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Sandra P. González-Santos - A Portrait of Assisted Reproduction in Mexico: Scientific, Political, and Cultural Interactions

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Sandra P. González-Santos A Portrait of Assisted Reproduction in Mexico: Scientific, Political, and Cultural Interactions
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A Portrait of Assisted Reproduction in Mexico: Scientific, Political, and Cultural Interactions: summary, description and annotation

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This book paints a comprehensive portrait of Mexicos system of assisted reproduction first from a historical perspective, then from a more contemporary viewpoint. Based on a detailed analysis of books and articles published between the 1950s and 1980s, the first section tells the story of how the epistemic, normative, and material infrastructure of the assisted reproduction system was built. It traces the professionalization process of assisted reproduction as a medical field and the establishment of its professional association. Drawing on ethnographic material, the second part looks at how this system developed and flourished from the 1980s up to 2010, its commercialization process, how the expansion of reproductive services took place, and the messages regarding reproductive technologies that circulated within a wide discursive landscape. Given its scope and methods, this book will appeal to scholars interested in science and technology studies, reproduction studies, history of medicine, medical anthropology, and sociology.

Sandra P. González-Santos: author's other books


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Sandra P Gonzlez-Santos A Portrait of Assisted Reproduction in Mexico - photo 1
Sandra P. Gonzlez-Santos
A Portrait of Assisted Reproduction in Mexico Scientific, Political, and Cultural Interactions
Sandra P Gonzlez-Santos Facultad de Biotica Universidad Anhuac Mexico City - photo 2
Sandra P. Gonzlez-Santos
Facultad de Biotica, Universidad Anhuac, Mexico City, Mexico
ISBN 978-3-030-23040-1 e-ISBN 978-3-030-23041-8
https://doi.org/10.1007/978-3-030-23041-8
The Editor(s) (if applicable) and The Author(s) 2020
This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed.
The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use.
The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.

Cover illustration: S consultores en diseo

This Palgrave Macmillan imprint is published by the registered company Springer Nature Switzerland AG

The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland

An Apology and a Long Thank You

Books are written by people, by people with lives that go beyond the book, lives that they share with other people. And books, or I should say the production of books, disrupt these lives. If I may be blunt, writing a book shares some similarities with raising a misbehaved unruly child who is demanding attention 24/7, and the author is like a very lenient parent who gives in to every little whim. In other words, authors writing books can be quite annoying. So, I want to apologise to those people this particular author-book annoyed and thank them for their patience and for the many long conversations they gifted me with. Because books are collective endeavours, they are summaries of long conversations, of books read, of music, of life experiences, surprises, frustrations, hopes, and imaginaries. When I found myself at the end of the process of writing, I become acutely aware of all those moments, people, places, books, and feelings. I was able to see how they had taken me to the point of writing, how they had inspired me to say something, how they had helped me to do it in the best way I could, and how they had accompanied me along the way. I want to recognise and thank each one of them.

AR specialists and AR users whom I met at the many clinics I have visited since 2006, at the different conferences and events, I thank you all for your trust, faith, and interest in my project. It goes beyond saying that this book would have not been possible without you.

Adam Hedgecoe, Nicky Priaulx, and Martin Weinel, without your sometimes subtle other times not so subtle nudges I would have never had the nerve to embark on this task.

Rebecca Dimond and Niel Stephens not only have you been great friends, but you have also been my teachers. Without the many hours we have spent chatting, reading, discussing, writing, and rewriting, I would have never developed the skills to pull this off.

Stevienna de Saille and Ayo Wahlberg, the many conversations we have had across the years gave your books a special voice and made them my private confidants, my go-to places when I was lost in my path. Both for the conversations and for your books, thank you.

Beth Reddy, Andrew Konove, and Roger Magazine, I thank you for taking the time to read my drafts, for listening to my stories, but above all, for your words of encouragement together with your instructions to go back to the desk and try again.

Sandra Harding, thank you for reading my drafts with such detail and taking the time to correct them, but mostly thank you for your support and encouragement.

Sarah Franklin (you were the first to encourage me to publish) and Marcia Inhorn, I thank you for giving me the opportunity to be part of this amazing group of scholars (my literature review!). The many hours of collective work and conversation you have gifted us with gave this book a purpose. I particularly want to thank Charis Thompson for her insightful comments that helped give this book the cohesion and unity.

No book can be a book without an editor, thank you Josh, particularly with the supportive words when I was about to lose it.

I also want to thank Dr. Cabrera and the Bioethics Faculty of the Universidad Anhuac, and the Consejo Nacional de Ciencia y Tecnologa (CONACYT) for their support in this endeavour.

My life friends Lucero and Diego, my teammates Rebeca and Edwin, and my former students Victor, Carlos, Tere, Isra, Luis, Camilo, and Irving for never letting me stop asking questions.

Diego and Emma, for always reminding me the importance of telling very long and detailed stories.

Cyntia, for not letting me miss out on the important chismes and helping me re-fresh my mind when I was clogged.

Ma, for hanging on the other side of the phone while I read, and re-read, and re-read page after page out loud to you.

Pa, for reading every word, spending long hours giving me your comments, giving me your suggestions, checking in on me to see if I was still working and reminding me to exercise.

Beka, for with the power of your stare and the strength of your paw you reminded me that the book is not all there is in life.

Pedro, for putting up with me for over twenty years now (three dissertations and now a book), making everyday fun, interesting, surprising, challenging, and simply worth living.

My medical and anthropological household made me a medical anthropologist,

my postmodern environment made me an STSer,

my life companion made me a critical thinker,

and my students made me a researcher.

I write this book because of them.

Contents
Part I Origin
Part II Reproducing Assisted Reproduction
Glossary
The Author(s) 2020
Sandra P. Gonzlez-Santos A Portrait of Assisted Reproduction in Mexico https://doi.org/10.1007/978-3-030-23041-8_1
1. A National Portrait
Sandra P. Gonzlez-Santos
(1)
Facultad de Biotica, Universidad Anhuac, Mexico City, Mexico
Sandra P. Gonzlez-Santos
A constant and loud huuummm.
A huuummm that encapsulates the place allowing you to hear the size of the room.
A never silencing huuummm.
On top of this huuummm, a new sound.
A tap tap tap.
Rhythmically, tap tap tap, tap tap, tap tap tap tap,
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