Don DeLillo - Zero K

Everybody wants to own the end of the world.

This is what my father said, standing by the contoured windows in his New York office private wealth management, dynasty trusts, emerging markets. We were sharing a rare point in time, contemplative, and the moment was made complete by his vintage sunglasses, bringing the night indoors. I studied the art in the room, variously abstract, and began to understand that the extended silence following his remark belonged to neither one of us. I thought of his wife, the second, the archaeologist, the one whose mind and failing body would soon begin to drift, on schedule, into the void.

That moment came back to me some months later and half a world away. I sat belted into the rear seat of an armored hatchback with smoked side windows, blind both ways. The driver, partitioned, wore a soccer jersey and sweatpants with a bulge at the hip indicating a sidearm. After an hours ride over rough roads he brought the car to a stop and said something into his lapel device. Then he eased his head forty-five degrees in the direction of the right rear passenger seat. I took this to mean that it was time for me to unstrap myself and get out.

The ride was the last stage in a marathon journey and I walked away from the vehicle and stood a while, stunned by the heat, holding my overnight bag and feeling my body unwind. I heard the engine start up and turned to watch. The car was headed back to the private airstrip and it was the only thing moving out there, soon to be enveloped in land or sinking light or sheer horizon.

I completed my turn, a long slow scan of salt flats and stone rubble, empty except for several low structures, possibly interconnected, barely separable from the bleached landscape. There was nothing else, nowhere else. I hadnt known the precise nature of my destination, only its remoteness. It was not hard to imagine that my father at his office window had conjured his remark from this same stark terrain and the geometric slabs that blended into it.

He was here now, they both were, father and stepmother, and Id come to pay the briefest of visits and say an uncertain farewell.

The number of structures was hard to determine from my near vantage. Two, four, seven, nine. Or only one, a central unit with rayed attachments. I imagined it as a city to be discovered at a future time, self-contained, well-preserved, nameless, abandoned by some unknown migratory culture.

The heat made me think I was shrinking but I wanted to remain a moment and look. These were buildings in hiding, agoraphobically sealed. They were blind buildings, hushed and somber, invisibly windowed, designed to fold into themselves, I thought, when the movie reaches the point of digital collapse.

I followed a stone path to a broad portal where two men stood watching. Different soccer jerseys, same hip bulge. They stood behind a set of bollards designed to keep vehicles from entering the immediate area.

Off to the side, at the far edge of the entranceway, strangely, two other figures, in chadors, shrouded women standing motionless.

My father had grown a beard. This surprised me. It was slightly grayer than the hair on his head and had the effect of setting off his eyes, intensifying the gaze. Was this the beard a man grows who is eager to enter a new dimension of belief?

I said, When does it happen?

Were working on the day, the hour, the minute. Soon, he said.

He was in his mid-to-late sixties, Ross Lockhart, broad-shouldered and agile. His dark glasses sat on the desk in front of him. I was accustomed to meeting him in offices, somewhere or other. This one was improvised, several screens, keyboards and other devices set about the room. I was aware that hed put major sums of money into this entire operation, this endeavor, called the Convergence, and the office was a gesture of courtesy, allowing him to maintain convenient contact with his network of companies, agencies, funds, trusts, foundations, syndicates, communes and clans.

And Artis.

Shes completely ready. Theres no trace of hesitation or second thoughts.

Were not talking about spiritual life everlasting. This is the body.

The body will be frozen. Cryonic suspension, he said.

Then at some future time.

Yes. The time will come when there are ways to counteract the circumstances that led to the end. Mind and body are restored, returned to life.

This is not a new idea. Am I right?

This is not a new idea. It is an idea, he said, that is now approaching full realization.

I was disoriented. This was the morning of what would be my first full day here and this was my father across the desk and none of it was familiar, not the situation or the physical environment or the bearded man himself. Id be on my way home before Id be able to absorb any of it.

And you have complete confidence in this project.

Complete. Medically, technologically, philosophically.

People enroll their pets, I said.

Not here. Nothing here is speculative. Nothing is wishful or peripheral. Men, women. Death, life.

His voice carried the even tone of a challenge.

Is it possible for me to see the area where it happens?

Extremely doubtful, he said.

Artis, his wife, was suffering from several disabling illnesses. I knew that multiple sclerosis was largely responsible for her deterioration. My father was here as devoted witness to her passing and then as educated observer of whatever initial methods would allow preservation of the body until the year, the decade, the day when it might safely be permitted to reawaken.

When I got here I was met by two armed escorts. Took me through security, took me to the room, said next to nothing. Thats all I know. And the name, which sounds religious.

Faith-based technology. Thats what it is. Another god. Not so different, it turns out, from some of the earlier ones. Except that its real, its true, it delivers.

Life after death.

Eventually, yes.

The Convergence.

Yes.

Theres a meaning in mathematics.

Theres a meaning in biology. Theres a meaning in physiology. Let it rest, he said.

When my mother died, at home, I was seated next to the bed and there was a friend of hers, a woman with a cane, standing in the doorway. Thats how I would picture the moment, narrowed, now and always, to the woman in the bed, the woman in the doorway, the bed itself, the metal cane.

Ross said, Down in an area that serves as a hospice I sometimes stand among the people being prepared to undergo the process. Anticipation and awe intermingled. Far more palpable than apprehension or uncertainty. Theres a reverence, a state of astonishment. Theyre together in this. Something far larger than theyd ever imagined. They feel a common mission, a destination. And I find myself trying to imagine such a place centuries back. A lodging, a shelter for travelers. For pilgrims.

Okay, pilgrims. Were back to the old-time religion. Is it possible for me to visit the hospice?

Probably not, he said.

He gave me a small flat disk appended to a wristband. He said it was similar to the ankle monitor that kept police agencies informed of a suspects whereabouts, pending trial. Id be allowed entry to certain areas on this level and the one above, nowhere else. I could not remove the wristband without alerting security.

Dont be quick to draw conclusions about what you see and hear. This place was designed by serious people. Respect the idea. Respect the setting itself. Artis says we ought to regard it as a work-in-progress, an earthwork, a form of earth art, land art. Built up out of the land and sunk down into it as well. Restricted access. Defined by stillness, both human and environmental. A little tomblike as well. The earth is the guiding principle, he said. Return to the earth, emerge from the earth.