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Tatiana Rosnay - Sarah’s Key

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Paris, July 1942: Sarah, a ten year-old girl, is brutally arrested with her family by the French police in the Vel dHiv roundup, but not before she locks her younger brother in a cupboard in the familys apartment, thinking that she will be back within a few hours. Paris, May 2002: On Vel dHivs 60th anniversary, journalist Julia Jarmond is asked to write an article about this black day in France s past. Through her contemporary investigation, she stumbles onto a trail of long-hidden family secrets that connect her to Sarah. Julia finds herself compelled to retrace the girls ordeal, from that terrible term in the Vel dHiv, to the camps, and beyond. As she probes into Sarahs past, she begins to question her own place in France, and to reevaluate her marriage and her life. Tatiana de Rosnay offers us a brilliantly subtle, compelling portrait of France under occupation and reveals the taboos and silence that surround this painful episode.

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Tatiana de Rosnay Sarahs Key 2007 To Stella my mother To my beautiful - photo 1

Tatiana de Rosnay

Sarahs Key

2007

To Stella, my mother

To my beautiful, rebellious Charlotte

In memory of Natacha, my grandmother (1914-2005)

Authors Note

The characters in this novel are entirely fictitious. But several of the events described are not, especially those that occurred in Occupied France during summer of 1942, and in particular the great Vlodrome dHiver roundup, which took place on July 16, 1942, in the heart of Paris.

This is not a historical work and has no intention of being one. It is my tribute to the children of the Vel dHiv. The children who never came back. And the ones who survived to tell.

Picture 2

My God! What is this country doing to me? Because it has rejected me, let us consider it coldly, let us watch it lose its honor and its life.

IRNE NMIROVSKY, Suite Franaise (1942)

Tyger! Tyger! burning bright

In the forests of the night,

What immortal hand or eye

Could frame thy fearful symmetry?

WILLIAM BLAKE, Songs of Experience

Paris, July 1942

Sarahs Key - image 3

THE GIRL WAS THE first to hear the loud pounding on the door. Her room was closest to the entrance of the apartment. At first, dazed with sleep, she thought it was her father, coming up from his hiding place in the cellar. Hed forgotten his keys, and was impatient because nobody had heard his first, timid knock. But then came the voices, strong and brutal in the silence of the night. Nothing to do with her father. Police! Open up! Now!

The pounding took up again, louder. It echoed to the marrow of her bones. Her younger brother, asleep in the next bed, stirred. Police! Open up! Open up! What time was it? She peered through the curtains. It was still dark outside.

She was afraid. She remembered the recent, hushed conversations she had overheard, late at night, when her parents thought she was asleep. She had crept up to the living room door and she had listened and watched from a little crack through the panel. Her fathers nervous voice. Her mothers anxious face. They spoke their native tongue, which the girl understood, although she was not as fluent as them. Her father had whispered that times ahead would be difficult. That they would have to be brave and very careful. He pronounced strange, unknown words: camps, roundup, a big roundup, early morning arrests, and the girl wondered what all of it meant. Her father had murmured that only the men were in danger, not the women, not the children, and that he would hide in the cellar every night.

He had explained to the girl in the morning that it would be safer if he slept downstairs, for a little while. Till things got safe. What things, exactly? thought the girl. What was safe? When would things be safe again? She wanted to find out what he had meant by camp and roundup, but she worried about admitting she had eavesdropped on her parents, several times. So she hadnot dared ask him.

Open up! Police!

Had the police found Papa in the cellar, she asked herself. Was that why they were here, had the police come to take Papa to the places he had mentioned during those hushed midnight talks: the camps, far away, out of the city?

The girl padded fast on silent feet to her mothers room, down the corridor. Her mother awoke the minute she felt a hand on her shoulder.

Its the police, Maman, the girl whispered. Theyre banging on the door.

Her mother swept her legs from under the sheets, brushed her hair out of her eyes. The girl thought she looked tired, old, much older than her thirty years.

Have they come to take Papa away? pleaded the girl, her hands on her mothers arms. Have they come for him?

The mother did not answer. Again the loud voices down the hallway. The mother swiftly put a dressing gown over her night dress, then took the girl by the hand and went to the door. Her hand was hot and clammy, like a childs, the girl thought.

Yes? the mother said timidly, without opening the latch.

A mans voice. He shouted her name.

Yes, Monsieur, that is me, she answered. Her accent came out strong, almost harsh.

Open up. Immediately. Police.

The mother put a hand to her throat and the girl noticed how pale she was. She seemed drained, frozen. As if she could no longer move. The girl had never seen such fear on her mothers face. She felt her mouth go dry with anguish.

The men banged again. The mother opened the door with clumsy, trembling fingers. The girl winced, expecting to see green-gray suits.

Two men stood there. One was a policeman, wearing his dark blue knee-length cape and a high, round cap. The other man wore a beige raincoat. He had a list in his hand. Once again, he said the womans name. And the fathers name. He spoke perfect French. Then we are safe, thought the girl. If they are French, and not German, we are not in danger. If they are French, they will not harm us.

The mother pulled her daughter close to her. The girl could feel the womans heart beating through her dressing gown. She wanted to push her mother away. She wanted her mother to stand up straight and look at the men boldly, to stop cowering, to prevent her heart from beating like that, like a frightened animals. She wanted her mother to be brave.

My husband is not here, stuttered the mother. I dont know where he is. I dont know.

The man with the beige raincoat shoved his way into the apartment.

Hurry up, Madame. You have ten minutes. Pack some clothes. Enough for a couple of days.

The mother did not move. She stared at the policeman. He was standing on the landing, his back to the door. He seemed indifferent, bored. She put a hand on his navy sleeve.

Monsieur, please-, she began.

The policeman turned, brushing her hand away. A hard, blank expression in his eyes.

You heard me. You are coming with us. Your daughter, too. Just do as you are told.

Paris, May 2002

Sarahs Key - image 4

BERTRAND WAS LATE, AS usual. I tried not to mind, but I did. Zo lolled back against the wall, bored. She looked so much like her father, it sometimes made me smile. But not today. I glanced up at the ancient, tall building. Mams place. Bertrands grandmothers old apartment. And we were going to live there. We were going to leave the boulevard du Montparnasse, its noisy traffic, incessant ambulances due to three neighboring hospitals, its cafs and restaurants, for this quiet, narrow street on the right bank of the Seine.

The Marais was not an arrondissement I was familiar with, although I did admire its ancient, crumbling beauty. Was I happy about the move? I wasnt sure. Bertrand hadnt really asked my advice. We hadnt discussed it much at all, in fact. With his usual gusto, he had gone ahead with the whole affair. Without me.

There he is, said Zo. Only half an hour late.

We watched Bertrand saunter up the street with his particular, sensual strut. Slim, dark, oozing sex appeal, the archetypal Frenchman. He was on the phone, as usual. Trailing behind him was his business associate, the bearded and pink-faced Antoine. Their offices were on the rue de lArcade, just behind the Madeleine. Bertrand had been part of an architectural firm for a long time, since before our marriage, but he had started out on his own, with Antoine, five years ago.

Bertrand waved to us, then pointed to the phone, lowering his eyebrows and scowling.

Like he cant get that person off the phone, scoffed Zo. Sure.

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