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Marshall P. David - A Companion to Celebrity

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Marshall P. David A Companion to Celebrity

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Chaos has many names: anarchy, pandemonium, turmoil, or, utter confusion; and there is no better example than the events concerning Russia during the Great War and the debacle that was the Allied attempts at intervention there. This chaos was self-inflicted by the Allies themselves. The Allied strategic objectives in Russia changed over the course of three distinct time periods. From the first Russian Revolution in March 1917 to the November Bolshevik revolution, the Allies tried to keep Russia in the war as an active ally. From November 1917 to the November 1918 Armistice, they tried to prevent the Bolsheviks from making a separate peace and, failing that, to re-establish an Eastern Front. Finally from the Armistice to the fall of the Whites in Crimea in 1920, the Allies tried to strangle Bolshevism. Throughout, Britain remained the driving force despite Lloyd Georges antipathy towards military action and President Woodrow Wilsons efforts to minimize intervention.;Year of crisis: 1917 -- Stalled intervention: north, south, east and west -- American-Japanese rivalry in Siberia -- The allies act: Murmansk and Archangel -- Too few, too late: the Caucasus, the north and Siberia: Summer 1918 -- Disaster for the misunderstood: anti-Bolshevik support in north Russia: August to November 1918 -- Friends or enemies together: allies in Siberia : Summer 1918 -- Dying in Russia while others debate: October 1918 to January 1919 -- Vision versus reality: the Paris Peace Conference and Russia: January to February 1919 -- Retreat, abandonment and Bolshevik victory: February to April 1919 -- Allied evacuation and White victories: March to June 1919 -- Allied retreat and White defeat: May to October 1919 -- Red triumph and White humiliation: July 1919 to November 1920.

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A Companion to Celebrity Edited by P David Marshall and Sean Redmond - photo 1
A Companion to Celebrity


Edited by

P. David Marshall and Sean Redmond

This edition first published 2016 2016 John Wiley Sons Inc except Chapter - photo 2

This edition first published 2016
2016 John Wiley & Sons, Inc, except Chapter 10 2013 Taylor & Francis Group

Registered Office
John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK

Editorial Offices
350 Main Street, Malden, MA 02148-5020, USA
9600 Garsington Road, Oxford, OX4 2DQ, UK
The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK

For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com/wiley-blackwell.

The right of P. David Marshall and Sean Redmond to be identified as the authors of the editorial material in this work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher.

Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books.

Designations used by companies to distinguish their products are often claimed as trademarks. All brand names and product names used in this book are trade names, service marks, trademarks or registered trademarks of their respective owners. The publisher is not associated with any product or vendor mentioned in this book.

Limit of Liability/Disclaimer of Warranty: While the publisher and authors have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents of this book and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose. It is sold on the understanding that the publisher is not engaged in rendering professional services and neither the publisher nor the author shall be liable for damages arising herefrom. If professional advice or other expert assistance is required, the services of a competent professional should be sought.

Library of Congress Cataloging-in-Publication Data

A companion to celebrity / edited by P. David Marshall and Sean Redmond.
pages cm
Includes bibliographical references and index.
ISBN 978-1-118-47501-0 (cloth)
1. FameSocial aspects. 2. Celebrities. 3. Celebrities in mass media. 4. Mass mediaSocial aspects. 5. Mass media and publicity. 6. Mass media and culture. I. Marshall, P. David. II. Redmond, Sean, 1967
BJ1470.5.C66 2015
305.52dc23

2015017679

A catalogue record for this book is available from the British Library.

Cover image: Ellen DeGeneres poses for a selfie taken by Bradley Cooper with (clockwise from L-R) Jared Leto, Jennifer Lawrence, Channing Tatum, Meryl Streep, Julia Roberts, Kevin Spacey, Brad Pitt, Lupita Nyong'o, Angelina Jolie, Peter Nyong'o Jr. and Bradley Cooper during the 86th Annual Academy Awards at the Dolby Theatre on March 2, 2014 in Hollywood, California. (Photo: Ellen DeGeneres/Twitter via Getty Images)

David Marshall:

To my loving wife Sally

Sean Redmond:

Chow Mo-wan: In the old days, if someone had a secret they didn't want to shareyou know what they did?

Ah Ping: I have no idea.

Chow Mo-wan: They went up a mountain, found a tree, carved a hole in it, and whispered the secret into the hole. Then they covered it with mud and left the secret there forever.

From In the Mood for Love (dir. Wong Kar-wai, 2000)

To my beautiful starry eyed children, Josh, Caitlin, Erin, Dylan and Cael

Notes on Contributors

David L. Andrews is a Professor of Physical Cultural Studies in the Department of Kinesiology at the University of Maryland School of Public Health. He has published widely on themes related to the cultural politics of sport and physical culture.

Ellis Cashmore is the author of Celebrity Culture, Tyson: Nurture of the Beast, Beckham, and Martin Scorsese's America. He has held positions in sociology at the universities of Hong Kong; Tampa, Florida; Aston (UK); and Staffordshire (UK).

Toija Cinque is a Senior Lecturer in media and communications at Deakin University in Melbourne, Australia. Her works include Changing Media Landscapes: Visual Networking (2015), the co-written Communication, Digital Media and Everyday Life (2nd edition, 2015), and Enchanting David Bowie (2015) with Sean Redmond and Chris Moore. She edits New Scholar: An International Journal of the Humanities, Creative Arts and Social Sciences.

Andrew F. Cooper is Professor, Balsillie School of International Affairs and Department of Political Science, University of Waterloo, in Ontario. In 2009 he was a Fulbright Research Chair, Center on Public Diplomacy, University of Southern California. Among his books as co-editor is the Oxford Handbook of Modern Diplomacy (2013), and as author, Celebrity Diplomacy (2008) and Diplomatic Afterlives (2014).

Nick Couldry is a sociologist of media and culture. He is Professor of Media, Communications and Social Theory at the London School of Economics and the author or editor of 11 books, including Ethics of Media (2013), Media, Society, World (2012) and Why Voice Matters (2010).

Olivier Driessens is a Fellow in the Media and Communications Department of the London School of Economics and Political Science. His research interests include promotional culture, celebrity culture, and mediatization studies. His work has been published in journals such as Theory and Society, Media, Culture and Society, and Celebrity Studies.

Kerry O. Ferris, Associate Professor of Sociology at Northern Illinois University, is working toward an empirically grounded sociology of celebrity using ethnographic methods and a symbolic interactionist approach. Past studies have included analyses of fancelebrity relations, celebrity sightings, celebrity stalking, red-carpet celebrity interviews, and the work lives of professional celebrity impersonators.

Loren Glass is Professor of English at the University of Iowa. His books include Authors Inc.: Literary Celebrity in the Modern United States (2004), Counterculture Colophon: Grove Press, the Evergreen Review, and the Incorporation of the Avant-Garde (2013), and, with Charles Williams, Obscenity and the Limits of Liberalism (2011).

Tamara Heaney is a PhD candidate and research assistant at Deakin University, Australia. Her research investigates the role of celebrity in the lives of women in their forties. She is also interested in the representation of women in popular culture, feminist scholarship, and female aging.

Alison Hearn is an Associate Professor in the Faculty of Information and Media Studies at the University of Western Ontario in Canada.

Joke Hermes is Professor of Media, Culture and Society at Inholland University of Applied Sciences, the Netherlands. As audience researcher she is interested in everyday media use, feminism, and popular culture. She is one of the founding editors of the

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