Matt Houlbrook turned his intelligence and creativity to the task of graduate supervision with focus and endless energy. Clare Corbould showed me how to approach academic life with vision and strategy. James Vernon has provided constant encouragement and guidance since he first heard me speak about this project in 2012. His collaborative approach to editing transformed the experience of being a first-time book author and made it enjoyable.

While writing this book, I benefited from the insights and generosity of friends and colleagues at the University of Auckland, the University of Oxford, and Monash University. I am grateful to Christopher Hilliard for his recommendations for supervisors and mentors in Britain and Australia. My warmest thanks go to my colleagues at Monash for supporting the publication of this book and for sharing their smarts. Bain Attwood, Branka Bogdan, Megan Cassidy-Welch, Adam Clulow, Daniella Doron, Scott Dunbar, Kat Ellinghaus, David Garrioch, Michael Hau, Carolyn Holbrook, Peter Howard, Carolyn James, Diana Jeske, Julie Kalman, Ernest Koh, Paula Michaels, Ruth Morgan, Kate Murphy, Kathleen Neal, Seamus OHanlon, Susie Protschky, Noah Shenker, Agnieszka Sobocinska, Taylor Spence, Claire Spivakovsky, Rachel Standfield, Al Thomson, and Christina Twomey, you taught me much about writing. Josh Specht, thank you for sharing the book-writing journey and for your enthusiasm and empathy. Genevieve de Pont, thank you for the pots of tea, for letting me work at your dining room table for so many hours, and for the inspiring conversations. I offer my wholehearted thanks to Toby Harper, Deborah Montgomerie, Matt Houlbrook, Erika Hanna, and Clare Corbould, who each read the full manuscript of this book and equipped me to write the final version (and the final final version). Jonathan Burgess, thank you for the meticulous proofreading; your attention to detail when reading footnotes is just one of your excellent qualities as a sibling. My thanks also go to Sarah-Ann Burger, Anne Holloway, and Mel Thorn, who solved last-minute dilemmas born of distance.

The research for this project was made possible by funding from the Commonwealth Scholarship Commission. Green Templeton College at the University of Oxford and the Center for British Studies at the University of California, Berkeley, provided additional financial support. A grant from the School of Philosophical, Historical, and International Studies at Monash University subsidized publication of the books images.

My thanks go to the archivists at the University of Sussex, the University of Essex, and the United Kingdom Data Archive, who helped me source the archival material that is at the heart of this project. I would like to give special thanks to Nigel Cochrane from the University of Essex and to Bethany Morgan from the United Kingdom Data Archive for their generous and knowledgeable assistance. I am grateful to Cond Nast Publications, the Norman Parkinson Archive, and others for allowing me to publish the images in this book. I thank Baroness Jean Corston for her generous permission to use photographs that were taken by Peter Townsend. I thank Emma Gleadhill for her determined work arranging image permissions and Bethany White for locating images in Womans Own and Womens Weekly.

I am fortunate to have been able to present versions of this research at conferences and seminars at the Max Planck Institute of Human Development, the University of Melbourne, the University of Waikato, the Institute of Historical Research at the University of London, the University of Auckland, the University of Birmingham, the North American Conference on British Studies, the University of Queensland, the University of Brighton, the University of Manchester, Monash University, the University of Oxford, and the University of California, Berkeley. My thanks go to the organizers, participants, and audiences at these wonderful events. I am grateful for visiting fellowships at the Max Planck Institute of Human Development and the University of Oxford.

Selina Todd and Michael Roper were among the first to advise me about publishing this research. Kate Fisher, Claire Langhamer, and Jon Lawrence were generous readers of the manuscript. I give my sincere thanks to Bradley Depew, Niels Hooper, Dore Brown, Genevieve Thurston, Victoria Baker, and the rest of the team at the University of California Press. I have relished the chance to work with you.

My daughter, Penelope, was five months old when I signed the contract for this book. I finished the manuscript thanks to a huge amount of support from my family. I am grateful to Scott for parenting our baby while I wrote. Penelopes grandparents provided countless hours of childcare. My heartfelt thanks go to Vicki and Geoff Burgess and to Laurel and Rodney Greenhalgh. This book is dedicated to you.

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