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Cooper - The Near and Distant God: Poetry, Idealism and Religious Thought from Holderlin to Eliot

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Cooper The Near and Distant God: Poetry, Idealism and Religious Thought from Holderlin to Eliot
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The Near and Distant God: Poetry, Idealism and Religious Thought from Holderlin to Eliot: summary, description and annotation

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Poetry and philosophy from the time of Kant to the mid-twentieth century are centrally concerned with the question of how the Spirit - or the Holy Spirit - is present in the world. This book argues that the development of modern poetry in German and English can be seen as a protracted response to the religious crises of post-Idealist thought. The German tradition develops through poets such as Holderlin as much as through philosophers such as Hegel and Nietzsche, and in England German ideas profoundly influenced the British Idealist school. Coopers compelling study makes parallel readings of German and English writers with deeper historically-based affinities than has previously been realised. Eduard Morike and Gerard Manley Hopkins, both churchmen, each studied Idealism as undergraduates in their respective countries: each responded to it in his spiritual verse. And we find similar parallels in two of the defining works of twentieth century poetry: between Rilkes response to Nietzsche in the Duino Elegies, and Eliots response to Bradley in the Four Quartets. Ian Cooper is Centenary Research Fellow at Selwyn College, Cambridge.

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THE NEAR AND DISTANT GOD POETRY IDEALISM AND RELIGIOUS THOUGHT FROM HLDERLIN - photo 1

THE NEAR AND DISTANT GOD
POETRY, IDEALISM AND RELIGIOUS THOUGHT FROM HLDERLIN TO ELIOT

Legenda

LEGENDA, founded in 1995 by the European Humanities Research Centre of the University of Oxford, is now a joint imprint of the Modern Humanities Research Association and Routledge. Titles range from medieval texts to contemporary cinema and form a widely comparative view of the modern humanities, including works on Arabic, Catalan, English, French, German, Greek, Italian, Portuguese, Russian, Spanish, and Yiddish literature. An Editorial Board of distinguished academic specialists works in collaboration with leading scholarly bodies such as the Society for French Studies and the British Comparative Literature Association.

The Modern Humanities Research Association MHRA encourages and promotes - photo 2

The Modern Humanities Research Association (MHRA) encourages and promotes advanced study and research in the field of the modern humanities, especially modern European languages and literature, including English, and also cinema. It also aims to break down the barriers between scholars working in different disciplines and to maintain the unity of humanistic scholarship in the face of increasing specialization. The Association fulfils this purpose primarily through the publication of journals, bibliographies, monographs and other aids to research.

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Routledge is a global publisher of academic books, journals and online resources in the humanities and social sciences. Founded in 1836, it has published many of the greatest thinkers and scholars of the last hundred years, including Adorno, Einstein, Russell, Popper, Wittgenstein, Jung, Bohm, Hayek, McLuhan, Marcuse and Sartre. Today Routledge is one of the world's leading academic publishers in the Humanities and Social Sciences. It publishes thousands of books and journals each year, serving scholars, instructors, and professional communities worldwide.

www.routledge.com

Editorial Board

Chairman
Professor Martin McLaughlin, Magdalen College, Oxford

Professor John Batchelor, University of Newcastle (English)
Professor Malcolm Cook, University of Exeter (French)
Professor Colin Davis, Royal Holloway University of London
(Modern Literature, Film and Theory)
Professor Robin Fiddian, Wadham College, Oxford (Spanish)
Professor Paul Garner, University of Leeds (Spanish)
Professor Marian Hobson Jeanneret,
Queen Mary University of London (French)
Professor Catriona Kelly, New College, Oxford (Russian)
Professor Martin Maiden, Trinity College, Oxford (Linguistics)
Professor Peter Matthews, St John's College, Cambridge (Linguistics)
Dr Stephen Parkinson, Linacre College, Oxford (Portuguese)
Professor Ritchie Robertson, St John's College, Oxford (German)
Professor Lesley Sharpe, University of Exeter (German)
Professor David Shepherd, University of Sheffield (Russian)
Professor Alison Sinclair, Clare College, Cambridge (Spanish)
Professor David Treece, King's College London (Portuguese)
Professor Diego Zancani, Balliol College, Oxford (Italian)

Managing Editor
Dr Graham Nelson
41 Wellington Square, Oxford OX1 2JF, UK

legenda@mhra.org.uk
www.legenda.mhra.org.uk

The Near and Distant God

Poetry, Idealism and Religious Thought from Hlderlin to Eliot

Ian Cooper

First published 2008 Published by the Modern Humanities Research - photo 4

First published 2008

Published by the
Modern Humanities Research Association and Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
711 Third Avenue, New York, NY 10017, USA

LEGENDA is an imprint of the Modern Humanities Research Association and Routledge

Routledge is an imprint of the Taylor & Francis Group, an informa business

Modern Humanities Research Association and Taylor & Francis 2008

ISBN 9-781-906540-00-5 (hbk)

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, including photocopying, recordings, fax or otherwise, without the prior written permission of the copyright owner and the publisher.

Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

Contents
Guide

FOR MY PARENTS, WITH LOVE AND THANKS

This book was made possible through the generosity of numerous individuals and institutions. I would firstly like to thank Nicholas Boyle, who supervised the doctoral thesis on which this book is based, for so readily and inspirationally sharing his great learning, insight and scholarly expertise, for providing encouragement and constructive criticism at every stage, and for teaching me how to write about the things I wanted to write about. My thanks are also due to the examiners of the thesis, Michael Minden and Charlie Louth, for their suggestions and support, and to Stephen Fennell, who introduced me to Hlderlin as an undergraduate. During the publication process Graham Nelson, Managing Editor of Legenda, was always ready with help and useful advice, and Nigel Hope provided superbly attentive copy-editing. My doctoral research was made possible financially by the Arts and Humanities Research Council, by the Tiarks German Fund, by the Newton Trust and by Christ's College, Cambridge. The Institute of Germanic and Romance Studies provided me with a generous grant to assist with publication. I would like especially to thank the Master and Fellows of Selwyn College, Cambridge, for electing me to a Research Fellowship during which I was able to prepare the manuscript for publication amid extremely congenial surroundings.

I owe considerable thanks to many friends whom I have come to know during the years spent on this project, and some to whom my debt goes back even further. In the latter category I mention especially Chris Coles for friendship of more than twenty years' standing, Ed Cooke for untold hours of tea and wisdom, and Eva Rdler for helping me more than I had any right to expect. In the former category I thank for their inspiration, assistance and support David Larkin, Bernhard Malkmus and Margaret Rose. Regina Sachers, there for me in everything, stands in a category of just one.

My debt to my family is inexpressible: to my brother, Paul, and sister, Sally, and most of all to our parents, Mary and Tony Cooper. I cannot say what their love means to me, only that it made everything possible, and that it deeply informs the argument which now follows. I dedicate this book to them.

The author is happy to acknowledge permission to quote from the following sources:

Extracts from T. S. Eliot, The Complete Poems and Plays, Knowledge and Experience in the Philosophy of F. H. Bradley , To Criticize the Critic, After Strange Gods, On Poetry and Poets, Selected Prose, ed. by Frank Kermode, lecture excerpted in F. O. Matthiessen, The Achievement of T. S. Eliot, drafts of poems in Helen Gardner, The Composition of 'Four Quartets', and from Seamus Heaney, 'Clearances VII', in Opened Ground, reproduced with permission of Faber and Faber Ltd. Excerpt from 'Burnt Norton' in Four Quartets by T. S. Eliot, copyright 1936 by Houghton Mifflin Harcourt Publishing Company and renewed 1964 by T. S. Eliot, reprinted by permission of the publisher. Excerpt from 'Little Gidding' in Four Quartets, copyright 1942 by T. S. Eliot and renewed 1970 by Esme Valerie Eliot, reprinted by permission of Houghton Mifflin Harcourt Publishing Company Excerpt from After Strange Gods: A Primer of Modern Heresy by T. S. Eliot, copyright 1934 by Houghton Mifflin Harcourt Publishing Company and renewed 1962 by T. S. Eliot, reprinted by permission of the publisher. Reprinted by permission of Farrar, Straus and Giroux, LLC: excerpt from To Criticize the Critic by T. S. Eliot. Copyright 1965 by T. S. Eliot. Copyright renewed 1993 by Valerie Eliot. Excerpt from On Poetry and Poets by T. S. Eliot. Copyright 1957 by T. S. Eliot. Copyright renewed 1985 by Valerie Eliot. Excerpt from Knowledge and Experience in the Philosophy of F. H. Bradley by T. S. Eliot. Excerpt from 'Clearances VII' from Opened Ground: Selected Poems 1966-1996 by Samus Heaney. Copyright 1998 by Seamus Heaney. Immanuel Kant, Religion and Rational Theology, edited and translated by Allen W. Wood, George di Giovanni, Cambridge University Press, 1996 and Nietzsche: 'The Anti-Christ', 'Ecce Homo', 'Twilight of the Idols', edited by Aaron Ridley, Judith Norman, translated by Judith Norman, Cambridge University Press, 2005, reproduced with permission. Extracts from Thus Spoke Zarathustra: A Book for Everyone and No One by Friedrich Nietzsche, translated by R. J. Hollingdale, R. J. Hollingdale, 1961, 1969, reproduced by permission of Penguin Books Ltd.

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