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Shepard - The others: how animals made us human

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Shepard The others: how animals made us human
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Paul Shepard has been one of the most brilliant and original thinkers in the field of human evolution and ecology for more than forty years. His thought-provoking ideas on the role of animals in human thought, dreams, personal identity, and other psychological and religious contexts have been presented in a series of seminal writings, including Thinking Animals, The Tender Carnivore and the Sacred Game, and now The Others, his most eloquent book to date. The Others is a fascinating and wide-ranging examination of how diverse cultures have thought about, reacted to, and interacted with animals. Shepard argues that humans evolved watching other animal species, participating in their world, suffering them as parasites, wearing their feathers and skins, and making tools of their bones and antlers. For millennia, we have communicated their significance by dancing, sculpting, performing, imaging, narrating, and thinking them. The human species cannot be fully itself without these others. Shepard considers animals as others in a world where otherness of all kinds is in danger, and in which otherness is essential to the discovery of the true self. We must understand what to make of our encounters with animals, because as we prosper they vanish, and ultimately our prosperity may amount to nothing without them.

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Table of Contents Acknowledgments I have found writing to suffer the - photo 1
Table of Contents

Acknowledgments

I have found writing to suffer the paradox that the more you think you know about the subject the more it resists. This book fought me for more than eight years in more ways than I care to recount. During that struggle to harness ideas and achieve lucidity I was supported and advised through interminable revisions by my wife, Florence Krall, whose devotion and keen eye, as much as anything, made the book possible. When ill health limited my ability to make final revisions and bring order from a chaos of footnotes, Florence, with the help of Lisi Krall and Kathryn Morton, made closure possible.

My thanks go also to my friend and editor, Barbara Dean, whose care and thoroughness would be any authors dream, to my friend and agent, Lizzie Grossman, for suggestions and mastery in finding the right home for this and other manuscripts, and to Don Yoder, whose meticulous copyediting rescued my wayward syntax and saved me from a thousand embarrassments.

Notes
INTRODUCTION

. W. H. Auden, Ode to Terminus, New York Review, July 11, 1968.

. The death of Ben Rook at eighteen in World War II deprived us of a bit of that anachronism we need now, for he combined the paradox of the hunter and a tenderness far beyond that of the modern self-appointed animal protectors.

Christopher Fry, Vision and Design (London: Chatto & Windus, 1920).

Ted Hughes, Poetry in the Schools, American Poetry Review, September/ October 1977.

E. B. White, Walden 1954, Yale Review, Autumn 1954. See also Robert Erwin, The Village Apollo, in The Great Language Panic (Athens: University of Georgia Press, 1990).

1. THE ECOLOGICAL DOORWAY TO SYMBOLIC THOUGHT

. Harry Jerison, The Evolution of the Brain and Intelligence (New York: Academic Press, 1993).

Jay Boyd Best, The Evolution and Organization of Sentient Biological Behavior Systems, in Allen D. Breck, ed., History and Natural Philosophy (New York: Plenum, 1972).

Polly Schaafsma, Supper or Symbol: Roadrunner Tracks in Southwestern Art and Ritual, in Howard Morphy, ed., Animals into Art (London: Unwin Hyman, 1989).

Whitney Davis, Origins of Image Making, Current Anthropology 27 (1986): 193-202.

Alexander Marshack, Comments: Whitney Davis, Origins of Image Making, Current Anthropology 27 (1986):205-2o6.

David Guss, The Language of the Birds (San Francisco: North Point, 1985).

2. THE SWALLOW

. Valerius Geist, Did Large Predators Keep Humans Out of North America? in Janet Clutton-Brock, ed., The Walking Larder (London: Unwin Hyman, 1989).

Clifford J. Jolly, The Seed-Eaters: A New Model of Hominid Differentiation Based on a Baboon Analogy, Man 5 (1) (1970.)

Joseph Campbell, The Masks of God, vol. 1 (New York: Viking Press, 1964), p. 58.

Tim Ingold, The Appropriation of Nature (Cedar City: University of Iowa, 1987), p. 246.

Roy Willis, Introduction, in Man and Beast (New York: Basic Books, 1974), pp. 710.

James Dickey, The Heaven of Animals, Poems, 19571167 (New York: Collier, 1968).

Designed to be seen is the felicitous phrase of Adolf Portmann in his book Animal Forms and Patterns (New York: Schocken, 1952). Put this way, the emphasis is not intended to reaffirm a conventional god but to remind us that many of the characteristics of animals evolve in reciprocity with other species.

Morris Eagle, David L. Wolitzky, and George S. Klein, Imagery: Effect of a Concealed Figure in a Stimulus, Science 151 (1966):837.

Perhaps the evolutionary sequence might look like this (with the oldest at the bottom):

socially paradigmatic foodHomo sapiensmodern humans
omnivorous attentionHomo erectusancient humans
carnivorous overlayHomo habilisarchaic humans
scavenger huntingAustralopithecusprimordial ancestors
granivorous side dishhominidsprehumans
frugivorous tasteshominoidsapes and prehumans
herbivorous, insectivorous contextanthropoidsearly apes and monkeys
socially significant foodprimatessimians and prosimians

This is true even in those garden styles where the wall was removed or hidden, the wall signifying the outer edge of human control. There was, in the eighteenth century, the self-induced illusion that the unwalled English Gentlemens Park or landscape garden matched nature; but the nature of the English countryside was the result of six thousand years of agriculture and clearing.

Luke Taylor, Seeing the Inside: Kunwinjku Paintings and the Symbol of the Divided Body, in Howard Morphy, ed., Animals into Art (London: Unwin Hyman, 1989).

3. THE SKILLS OF COGNITION

. Eleanor Rosch, Principles of Categorization, in Eleanor Rosch and Barbara Lloyd, Cognition and Categorization (Hillsdale, N.J.: Lawrence Erlbaum, 1978).

David Bleich, New Consideration of the Infantile Acquisition of Language and Symbolic Thought, Psychological Review, Spring 1976.

Bleich says: The cognitive component of the ability to recognize mother-conceptualizing heris, at the onset of representational thought and language, graded into existence by the need to cope with the affective loss. See Bleich, New Consideration.

Marvin W. Daehler and Danuta Bukatko, Cognitive Development (New York: McGraw-Hill, 1985), p. 221.

Susan Carey, Conceptual Change in Childhood (Cambridge: MIT Press, 1985), p. 43.

Ted Hughes, Poetry in the Schools, American Poetry Review, September/ October 1977.

Experts, of course, recognize gradations among the various species, often of an extremely subtle and technical nature. But the prototypical human perceiver is not a biogeographer looking at a range of skins collected from different places. Seldom does more than one subspecies or race occur in a region.

Virginia Woolf, quoted in Roberta Crawley and Steven P. R. Rose, eds., The Biological Bases of Behaviour (London: Harper & Row, 1971), p. 179.

Emiko Ohnuki-Tierney, An Octopus Headache? A Lamprey Boil? Multisensory Perception of Habitual Illness and World View of the Ainu, Journal of Anthropological Research 33 (1977):245.

Michelle Zimablist Rosaldo, Metaphors and Folk Classification, Southwest Journal of Anthropology 28 (1972):83.

Alexander Marschack, Upper Paleolithic Notation and Symbol, Science 178 (4063) (1972):817.

Claude Lvi-Strauss, Anthropology and Myth (Oxford: Basil Blackwell, 1987).

Cecil H. Brown, Language and Living Things (New Brunswick: Rutgers University Press, 1984).

Brent Ballin, Ethnobiological Classification, in Eleanor Rosch and Barbara B. Lloyd, eds., Cognition and Categorization (Hillsdale, N.J.: Lawrence Erlbaum, 1978).

Merrill Moore, A Note on Conchology, American Imago 3 (1942):113.

The pack rat or trader rat is a wood rat of the genus Neotoma. It piles up huge nests, mostly sticks, but includes anything it can find, such as keys, wristwatches, and small kitchen utensils. The trade occurs when it puts down one object in order to pick up another.

Paul Shepard, The Garden as Objet Trouv, in Mark Francis and Randolph T. Hester, eds., The Meaning of Gardens (Cambridge: MIT Press, 1990), pp. 148154.

Susan Sontag, On Photography (New York: Dell, 1973).

I desist here from this line of thought as it leads further from the subject of the chapter, but I should add that geometrized criteria in art find congenial equivalents in physics, mathematics, and classical music. The love affair between the humanities and modern physics is a symbiosis, the Western celebration of logic as a superior mode of experience.

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