The Bodhicitta Sutra
Ten Scriptures of the
Great Perfection
With Tibetan Text
Translated by
Christopher Wilkinson
The painting on the cover is the work of Tsering Kelsang, a master painter who is currently residing in Dharamsala, India. If you are interested in commissioning a Thangka or other work of art, he may be reached at: tsekelsang1984@gmail.com.
No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems, without permission in writing from the author. The only exception is by a reviewer, who may quote excerpts in a review.
Published by Christopher Wilkinson
CreateSpace Independent Publishing Platform
Copyright 2018 Christopher Wilkinson
All rights reserved.
ISBN : 1719404054
ISBN-13 : 978-1719404051
DEDICATION
For all teachers and students of the Great Perfection
Also Translated By Christopher Wilkinson
A Subtle Arrangement of Gemstones:
Two Upadesha Tantras of the Great Perfection
A Mound of Jewels:
Three Upadesha Tantras of the Great Perfection
The Jewel Maker:
The Great Tantra on the Consequence of Sound
The Six Spaces of the All Good:
An Upadesha Tantra of the Great Perfection
The Mirror of the Heart of Vajrasattva:
Two Upadesha Tantras of the Great Perfection
The Lion Stops Hunting:
An Upadesha Tantra of the Great Perfection
The Pearl Necklace Tantra:
Upadesha Instructions of the Great Perfection
The Secret Kissing of the Sun and Moon:
Three Upadesha Tantras of the Great Perfection
Eight Early Tantras of the Great Perfection:
An Elixir of Ambrosia
The Royal Tantra on the Brilliant Diffusion of Majestic Space
The Secret Tantras of the Fish Wheel and the Nine Spaces:
Two Ancient Scriptures of the Great Perfection
Ten Early Tantras of the Great Perfection:
A Basket of Diamonds
The Gods and the Demons Are Not Two:
A Tantra of the Great Perfection
The Tantra of Great Bliss:
The Guhyagarbha Transmission of Vajrasattvas Magnificent Sky
Secret Sky:
The Ancient Tantras on Vajrasattvas Magnificent Sky
The Great Tantra of Vajrasattva:
Equal to the End of the Sky
Beyond Secret:
The Upadesha of Vairochana on the Practice of the Great Perfection
Secret Wisdom:
Three Root Tantras of the Great Perfection
CONTENTS
Acknowledgments | i |
Introduction | iii |
| The Bodhicitta Sutra | |
a | The Basic Scene | |
b | Causes and Results are One | |
c | Analogy and Significance Are One | |
d | Root Bodhicitta | |
e | Conclusion | |
| The Sutra of Enumerations | |
a | Beyond this World | |
b | A Commentary on the Meaning | |
| The Sutra of Consummate Perfection | |
a | The Teaching on a Completely Perfect Entourage | |
b | the Perfect Store of Time | |
c | The Sutra of the Perfect Store and Three Commentaries on its Meaning | |
| The Differentiation of the Particulars of the Four Yogas | |
a | A Commentary on the Meanings of the Four Kinds of Yoga | |
| The Sutra that is Especially Superior | |
a | The Commentary on the Sutra that is Especially Noble | |
| The Sutra that Teaches on Deviances and Obstructions | |
a | The Commentary on the Sutra that Teaches on Deviances and Obstructions | |
| The Sutra on Using the Three Transmissions and Four Upadea Instructions to Put Things into Order | |
a | The Sutra that Puts Things into Order | |
| The Sutra that Presents What is Certain | |
| The Sutra That Turns the Vehicles Upside Down | |
a | The Commentary on the Meaning of the Sutra that Turns the Vehicles Upside Down | |
| The Sutra of Complete Perfection | |
a | A Commentary on the Meaning of the Sutra of Complete Perfection | |
| The Sutra that Cuts Through Everything | |
| The Bequest of the Teaching | |
The Tibetan Text | |
About the Translator | |
ACKNOWLEDGMENTS
First and foremost, I wish to thank my root teacher Dezhung Rinpoche for constantly bringing out the best in me and encouraging me to pursue a comprehension of every branch of Buddhist learning. It was he who introduced me to Dilgo Khyentse Rinpoche, and through his recommendations enabled me to receive full empowerments, transmissions, and permissions in the areas of Mah, Anu, and Ati yogas. With the highest regard I wish to thank Dilgo Khyentse Rinpoche, Khetsun Zangpo Rinpoche, Nyoshul Khen Rinpoche, and Khenpo Palden Sherab for their kind instruction and encouragement in my effort to translate the literature of the rDzogs chen. There are many individuals, too many to name here, who have helped me in many ways over the years to become a qualified translator. At this time I want to acknowledge the kindness of Ngawang Kunga Trinlay Sakyapa, Jigdral Dagchen Sakya Rinpoche, Dhongthog Rinpoche, Karmapa Rangjung Rigpay Dorje, Kalu Rinpoche, Chogyam Trungpa Rinpoche, Geshe Ngawang Nornang, Carl Potter, David Ruegg, Turrell Wylie, Gene Smith, Karen Lang, Richard Salomon, Jack Hawley, David Jackson, Cyrus Stearns, Herbert Guenther, Eva Neumeier-Dargyay, Leslie Kawamura, Frits Staal, Robert Thurman, Paul Nietupski, Lou Lancaster, David Snellgrove, Jean-Luc Achard, Sarah Harding, Steve Landsberg, Tsultrim Allione, Carolyn Klein, Rob Mayer, Jonathan Silk, David White, Mark Tatz, and Malcolm Smith. I want to thank Nora Staffanell for proofreading the manuscript. I also want to thank Diana McPhee, Eric Bause, Giovanni Santuz, and Robert J. Barnhart, whose support has helped to make this translation possible. The many people who have contributed to my understanding and ability to do this work cannot be counted. I wish to thank everyone who has taken a kind interest in these translations, however slight, for their part in making this work a reality.
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Introduction
The Great Perfection, also known as the Atiyoga or Dzogchen ( rDzogs chen ), is a tradition of esoteric Buddhism that espouses instantaneous enlightenment. This tradition arrived in Tibet in the Eighth Century of the Common Era and has been maintained up until the present. The literature of the Great Perfection has been divided into three groups or sections: The Mind Section ( Sems sde ), the Space Section ( kLong sde ), and the Upadesha Instruction Section ( Man ngag sde ). The Bodhicitta Sutra is a source work of the Mind Section, and is here translated in full for the first time.