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Christopher Wilkinson - The Royal Tantra on the Brilliant Diffusion of Majestic Space

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The Great Perfection, also known as the Atiyoga or Dzogchen (rDzogs chen), is a tradition of esoteric Buddhism that upholds instantaneous enlightenment. The literature of the Great Perfection has been divided up into three groups or sections: The Mind Section (Sems sde), the Space Section (kLong sde), and the Upadesha Instruction Section (Man ngag sde). The Royal Tantra on the Brilliant Diffusion of Majestic Space is the King of the Space Section Tantras, and is here translated in full for the first time. The Space Section transmission is known as the Vajra Bridge (rDo rje zam pa). It is said that Vairochana, a famous translator who was active during the Eighth Century of the Common Era, received the texts and instructions for the Space Section from his teacher Sri Singha, and then passed them down to his student Mipham Gonpo. It is said that for five generations of this lineage every master achieved a rainbow body at the time of his passing away.About the AuthorChristopher Wilkinson began his career in Buddhist literature at the age of fifteen, taking refuge vows from his guru Dezhung Rinpoche. In that same year he began formal study of Tibetan language at the University of Washington under Geshe Ngawang Nornang and Turrell Wylie. He became a Buddhist monk, for three years, at the age of eighteen, living in the home of Dezhung Rinpoche while he continued his studies at the University of Washington. He graduated in 1980 with a B.A. degree in Asian Languages and Literature and another B.A. degree in Comparative Religion (College Honors, Magna Cum Laude, Phi Beta Kappa). After a two year tour of Buddhist pilgrimage sites throughout Asia he worked in refugee resettlement programs for five years in Seattle, Washington. He then proceeded to the University of Calgary for an M.A. in Buddhist Studies where he wrote a groundbreaking thesis on the Yangti transmission of the Great Perfection tradition titled Clear Meaning: Studies on a Thirteenth Century rDzog chen Tantra. He proceeded to work on a critical edition of the Sanskrit text of the 20,000 line Perfection of Wisdom in Berkeley, California, followed by an intensive study of Burmese language in Hawaii. In 1990 he began three years service as a visiting professor in English Literature in Sulawesi, Indonesia, exploring the remnants of the ancient Sri Vijaya Empire there. He worked as a research fellow for the Shelly and Donald Rubin Foundation for several years, playing a part in the early development of the Rubin Museum of Art. In the years that followed he became a Research Fellow at the Centre de Recherches sur les Civilisations de lAsie Orientale, Collge de France, and taught at the University of Calgary as an Adjunct Professor for five years. He has currently published sixteen volumes of translations of Tibetan literature, and is currently engaged in further translations of classic Buddhist literature.

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The Royal Tantra on the Brilliant Diffusion of Majestic Space With Tibetan Text Translated by Christopher Wilkinson The painting on the cover represents the Himalayan blue sheep, or bharal, which is mentioned in the Tantra. It was painted by Tsering Kelsang, a master artist currently has a studio at DoDrupchen Rinpoche's monastery in Sikkim. Tsering Kelsang graduated from the art school at the Tibetan Homes Foundation (VTC) in Mussoorie, India, where he studied under Mr. Ngawang, Mr. Dorjee Tsaktsa, Mr. Rigzin. Rigzin.

Tsering Kelsang has been greatly inspired by the work of Mr. Pema Namdrol Thia. If you are interested in commissioning a Thangka, he may be reached at +918927773342 or on Facebook at: https://www.facebook.com/tsering.kelsang.7 No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems, without permission in writing from the author. The only exception is by a reviewer, who may quote excerpts in a review. Published by Christopher Wilkinson Cambridge, MA, USA Copyright 2016 Christopher Wilkinson All rights reserved. ISBN : 1534877886 ISBN-13 : 978-1534877887 DEDICATION For all the teachers and students of the Great Perfection.

Also Translated By Christopher Wilkinson Great Perfection Series: The Secret Tantras of the Fish Wheel and the Nine Spaces: Two Ancient Scriptures of the Great Perfection Ten Early Tantras of the Great Perfection: A Basket of Diamonds The Gods and the Demons Are Not Two: A Tantra of the Great Perfection The Tantra of Great Bliss: The Guhyagarbha Transmission of Vajrasattvas Magnificent Sky Secret Sky: The Ancient Tantras on Vajrasattvas Magnificent Sky The Great Tantra of Vajrasattva: Equal to the End of the Sky Beyond Secret: The Upadesha of Vairochana on the Practice of the Great Perfection Secret Wisdom: Three Root Tantras of the Great Perfection Sakya Kongma Series: Sakya Panditas Poetic Wisdom Jetsun Dragpa Gyaltsan: The Hermit King Admission at Dharmas Gate by Sonam Tsemo An Overview of Tantra and Related Works Chogyal Phagpa: The Emperors Guru Advice to Kublai Khan: Letters by the Tibetan Monk Chogyal Phagpa To Kublai Khan and his Court At The Court of Kublai Khan: Writings of the Tibetan Monk Chogyal Phagpa CONTENTS

Acknowledgmentsi
Introductioniii
The Royal Tantra on the Brilliant Diffusion of Majestic Space
The Basic Scene
No Origins or Applications
The Unfathomable Intent
Teaching the Heart-Essence of Our Intent
The Supreme Inspiration
Teaching That Awareness Has No Object
A View that Has No Limitations
Teaching That Awareness Has No Divisions
Teaching the Mandala
Setting the Measure of Our Practice
Cutting Through Exaggerations from Within
The Two Accumulations Are Perfected in Ourselves
Teaching That The Bodhicitta Has No Basic Root
Teaching The Significance of Equanimity
The Non-Conceptual Is Not To Be Meditated On
Teaching That There Is No Going To Or Coming From This Dominion
The Self-Liberation of the Vehicles
Untying the Knots
The Secret Great Bliss
Teaching That the Awareness Is a Golden Vase
Revealing Our Field of Practice
Making Our Ideas Real
Unpolluted Perfection
The Meaning Does Not Move
The Secret Liberation of the Sky
Revealing the Three Embodiments to Myself
Refuting Cause and Result and Recognizing the Three Embodiments
Teaching the Way That We Are Gathered into this Dominion
There Is No Break In the Continuum
Teaching Dhyna Meditation
Teaching That the Unborn Cuts Through to the One
Teaching That the Characteristics of the Bodhicitta Have No Birth or Ending
Our Own Power of Awareness
The Occurrence of Miracles
Decisive Contemplation
Teaching That We Have Received the Empowerment from the Beginning
Teaching the Specifics on Empowerment
Samaya Are Not to Be Numbered or Protected
Teachings on Touching and Meeting with the Three Embodiments
There Are No Applications for the Six Collections
The Supreme Practice
Teaching the Transmission than which There Is No Higher
Recognition of the Five Embodiments and the Five Greatnesses
Everything Is Perfection Without End
Teaching That there is One Characteristic
The Misunderstanding of the Great Perfection
Presenting the Entourage with Advice
The Entourage Rejoices in the Teacher
The Tibetan Text
About the Translator
ACKNOWLEDGMENTS First and foremost, I wish to thank my root teacher Dezhung Rinpoche for constantly bringing out the best in me and encouraging me to pursue a comprehension of every branch of Buddhist learning. It was he who introduced me to Dilgo Kyentse Rinpoche, and through his recommendations enabled me to receive full empowerments, transmissions, and permissions in the areas of Mah, Anu, and Ati Yogas. With the highest regard I wish to thank Dilgo Kyentse Rinpoche, Khetsun Zangpo Rinpoche, Nyoshul Khen Rinpoche, and Khenpo Palden Sherab for their kind instruction and encouragement in my effort to translate the literature of the rDzogs chen. There are many individuals, too many to name here, that have helped me over the years to become a qualified translator, in many ways. At this time I want to remember the kindness of Ngawang Kunga Trinlay Sakyapa, Jigdral Dagchen Sakya Rinpoche, Dhongthog Rinpoche, H.H. Karmapa Rangjung Rigpay Dorje, Kalu Rinpoche, Chogyam Trungpa Rinpoche, Geshe Ngawang Nornang, Carl Potter, David Ruegg, Turrell Wylie, Gene Smith, Karen Lang, Richard Solomon, Jack Hawley, David Jackson, Cyrus Stearns, Herbert Guenther, Eva Neumeier-Dargyay, Leslie Kawamura, Robert Thurman, Paul Nietupski, Lou Lancaster, David Snellgrove, Jean-Luc Achard, Steve Landsberg, Tsultrim Alione, Carolyn Klein, Rob Mayer, Jonathan Silk, David White, Mark Tatz, Steve Goodman, and Kennard Lipman.

I want to make special thanks to Marcos Gonzalez Pardo for proofing the manuscript and to Robert J. Barnhart for his generous support. I also want to offer a very special thank you to Tsering Kelsang, who painted the wonderful image of the blue sheep in the mountains for the cover of this book. The many people who have contributed to my understanding and ability to do this work cannot be counted. I wish to thank everyone that has taken a kind interest in these translations, however slight, for your part in making this work a reality. .

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