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Catherine H. Zuckert - Machiavellis Politics

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Catherine H. Zuckert Machiavellis Politics
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MACHIAVELLIS POLITICS Machiavellis Politics Catherine H Zuckert THE - photo 1
MACHIAVELLIS POLITICS
Machiavellis Politics

Catherine H. Zuckert

THE UNIVERSITY OF CHICAGO PRESS

CHICAGO AND LONDON

The University of Chicago Press, Chicago 60637

The University of Chicago Press, Ltd., London

2017 by The University of Chicago

All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission, except in the case of brief quotations in critical articles and reviews. For more information, contact the University of Chicago Press, 1427 E. 60th St., Chicago, IL 60637.

Published 2017

Printed in the United States of America

26 25 24 23 22 21 20 19 18 17 1 2 3 4 5

ISBN-13: 978-0-226-43480-3 (cloth)

ISBN-13: 978-0-226-43494-0 (e-book)

DOI: 10.7208/chicago/9780226434940.001.0001

Library of Congress Cataloging-in-Publication Data

Names: Zuckert, Catherine H., 1942 author.

Title: Machiavellis politics / Catherine H. Zuckert.

Description: Chicago ; London : The University of Chicago Press, 2017.

Identifiers: LCCN 2016033961| ISBN 9780226434803 (cloth : alk. paper) | ISBN 9780226434940 (e-book)

Subjects: LCSH: Machiavelli, Niccol, 14691527Criticism and interpretation. | Political science.

Classification: LCC JC143.M4 Z935 2016 | DDC 320.1dc23 LC record available at https://lccn.loc.gov/2016033961

Picture 2 This paper meets the requirements of ANSI/NISO Z39.48-1992 (Permanence of Paper).

Contents

THE PRINCE

DISCOURSES ON LIVY

MANDRAGOLA

THE ART OF WAR

THE LIFE OF CASTRUCCIO CASTRACANI

CLIZIA

FLORENTINE HISTORIES

I would like to thank the University of Notre Dame for supporting my research on this book and the Institute for Scholarship in the College of Arts and Letters for supporting its publication. I am also grateful to the National Endowment for the Humanities, the Earhart Foundation, and the Social Philosophy and Policy Center for granting me fellowships that enabled me to work full-time on this project.

Parts of this book were published earlier as journal articles or a book chapter, and are reprinted here with permission of the publishers. Parts of contains a slightly revised version of The Life of Castruccio Castracani: Machiavelli as Literary Artist, Historian, Teacher and Philosopher, History of Political Thought 31, no. 4 (Winter 2010): 577603.

I would also like to thank the many students who helped me think about Machiavellis politics in four graduate seminars. Their questions provoked me to delve ever deeper into his texts. I am also grateful to my friends Vickie B. Sullivan, who read an early version of part of the argument of Susan Tarcov. John Tryneski and Rodney Powell also provided crucial assistance in the long road from submission to publication.

Finally, I wish to recognize the assistance, both supportive and critical, of my husband, Michael. He was not easily persuaded that my reading of Machiavelli was correct, but from the beginning he encouraged me to develop and refine it.

AW

Art of War (Dellarte della guerra)

CC

The Life of Castruccio Castracani (La vita di Castruccio Castracani)

D

Discourses on Livy (Discorsi sopra la prima Deca di Tito Livio)

FH

Florentine Histories (Istorie fiorentine)

P

The Prince (Il Principe)

TM

Leo Strauss, Thoughts on Machiavelli

I have cited The Prince by chapter, the Discourses and Florentine Histories by book and chapter, the Art of War by book, and the comedies by act and scene, because these are standard in the many editions and translations of Machiavellis works. I have used the Italian edition of Tutte le Opere di Machiavelli, ed. Guido Mazzoni and Mario Casella (Florence: G. Barbra, 1929), except for La vita di Castruccio Castracani, for which I used the critical edition by Riekie Brakkee (Naples: Pubblicato da Liguori, 1984); citations are to pages in this edition. I have quoted the following English translations: The Prince, trans. Harvey C. Mansfield, 2nd ed. (Chicago: University of Chicago Press, 1998); Discourses on Livy, trans. Harvey C. Mansfield and Nathan Tarcov (Chicago: University of Chicago Press, 1996); Mandragola, trans. Mera J. Flaumenhaft (Prospect Heights, IL: Waveland Press, 1981); Art of War, trans. Christopher Lynch (Chicago: University of Chicago Press, 2003); Clizia, trans. Daniel T. Gallagher (Prospect Heights, IL: Waveland Press, 1996); Florentine Histories, trans. Laura E. Banfield and Harvey C. Mansfield Jr. (Princeton: Princeton University Press, 1988). Translations from the Life of Castruccio Castracani are my own.

Reading Machiavelli

Machiavelli is popularly knownfor obvious reasonsas a proponent of Machiavellian politics. Certain aspects of his work support his dubious reputation and the implied opprobrium. He is often listed along with Thucydides and Hobbes as a classical realist, who presents a realistic view of politics, because he takes such a dim view of human nature. Neither Thucydides nor Hobbes openly and explicitly advises a prince that he must murder the bloodline of the ruler he supplants if he wishes to maintain his conquest, however. Nor do they advocate cruelty well-used. Especially in his Prince, Machiavelli appears to advocate the necessity of using force and fraud in politics with much more glee than the other realists.

Serious students of Machiavellis writings have nevertheless come to hold very different views of his works. The sixteenth-century English playwright Christopher Marlowe is usually included among those who popularized the view of Machiavelli as a teacher of evil. Yet by beginning The Jew of Malta with a prologue delivered by a character named Machevill who declares that he count[s] religion but a childish toy, and hold[s] there is no sin but ignorance, Marlowe also suggests that Machiavelli was a Socratic philosopher. Seventeenth-century political theorists such as Baruch Spinoza, James Harrington, and Algernon Sidney insisted that Machiavelli was a republican political thinker.

The plethora of scholarly interpretations of the import of Machiavellis work suggests that each is partial, emphasizing one aspect of his work at the expense of others. In the following study I strive to present a fuller, more comprehensive view.

At present there appear to be three major approaches to reading and understanding his work. The first is contextual or historical; the second is rhetorical, literary, and ironic; the third is theoreticalscientific, philosophical, or political-theoretical. Each of these kinds of interpretation has characteristic advantagesand limitations.

Contextual or historical readings of Machiavelli begin from the undeniable fact that he presents himself in all of his major prose writings as an author who is seeking a position as a political advisor. He thus writes at a certain time and place and addresses the concerns of specific individuals. What he claims to offer his addressees, on the basis of his own practical political experience as well as his extensive reading and study of the ancient histories, is specific political advice about what they should do in their own immediate circumstances. David Wootton, for example, argues that the subject matter and advice contained in

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