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Trabzon Ayasofya Müzesi. - Art and Identity in Thirteenth-Century Byzantium: Hagia Sophia and the Empire of Trebizond

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Antony Eastmond examines the architectural, sculptural and painted decorations of the church, placing them in the context of contemporary developments elsewhere in the Byzantine world, in Seljuq Anatolia and among the Caucasian neighbours of Trebizond. Knowledge of this area has been transformed in the last twenty years, following the collapse of the Soviet Union. The new evidence that has emerged enables a radically different interpretation of the church to be reached, and raises questions about cultural interchange on the borders of the Christian and Muslim worlds of eastern Anatolia, the Caucasus and Persia.--Jacket.

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Contents
Birmingham Byzantine and Ottoman Monographs About the series Birmingham - photo 1
Birmingham Byzantine and Ottoman Monographs

About the series

Birmingham Byzantine and Ottoman Monographs is devoted to the history, culture and archaeology of the Byzantine and Ottoman worlds of the East Mediterranean region from the fifth to the twentieth century. It provides a forum for the publication of research completed by scholars from the Centre for Byzantine, Ottoman and Modern Greek Studies at the University of Birmingham, and those with similar research interests.

About the book

The church of Hagia Sophia in Trebizond, built by the emperor Manuel I Grand Komnenos (123863) in the aftermath of the Fall of Constantinople to the Fourth Crusade, is the finest surviving Byzantine imperial monument of its period. Art and Identity in Thirteenth-Century Byzantium, with extensive illustrations in colour and black-and-white, provides a new analysis of the architecture, sculptural decoration and extensive wall paintings in the church. Antony Eastmond situates the church in the context of political and cultural developments across the Byzantine world in this turbulent period, and examines questions of cultural interchange on the borders of the Christian and Muslim worlds of eastern Anatolia, the Caucasus and Persia. He argues that a new visualisation of Byzantine imperial ideology emerged in Trebizond, determined as much by craftsmen and expectations of imperial power as by imperial decree; and that this was a credible alternative Byzantine identity to that developed in the empire of Nicaea.

About the author

Antony Eastmond is Reader in the History of Byzantine Art at the Courtauld Institute of Art, University of London, UK

I dedicate to this book to Marion with love
(and to the baggage handlers at Trabzon Airport, without whom )

Birmingham Byzantine and Ottoman Monographs

Volume 10

General Editors

Anthony Bryer

John Haldon

First published 2004 by Ashgate Publishing Published 2016 by Routledge 2 Park - photo 2

First published 2004 by Ashgate Publishing

Published 2016 by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
711 Third Avenue, New York, NY 10017, USA

Routledge is an imprint of the Taylor & Francis Group, an informa business

Copyright Antony Eastmond 2004

All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

Notice:
Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

British Library Cataloguing in Publication Data

Eastmond, Antony, 1966

Art and identity in thirteenth-century Byzantium : Hagia Sophia and the empire of Trebizond. (Birmingham Byzantine and Ottoman monographs)

1. Hagia Sophia (Church : Trabzon, Turkey) 2. Art and state Byzantine Empire 3. Art, Byzantine Turkey 4. Church architecture Turkey Trabzon 5. Architecture, Byzantine Turkey 6. Identity (Psychology) in art 7. Trabzon (Turkey) History 8. Byzantine Empire History 10811453 9. Byzantine Empire Civilization 10811453

I. Title

949.504

Library of Congress Cataloging-in-Publication Data

Eastmond, Antony, 1966

Art and identity in thirteenth-century Byzantium : Hagia Sophia and the empire of Trebizond I Antony Eastmond.

p. c. (Birmingham Byzantine and Ottoman monographs ; 10)

Includes bibliographical references and index.

1. Ayasofya Miizesi (Museum : Trabzon, Turkey) 2. Architecture, Byzantine-Turkey-Trabzon. 3. Christian art and symbolism-Turkey-Trabzon-Medieval, 5001500. 4. Art and state-Turkey-Trabzon. 5. Trebizond Empire-History. I. Title. II. Birmingham Byzantine and Ottoman monographs. ; v. 10.

NA5871.T7E37 2003

726.509565-dc22

2003063539

ISBN 13: 978-0-7546-3575-8 (hbk)

Contents

Akropolites

Georgii Acropolitae Opera, ed. A. Heisenberg, corrections by P. Wirth (Stuttgart, 1978); trans. W. Blum, Georgios Akropolites, Die Chronik, Bibliothek der griechischen Literatur: 28 (Stuttgart, 1989)

AnatStud

Anatolian Studies

AP

Arkheion Pontou

ArtB

Art Bulletin

BBTT

Belfast Byzantine Texts and Translations

BK

Bedi Kartlisa

BMGS

Byzantine and Modern Greek Studies

Bryer, Winfield, Pontos

A. A. M. Bryer, D. Winfield, The Byzantine Monuments and Topography of the Pontos, Dumbarton Oaks Studies: 20 (Washington DC, 1985)

BSCA

Byzantine Studies Conference. Abstracts

BSOAS

Bulletin of the School of Oriental and African Studies

Byz

Byzantion

ByzBulg

Byzantinobu Igarka

ByzF

Byzantinische Forschungen

ByzSlav

Byzantinoslavica

BZ

Byzantinische Zeitschrift

CahArch

Cahiers Archologiques

CFHB

Corpus fontium historiae byzantinae

Choniates

Niketas Choniates, Historia, ed. J.L. van Dieten, CFHB: 11 (Berlin, 1975); trans. H. Magoulias, O City of Byzantium, the Annals of Niketas Choniates (Detroit, 1984)

Chrysanthos

Metropolitan Chrysanthos of Trebizond, He Ekklesia tes Trapezountos, AP 45 (1935), 1904

CSHB

Corpus scriptorum historiae byzantinae

DDAA

Documenti di Architettura Armena (Milan, 1970-)

DOP

Dumbarton Oaks Papers

EI2

Encyclopedia of Islam, 2nd ed. (Leiden, 1973-)

Fallmerayer, OF

J.P. Fallmerayer, Original-Fragmente, Chroniken, Inschriften und anderes Materiale zur Geschichte des Kaiserthums Trapezunt, Abhandlungen der historischen Classe der kniglich bayerischen Akademie der Wissenschaften: 3.iii (1843), 4.ii (1844) (Munich, 184344)

Finlay, Journals

J.M. Hussey ed., The Journals and Letters of George Finlay 1, The Journals (Camberley, Surrey, 1995)

GRBS

Greek, Roman and Byzantine Studies

Haghia Sophia

D. Talbot Rice ed., The Church of Haghia Sophia at Trebizond (Edinburgh, 1968)

Ibn Bibi

Die Seltschukengeschichte des Ibn Bibi, trans. H.W. Duda (Copenhagen, 1960)

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