Constantine Tung - Drama in the Peoples Republic of China
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Theater--China--History--20th century--Congresses, Chinese drama--20th century--History and criticism--Congresses, Theater--Political aspects--China--Congresses, Theater and society--China--Congresses.
publication date
:
1987
lcc
:
PN2874.D7 1987eb
ddc
:
792/.0951
subject
:
Theater--China--History--20th century--Congresses, Chinese drama--20th century--History and criticism--Congresses, Theater--Political aspects--China--Congresses, Theater and society--China--Congresses.
Page iii
Drama in the People's Republic of China
edited by Constantine Tung and Colin Mackerras
STATE UNIVERSITY OF NEW YORK PRESS
Page iv
Published by State University of New York Press, Albany
1987 State University of New York
All rights reserved
Printed in the United States of America
No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews.
For information, address State University of New York Press, State University Plaza, Albany, N.Y., 12246
Library of Congress Cataloging-in-Publication Data
Drama in the People's Republic of China.
Selected papers presented at the International Colloquium on Contemporary Chinese Drama and Theater, held at the State University of New York at Buffalo, Oct. 15-19, 1984. Includes index.1. TheaterChinaHistory20th century Congresses. 2. Chinese drama20th centuryHistory and criticismCongresses. 3. TheaterPolitical aspectsChinaCongresses. 4. Theater and society ChinaCongresses. I. Tung, Constantine, 1933 II. Mackerras, Colin. III. International Colloquium on Contemporary Chinese Drama and Theater (1984: State University of New York at Buffalo
PN2874.D71987792'.095186-5932 ISBN 0-88706-389-6 ISBN 0-88706-390-X (pbk.)
10 9 8 7 6 5 4 3 2 1
Page v
TABLE OF CONTENTS
Preface and Acknowledgments
vii
Introduction: Tradition and Experience of the Drama of the People's Republic of China
Constantine Tung
1
Part One Drama on Historical Themes
29
Chapter 1. Hai Rui Dismissed From Office and China's Opposition Movement, 1958-1959
Lin Chen
30
Chapter 2. Images of Women in the Dramas of Guo Moruo: The Case of Empress Wu
Bruce Gordon Doar
54
Part Two Drama, Ideal and Theory
93
Chapter 3. Prescriptive Dramatic Theory of the Cultural Revolution
Ellen R. Judd
94
Chapter 4. Model Drama as Myth: A Semiotic Analysis of Taking Tiger Mountain by Strategy
Kirk A. Denton
119
Chapter 5. Mei Lanfang, Stanislavsky and Brecht on China's Stage and Their Aesthetic Significance
William Huizhu Sun
137
Page vi
Chapter 6. Huang Zuoling's Ideal of Drama and Bertolt Brecht
Adrian Hsia
151
Part Three Post 1976 Theater and Drama
163
Chapter 7. Theater Activities in Post-Cultural Revolution China
Daniel S. P. Yang
164
Chapter 8. Modernization and Contemporary Chinese Theater: Commercialization and Professionalization
Colin Mackerras
181
Chapter 9. The Darkened Vision: If I Were For Real and the Movie
Gilbert C. F. Fong
213
Chapter 10. Tensions of Reconciliation: Individualistic Rebels and Social Harmony in Bai Fengxi's Plays
Constantine Tung
233
Chapter 11. The Drama Tragic Song of Our Time (Shidai de beige): Functions of Literature in the Eighties and Its Socio-Political Limitations
Helmut Martin
254
Part Four Foreign Theaters in China: Two Case Studies
283
Chapter 12. Austrian Musical Theater and Music in China
Gerd KaminskI And Else Unterrieder
284
Chapter 13. Performances of Ibsen in China after 1949
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1987