Platonic Coleridge
LEGENDA
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Editorial Board
Chairman
Professor Martin McLaughlin, Magdalen College, Oxford
Professor John Batchelor, University of Newcastle (English)
Professor Malcolm Cook, University of Exeter (French)
Professor Colin Davis, Royal Holloway University of London
(Modern Literature, Film and Theory)
Professor Robin Fiddian, Wadham College, Oxford (Spanish)
Professor Paul Garner, University of Leeds (Spanish)
Professor Marian Hobson Jeanneret,
Queen Mary University of London (French)
Professor Catriona Kelly, New College, Oxford (Russian)
Professor Martin Maiden, Trinity College, Oxford (Linguistics)
Professor Peter Matthews, St John's College, Cambridge (Linguistics)
Dr Stephen Parkinson, Linacre College, Oxford (Portuguese)
Professor Ritchie Robertson, St John's College, Oxford (German)
Professor Lesley Sharpe, University of Exeter (German)
Professor David Shepherd, University of Sheffield (Russian)
Professor Alison Sinclair, Clare College, Cambridge (Spanish)
Professor David Treece, King's College London (Portuguese)
Professor Diego Zancani, Balliol College, Oxford (Italian)
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Studies in Comparative Literature
Editorial Committee
Professor Peter France, University of Edinburgh (Chairman)
Professor Stephen Bann, University of Bristol
Dr Elinor Shaffer, School of Advanced Study, London
Studies in Comparative Literature are produced in close collaboration with the British Comparative Literature Association, and range widely across comparative and theoretical topics in literary and translation studies, accommodating research at the interface between different artistic media and between the humanities and the sciences.
Published in This Series
- Breeches and Metaphysics: Thackeray's German Discourse , by S. S. Prawer
- Hlderlin and the Dynamics of Translation, by Charlie Louth
- Aeneas Takes the Metro: The Presence of Virgil in Twentieth-Century French Literature , by Fiona Cox
- Metaphor and Materiality: German Literature and the World-View of Science l7801955 , by Peter D. Smith
- Marguerite Yourcenar: Reading the Visual , by Nigel Saint
- Treny: The Laments of Kochanowski , translated by Adam Czerniawski and with an introduction by Donald Davie
- Neither a Borrower: Forging Traditions in French, Chinese and Arabic Poetry, by Richard Serrano
- The Anatomy of Laughter , edited by Toby Garfitt, Edith McMorran and Jane Taylor
- Dilettantism and its Values: From Weimar Classicism to the fin de sicle , by Richard Hibbitt
- The Fantastic in France and Russia in the Nineteenth Century: In Pursuit of Hesitation , by Claire Whitehead
- Singing Poets: Literature and Popular Music in France and Greece , by Dimitris Papanikolaou
- Wanderers Across Language: Exile in Irish and Polish Literature of the Twentieth Century , by Kinga Olszewska
- Moving Scenes: The Aesthetics of German Trauel Writing on England 17831830 , by Alison E. Martin
- Henry James and the Second Empire , by Angus Wrenn
- Platonic Coleridge , by James Vigus
Platonic Coleridge
James Vigus
Studies in Comparative Literature 15
Modern HumModern Humanities Research Association and Routledge
2009
First published 2009
Published by the
Modern Humanities Research Association and Routledge
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LEGENDA is an imprint of the Modern Humanities Research Association and Routledge
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Modern Humanities Research Association and Taylor & Francis 2009
ISBN 978-1-906540-06-7 (hbk)
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Contents
Guide
FOR CECILIA
This book is a revision of my PhD thesis, completed at Clare College, Cambridge, in 2006. I wish to thank the Arts and Humanities Research Council for funding my research, including a supplementary grant for a four-month research visit to the Freie Universitt, Berlin, which I undertook as an Erasmus student in 2004. I enjoyed further financial support from the Lady Clare Fund (Clare College) and the Tenth Term Completion Award (Faculty of English, Cambridge).
I have been extremely fortunate in the advice I have received throughout the long process of research and writing. I want to begin by thanking my doctoral supervisor, Fred Parker, for his meticulous reading and judicious encouragement ever since the early days of my undergraduate degree at Clare. Thanks too to Douglas Hedley, who has shared his knowledge of Coleridge and Platonism with great generosity. He also arranged my visit to Berlin, which proved a turning point in my research. I thank Nigel Leask for stimulating my interest in Coleridge at an early stage, and for two useful advisory meetings.