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Siân Nicholas - Moral Panics, Social Fears, and the Media: Historical Perspectives

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The media have always played a central role in organising the way ideas flow through societies. But what happens when those ideas are disruptive to normal social relations? Bringing together work by scholars in history, media and cultural studies and sociology, this collection explores this role in more depth and with more attention paid to the complexities behind conventional analyses. Attention is paid to morality and regulation; empire and film; the role of women; authoritarianism; wartime and fears of treachery; and fears of cultural contamination.

The book begins with essays that contextualise the theoretical and historiographical issues of the relationship between social fears, moral panics and the media. The second section provides case studies which illustrate the ways in which the media has participated in, or been seen as the source of, the creation of threats to society. Finally, the third section then shows how historical research calls into question simple assumptions about the relationship between the media and social disruption.

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Moral Panics Social Fears and the Media The media have always played a - photo 1
Moral Panics, Social Fears,
and the Media
The media have always played a central role in organising the way ideas flow through societies. But what happens when those ideas are disruptive to normal social relations? Bringing together work by scholars in history, media and cultural studies and sociology, this collection explores this role in more depth and with more attention paid to the complexities behind conventional analyses. Attention is paid to morality and regulation; empire and film; the role of women; authoritarianism; wartime and fears of treachery; and fears of cultural contamination.
The book begins with chapters that contextualise the theoretical and historiographical issues of the relationship between social fears, moral panics and the media. The second section provides case studies which illustrate the ways in which the media has participated in, or been seen as the source of, the creation of threats to society. Finally, the third section shows how historical research calls into question simple assumptions about the relationship between the media and social disruption.
Sin Nicholas is Senior Lecturer in British History at Aberystwyth University and codirector of the Aberystwyth Centre for Media History, UK.
Tom O'Malley is Professor of Media in the Department of Theatre, Film and Television at Aberystwyth University and codirector of the Aberystwyth Centre for Media History, UK.
Routledge Research in Cultural and Media Studies
For a full list of titles in this series, please visit www.routledge.com
13 American Icons
The Genesis of a National Visual Language
Benedikt Feldges
14 The Practice of Public Art
Edited by Cameron Cartiere and Shelly Willis
15 Film and Television After DVD
Edited by James Bennett and Tom Brown
16 The Places and Spaces of Fashion, 18002007
Edited by John Potvin
17 Communicating in the Third Space
Edited by Karin Ikas and Gerhard Wagner
18 Deconstruction After 9/11
Martin McQuillan
19 The Contemporary Comic Book Superhero
Edited by Angela Ndalianis
20 Mobile Technologies
From Telecommunications to Media
Edited by Gerard Goggin & Larissa Hjorth
21 Dynamics and Performativity of Imagination
The Image between the Visible and the Invisible
Edited by Bernd Huppauf and Christoph Wulf
22 Cities, Citizens, and Technologies
Urban Life and Postmodernity
Paula Geyh
23 Trauma and Media
Theories, Histories, and Images
Allen Meek
24 Letters, Postcards, Email
Technologies of Presence
Esther Milne
25 International Journalism and Democracy
Civic Engagement Models from Around the World
Edited by Angela Romano
26 Aesthetic Practices and Politics in Media, Music, and Art
Performing Migration
Edited by Roco G. Davis, Dorothea Fischer-Hornung, and Johanna C. Kardux
27 Violence, Visual Culture, and the Black Male Body
Cassandra Jackson
28 Cognitive Poetics and Cultural Memory
Russian Literary Mnemonics
Mikhail Gronas
29 Landscapes of Holocaust Postmemory
Brett Ashley Kaplan
30 Emotion, Genre, and Justice in Film and Television
E. Deidre Pribram
31 Audiobooks, Literature, and Sound Studies
Matthew Rubery
32 The Adaptation Industry
The Cultural Economy of Literary Adaptation
Simone Murray
33 Branding Post-Communist Nations
Marketizing National Identities in the New Europe
Edited by Nadia Kaneva
34 Science Fiction Film, Television, and Adaptation
Across the Screens
Edited by J. P. Telotte and Gerald Duchovnay
35 Art Platforms and Cultural Production on the Internet
Olga Goriunova
36 Queer Representation, Visibility, and Race in American Film and Television
Melanie E.S. Kohnen
37 Artificial Culture
Identity, Technology, and Bodies
Tama Leaver
38 Global Perspectives on Tarzan
From King of the Jungle to International Icon
Edited by Annette Wannamaker and Michelle Ann Abate
39 Studying Mobile Media
Cultural Technologies, Mobile Communication, and the iPhone
Edited by Larissa Hjorth, Jean Burgess, and Ingrid Richardson
40 Sport Beyond Television
The Internet, Digital Media and the Rise of Networked Media Sport
Brett Hutchins and David Rowe
41 Cultural Technologies
The Shaping of Culture in Media and Society
Edited by Gran Bolin
42 Violence and the Pornographic Imaginary
The Politics of Sex, Gender, and Aggression in Hardcore Pornography
Natalie Purcell
43 Ambiguities of Activism
Alter-Globalism and the Imperatives of Speed
Ingrid M. Hoofd
44 Generation X Goes Global
Mapping a Youth Culture in Motion
Christine Henseler
45 Forensic Science in Contemporary American Popular Culture
Gender, Crime, and Science
Lindsay Steenberg
46 Moral Panics, Social Fears, and the Media
Historical Perspectives
Edited by Sin Nicholas and Tom O'Malley
Moral Panics, Social Fears,
and the Media
Historical Perspectives
Edited by Sin Nicholas and
Tom O'Malley
Moral Panics Social Fears and the Media Historical Perspectives - image 2
First published 2013
by Routledge
711 Third Avenue, New York, NY 10017
Simultaneously published in the UK
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
Routledge is an imprint of the Taylor & Francis Group, an informa business
2013 Taylor & Francis
The right of the editors to be identified as the authors of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
Library of Congress Cataloging-in-Publication Data
Moral panics, social fears, and the media historical perspectives / edited
by Sin Nicholas and Tom O'Malley.
pages cm. (Routledge research in cultural and media studies ; 46)
Includes bibliographical references and index.
1. Mass mediaMoral and ethical aspects. 2. Mass media
Social aspects. 3. Mass media and public opinion. 4. Moral
panics. I. Nicholas, Sin, editor of compilation. II. O'Malley, Tom,
1955 editor of compilation.
P94.M665 2013
302.23dc23
2012038734
ISBN: 978-0-415-50161-3 (hbk)
ISBN: 978-0-203-38623-1 (ebk)
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