Harrowing and necessary. In bringing the story of Mary Lumpkin back into the light, Green has provided a powerful service for future generations.
Anna Malaika Tubbs, author of The Three Mothers
If we the people of the United States truly believe in forming a more perfect union, the unadulterated reality of systemic racism must be told. The Devils Half Acre is an excellent book for readers looking to understand what life was like for enslaved African Americans like Mary Lumpkin, and to understand the impact that white supremacy has had on America as a whole.
Dr. Johnnetta Betsch Cole, renowned educator, museum professional, and diversity and inclusion consultant
Every Black woman must read the phenomenal book The Devils Half Acre . It is our storya true story, an erased storyof sisterhood and resistance. Mary Lumpkin, who rose from slavery, rape, and white supremacylimited education to lay the foundation of one of Americas first Historically Black Colleges, should be remembered alongside Harriet Tubman, Sojourner Truth, and Rosa Parks.
Jodie Patterson, author of The Bold World and chair of the Human Rights Campaign Foundation Board
Award-winning journalist Kristen Greens meticulously researched book The Devils Half Acre is an extraordinary and unique portrait of the institution of slavery. Focused on the hidden, compelling life of enslaved Mary Lumpkin, this is a must-read for anyone committed to understanding the still-invisible aspects of slavery. It is also a story of resistance and the enduring legacies of survivors contributions and even triumphs.
Beverly Guy-Sheftall, director of the Womens Research & Resource Center at Spelman College and coauthor of Gender Talk
Something Must Be Done About Prince Edward County
Copyright 2022 by Kristen Green
Cover design by Ann Kirchner
Cover images copyright Anastasiia Guseva / Shutterstock.com; Glenn Tilley Morse Collection, Bequest of Glenn Tilley Morse, 1950; Library of Congress, Geography and Map Division
Cover copyright 2022 by Hachette Book Group, Inc.
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First Edition: April 2022
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Library of Congress Cataloging-in-Publication Data
Names: Green, Kristen (Journalist), author.
Title: The devils half acre : the untold story of how one woman liberated the Souths most notorious slave jail / Kristen Green.
Description: First edition. | New York : Seal Press, 2022. | Includes bibliographical references and index.
Identifiers: LCCN 2021041088 | ISBN 9781541675636 (hardcover) | ISBN 9781541675629 (ebook)
Subjects: LCSH: Lumpkin, Mary F. | Virginia Union University (Richmond, Va.)History19th century. | African American womenVirginiaRichmondBiography. | Women slavesVirginiaRichmondBiography. | Slave tradeVirginiaRichmondHistory19th century. | JailsVirginiaRichmondHistory19th century.
Classification: LCC F234.R553 L864 2022 | DDC 306.3/62092 [B]dc23
LC record available at https://lccn.loc.gov/2021041088
ISBNs: 9781541675636 (hardcover), 9781541675629 (ebook)
E3-20220208-JV-NF-ORI
For my parents,
Faye Patteson Green and Charles Randall Green
When they told me my new-born babe was a girl,
my heart was heavier than it had ever been before.
Slavery is terrible for men; but it is far more terrible for women.
Harriet Jacobs
The city of Richmond, Virginia, 1862. (Library of Congress)
From the moment I first learned of Mary Lumpkin, I knew her story needed to be told. She had suffered unspeakable hardships as an enslaved woman, but had also accomplished incredible feats, helping to free her girls and playing a role in founding a school that improved the lives of generations of Black Americans.
But telling her story would be challenging. When I started looking in 2014 for clues about her life, I did not uncover much. Yet I was committed to finding a way to write about her. Niya Bates, who worked as a public historian at Thomas Jeffersons Monticello, was reassuring. She told me that even without a paper trail, we can still learn quite a lot of information about enslaved people.
Bates had helped to bring into the light Sally Hemings, an enslaved woman who had at least six of Jeffersons children. If we look harder at the evidence, we can put together a narrative of who she was as a person, as a mother, as a daughter, she told me.
I spent years collecting tiny tidbits of information about Mary Lumpkins pastan entry in the US census, a listing in a city directory, a mention in a book. Over time I compiled more: her testimony in a court case, a will naming her and her children as beneficiaries, her burial record. I used genealogical research to trace her children and grandchildren, and I attempted to map her life from these scraps of knowledge.
I also spent years reading and thinking about the world that Mary Lumpkin inhabited. Eventually, I saw her on the pages I turnedin the stories of enslaved children sold away from their parents, of girls who learned to read and write, of girls who did not have enough to eat, of girls forced to have children with their enslavers. I could see her in women negotiating for freedom for their children and themselves. I envisioned her as I read about Black abolitionists, property and business owners, leaders of slave revolts. I pictured her laughing with friends, hugging her children, walking freely in a city of her choosing.
Over time Mary Lumpkin emerged from the shadows. As I wrote, I used the research I had conducted to imagine the spaces where she dwelled and fill the gaps in her story. Historians Daina Ramey Berry and Kali Nicole Gross suggest that such imagining is a way to correct the erasure, and that is what I have tried to do.
In the time I have worked to excavate her history, the American conversation about slavery has begun to change, if ever so slightly. The New York Times s 1619 Project has worked to reframe the history of slavery, emphasizing the contributions of enslaved people in forming the new country and building on the work scholars have done for years to educate Americans. In the aftermath of George Floyds murder in Minneapolis, the Black Lives Matter movement has raised awareness of police brutality and racially motivated violence against Black Americans, revealing a past that had been rendered invisible, buried by white supremacists.
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