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Ashvin Immanuel Devasundaram - Indias New Independent Cinema: Rise of the Hybrid

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Ashvin Immanuel Devasundaram Indias New Independent Cinema: Rise of the Hybrid

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This is the first-ever book on the rise of the new wave of independent Indian films that is revolutionising Indian cinema. Contemporary scholarship on Indian cinema so far has focused asymmetrically on BollywoodIndias dominant cultural export. Reversing this trend, this book provides an in-depth examination of the burgeoning independent Indian film sector. It locates the new Indies as a glocalhybrid film formglobal in aesthetic and local in content. They critically engage with a diverse socio-political spectrum of state of the nation stories; from farmer suicides, disenfranchised urban youth and migrant workers to monks turned anti-corporation animal rights agitators. This book provides comprehensive analyses of definitive Indie new wave films including Peepli Live (2010), Dhobi Ghat(2010), The Lunchbox (2013) and Ship of Theseus (2013). It explores how subversive Indies, such as polemical postmodern rap-musical Gandu (2010) transgress conventional notions of traditional Indian values, and collide with state censorship regulations. This timely and pioneering analysis shows how the new Indies have emerged from a middle space between Indias globalising present and traditional past. This book draws on in-depth interviews with directors, actors, academics and members of the Indian censor board, and is essential reading for anyone seeking an insight into a current Indian film phenomenon that could chart the future of Indian cinema.

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Indias New Independent Cinema
This book breaks new ground in what has become a field of clich: Indian Cinema. It is an insightful peek into what Parallel cinema in India has evolved into. A must read for anyone studying the subject, or just passionate about cinema.
Renji Matthews, University of Sharjah, UAE
This is the first-ever book on the rise of the new wave of independent Indian films that is revolutionising Indian cinema. Contemporary scholarship on Indian cinema so far has focused asymmetrically on Bollywood, Indias dominant cultural export. Reversing this trend, this book provides an in-depth examination of the burgeoning independent Indian film sector. It locates the new Indies as a glocal hybrid film form global in aesthetic and local in content. These films critically engage with a diverse socio-political spectrum of state of the nation stories: from farmer suicides and disenfranchised urban youth and migrant workers to monks turned anti-corporation animal rights agitators. This book provides comprehensive analyses of definitive Indie New Wave films, including Peepli Live (2010), Dhobi Ghat (2010), The Lunchbox (2013) and Ship of Theseus (2013). It explores how subversive Indies, such as polemical postmodern rap-musical Gandu (2010), transgress conventional notions of traditional Indian values and collide with state censorship regulations. This timely analysis shows how the new Indies have emerged from a middle space between Indias globalising present and traditional past. This book draws on in-depth interviews with directors, actors, academics and members of the Indian censor board; it is essential reading for anyone seeking an insight into a current Indian film phenomenon that could chart the future of Indian cinema.
Ashvin Immanuel Devasundaram has a PhD from Heriot-Watt University, Edinburgh. He is currently Programming Adviser for the London Asian Film Festival (LAFF) and Creative Director of the festivals expansion to other cities in the UK.
Routledge Advances in Film Studies
For a full list of titles in this series, please visit www.routledge.com.
18 European Civil War Films
Memory, Conflict, and Nostalgia
Eleftheria Rania Kosmidou
19 The Aesthetics of Antifascist Film
Radical Projection
Jennifer Lynde Barker
20 The Politics of Age and Disability in Contemporary Spanish Film
Plus Ultra Pluralism
Matthew J. Marr
21 Cinema and Language Loss
Displacement, Visuality and the Filmic Image
Tijana Mamula
22 Cinema as Weather
Stylistic Screens and Atmospheric Change
Kristi McKim
23 Landscape and Memory in Post-Fascist Italian Film
Cinema Year Zero
Giuliana Minghelli
24 Masculinity in the Contemporary Romantic Comedy
Gender as Genre
John Alberti
25 Crossover Cinema
Cross-Cultural Film from Production to Reception
Edited by Sukhmani Khorana
26 Spanish Cinema in the Global Context
Film on Film
Samuel Amago
27 Japanese Horror Films and Their American Remakes
Translating Fear, Adapting Culture
Valerie Wee
28 Postfeminism and Paternity in Contemporary US Film
Framing Fatherhood
Hannah Hamad
29 Cine-Ethics
Ethical Dimensions of Film Theory, Practice, and Spectatorship
Edited by Jinhee Choi and Mattias Frey
30 Postcolonial Film: History, Empire, Resistance
Edited by Rebecca Weaver-Hightower and Peter Hulme
31 The Womans Film of the 1940s
Gender, Narrative, and History
Alison L. McKee
32 Iranian Cinema in a Global Context
Policy, Politics, and Form
Edited by Peter Decherney and Blake Atwood
33 Eco-Trauma Cinema
Edited by Anil Narine
34 American and Chinese-Language Cinemas
Examining Cultural Flows
Edited by Lisa Funnell and Man-Fung Yip
35 American Documentary Filmmaking in the Digital Age
Depictions of War in Burns, Moore, and Morris
Lucia Ricciardelli
36 Asian Cinema and the Use of Space
Interdisciplinary Perspectives
Edited by Lilian Chee and Edna Lim
37 Moralizing Cinema
Film, Catholicism and Power
Edited by Daniel Biltereyst and Daniela Treveri Gennari
38 Popular Film Music and Masculinity in Action
A Different Tune
Amanda Howell
39 Film and the American Presidency
Edited by Jeff Menne and Christian B. Long
40 Hollywood Action Films and Spatial Theory
Nick Jones
41 The Western in the Global South
Edited by MaryEllen Higgins, Rita Keresztesi, and Dayna Oscherwitz
42 Spaces of the Cinematic Home
Behind the Screen Door
Edited by Eleanor Andrews, Stella Hockenhull, and Fran Pheasant-Kelly
43 Spectacle in Classical Cinemas
Musicality and Historicity in the 1930s
Tom Brown
44 Rashomon Effects
Kurosawa, Rashomon and Their Legacies
Edited by Blair Davis, Robert Anderson and Jan Walls
45 Mobility and Migration in Film and Moving Image Art
Cinema Beyond Europe
Nilgn Bayraktar
46 The Other in Contemporary Migrant Cinema
Imagining a New Europe?
Guido Rings
47 Horror Film and Affect
Towards a Corporeal Model of Viewership
Xavier Aldana Reyes
48 Indias New Independent Cinema
Rise of the Hybrid
Ashvin Immanuel Devasundaram
First published 2016
by Routledge
711 Third Avenue, New York, NY 10017
and by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
Routledge is an imprint of the Taylor & Francis Group, an informa business
2016 Taylor & Francis
The right of Ashvin Immanuel Devasundaram to be identified as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
Library of Congress Cataloging-in-Publication Data
Names: Devasundaram, Ashvin Immanuel.
Title: Indias new independent cinema: rise of the hybrid / by Ashvin Immanuel Devasundaram.
Description: New York: Routledge, 2016 | Series: Routledge advances in film studies | Includes bibliographical references and index.
Identifiers: LCCN 2016003977
Subjects: LCSH: Motion picture industryIndia. | Independent filmsIndia. | Motion picturesIndia.
Classification: LCC PN1993.5.I8 D485 2016 | DDC 791.430954dc23LC record available at HYPERLINK https://protect-us.mimecast.com/s/lN5JBRUazbLgum http://lccn.loc.gov/2016003977
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