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Bruce Cumings - Dominion from Sea to Sea: Pacific Ascendancy and American Power

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Bruce Cumings Dominion from Sea to Sea: Pacific Ascendancy and American Power
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A New Yorker faces west Saul Steinberg View of the World from 9th Avenue - photo 1

A New Yorker faces west. Saul Steinberg, View of the World from 9th Avenue, 1976. Ink, pencil, colored pencil, and watercolor on paper, z8 x 19 in. (71.1 x 48.3 cm). Private collection, New York. Cover drawing for the New Yorker, March 29, 1976. The Saul Steinberg Foundation/Artists Rights Society (ARS), New York.

California island in the sun John Speeds map of the Americas 1626 Courtesy - photo 2

California island in the sun John Speeds map of the Americas 1626 Courtesy - photo 3

California: island in the sun. John Speed's map of the Americas, 1626. Courtesy of the William L. Clements Library, University of Michigan.

John Mix Stanley The Last of Their Race 1857 Oil on canvas Buffalo Bill - photo 4

John Mix Stanley The Last of Their Race 1857 Oil on canvas Buffalo Bill - photo 5

John Mix Stanley, The Last of Their Race, 1857. Oil on canvas. Buffalo Bill Historical Center, Cody, Wyoming; 5.75

A westward empire Emanuel Gottlieb Leutze Westward the Course ofEmpire Takes - photo 6

A westward empire Emanuel Gottlieb Leutze Westward the Course ofEmpire Takes - photo 7

A westward empire. Emanuel Gottlieb Leutze, Westward the Course ofEmpire Takes Its Way, circa 1861. Mural study. Smithsonian American Art Museum, Bequest of Sara Carr Upton.
Mian Situ The Golden Mountain Arriving San Francisco 1865 2002 Oil on - photo 8

Mian Situ, The Golden Mountain Arriving San Francisco, 1865. 2002. Oil on canvas. Courtesy of Mian Situ.
Bencab Invaders and Resisters 1980 Acrylic on paper Courtesy of the artist - photo 9

Bencab, Invaders and Resisters, 1980. Acrylic on paper. Courtesy of the artist.

Frederic Remington Charge of the Rough Riders at San Juan Hill 1898 Oil on - photo 10

Frederic Remington Charge of the Rough Riders at San Juan Hill 1898 Oil on - photo 11

Frederic Remington, Charge of the Rough Riders at San Juan Hill, 1898. Oil on canvas. Courtesy of the Frederic Remington Art Museum, Ogdensburg, New York.

Albert Bierstadt The Oregon Trail 1869 Color mural The Butler Museum of - photo 12

Albert Bierstadt The Oregon Trail 1869 Color mural The Butler Museum of - photo 13

Albert Bierstadt, The Oregon Trail, 1869. Color mural. The Butler Museum of American Art, Youngstown, Ohio.

The Great Northern Railways Empire Builder Courtesy of Carlos Schwantes - photo 14

The Great Northern Railway's "Empire Builder." Courtesy of Carlos Schwantes.
Diego Rivera Allegory of California 1931 The City Club Photograph 1986 The - photo 15

Diego Rivera, Allegory of California, 1931. The City Club. Photograph 1986 The Detroit Institute of the Arts. D.R. 2008 Banco de Mexico, "Fiduciario" en el Fideicomiso relativo a los Museos Diego Rivera y Frida Kahlo. Av. Cinco de Mayo no. 2, Col. Centro, Del Cuauhtemoc o6059, Mexico, D.F.
California Cornucopia of the World a railroad advertisement Lithographic - photo 16

California Cornucopia of the World, a railroad advertisement. Lithographic poster. Rand McNally & Co., c. 1870; negative #41800. Collection of the New-York Historical Society.

Lemon cornucopia Fruit crate label Polychrome lithograph 12 x 9 in Splendid - photo 17

Lemon cornucopia Fruit crate label Polychrome lithograph 12 x 9 in Splendid - photo 18

Lemon cornucopia. Fruit crate label. Polychrome lithograph, 12 x 9 in. Splendid Brand, June 1938. Collection of the Oakland Museum of California, Gift of Old Promises.

Dominion from Sea to Sea Pacific Ascendancy and American Power - image 19

Dominion from Sea to Sea Pacific Ascendancy and American Power - image 20

Lynn E. Coleman,A Valley Cowboy's Last Stand at Sepulveda Pass, 1975 Collection of the artist.
Dominion from Sea to Sea Pacific Ascendancy and American Power - image 21

To Eleanor Sharts Cumings-Hood

He shall have dominion also from sea to sea, and from the river unto the ends of the earth.

-Psalm 72

Preface Acknowledgments I A Frontier of the Mind CHAPTER 1 The Machine in - photo 22


Preface

Acknowledgments

I A Frontier of the Mind

CHAPTER 1 The Machine in the Garden

CHAPTER 2 "The Remote beyond Compare": Finding California

II From Sea to Shining Sea. Manifest Destiny

CHAPTER 3 A Continent in Five Easy Pieces

CHAPTER 4 Manifest Destiny's Offspring: Gold, the Continental Railroad, Texas

CHAPTER 5 Abroad in Search of Monsters to Destroy

III Pacc States, New England Peoples

CHAPTER 6 East of Eden: The Pacific Northwest

CHAPTER 7 Edens Lush and Frigid

CHAPTER 8 Pacific Crossings: Asians in the New States

IV Y Crust of the Earth": Protean California

CHAPTER 9 A Garden Cornucopia

CHAPTER 10 "There It Is. Take It": Water and Power

CHAPTER 11 Southern California: Island on the Pacific

V A Tieing Point

CHAPTER 12 The State as Pretense of Itself: Developing the West

CHAPTER 13 Postwar California and the Rise of Western Republicanism

CHAPTER 14 In California's Shadow: The Rest of the West in the Postwar Era

CHAPTER 15 Archipelago of Empire: An American Grid for the Global Garden

CHAPTER 16 Silicon Valley: A New World at the Edge of the Sea

CHAPTER 17 Conclusion: The American Ascendancy

Appendix

Notes

Bibliography


This book develops a Pacific perspective on America's relationship to the world, standing in James Polk's Washington a century and a half ago and coming down to the present, drawing a fairly straight line all the way from the origin and development of California and the West ultimately to the heartland of the People's Republic of China. If Walt Whitman and historian Richard Drinnon had not thought of it first, "facing West" would be the title of this book. In other words, this is not a book about the West or about American involvement in the Pacific. It is about both, as a way of erasing the line between domestic and international perspectives. In exploring the contemporary American ascendancy, I attempt to join together what other authors usually treat separately: domestic and international history, international relations and political economy, and both sides of a vigorous Pacific economy. This book is also about technological change, and how sharp leaps forward in economic growth created a bicoastal national economy that has led the world for more than a century, a development that also transformed, undercut, or simply crushed original American conceptions of the continent they first inhabited nearly 400 years ago: a garden, an Eden, Arcadia, someday a Utopia.

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