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David D. Hall - Cultures of print: essays in the history of the book

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title Cultures of Print Essays in the History of the Book Studies in - photo 1

title:Cultures of Print : Essays in the History of the Book Studies in Print Culture and the History of the Book
author:Hall, David D.
publisher:University of Massachusetts Press
isbn10 | asin:1558490485
print isbn13:9781558490482
ebook isbn13:9780585142074
language:English
subjectBooks and reading--United States--History--17th century, Books and reading--United States--History--18th century, Books and reading--New England--History--17th century, Books and reading--New England--History--18th century, Books--United States--History--
publication date:1996
lcc:Z1003.2.H35 1996eb
ddc:002/.0973
subject:Books and reading--United States--History--17th century, Books and reading--United States--History--18th century, Books and reading--New England--History--17th century, Books and reading--New England--History--18th century, Books--United States--History--
Page i
Cultures of Print
Page ii
Studies in Print Culture & the History of the Book
Editorial Advisory Board
ROGER CHARTIER
WILLIAM GILMORE -LEHNE
ROBERT A. GROSS
JOAN SHELLEY RUBIN
MICHAEL WINSHIP
Page iii
Cultures of Print
Essays In The History Of The Book
David D. Hall
University of Massachusetts Press
Amherst
Page iv
Copyright 1996 by David D. Hall
All rights reserved
Printed in the United States of America
LC 96-18430
ISBN 1-55849-048-5 (cloth); 049-3 (pbk.)
Designed by Jack Harrison
Set in Adobe Caslon by Keystone Typesetting, Inc.
Library of Congress Cataloging-in-Publication Data
Hall, David D.
Cultures of print: essays in the history of the book / David D. Hall.
p. cm. (Studies in print culture and the history of the book)
Includes bibliographical references and index.
ISBN 1-55849-048-5 (alk. paper). ISBN 1-55849-049-3 (pbk. : alk. paper)
1. Books and readingUnited StatesHistory17th century.
2. Books and readingUnited StatesHistory18th century.
3. Books and readingNew EnglandHistory17th century.
4. Books and readingNew England18th century.
5. BooksUnited StatesHistory17th century.
6. BooksUnited StatesHistory18th century.
7. BooksNew EnglandHistory17th century.
8. BooksNew EnglandHistory18th century.
1. Title. II. Series.
Z1003.2.H35 1996
002'.0973dc20Picture 2Picture 3Picture 4Picture 596-18430
Picture 6Picture 7Picture 8Picture 9Picture 10Picture 11CIP
British Library Cataloguing in Publication data are available.
This book is published with the suppport and cooperation of the University of Massachusetts Boston.
Permission to reprint has been graciously granted by the American Antiquarian Society for "On Native Ground: From the History of Printing to the History of the Book," "The Uses of Literacy in New England, 16001850," and ''Readers and Reading in America: Historical and Critical Perspectives"; by Carol Armbruster for "The Politics of Writing and Reading in Eighteenth-Century America"; and by the Johns Hopkins University Press for "The World of Print and Collective Mentality in Seventeenth-Century New England.''
Page v
For my father,
lifelong reader
Page vii
Contents
Introduction
1
On Native Ground: From the History of Printing to the History of the Book
15
The Uses of Literacy in New England, 16001850
36
The World of Print and Collective Mentality in Seventeenth-Century New England
79
The Chesapeake in the Seventeenth Century
97
The Politics of Writing and Reading in Eighteenth-Century America
151
Readers and Reading in America: Historical and Critical Perspectives
169
Index
189

Page 1
Introduction
The "history of the book" is an odd-sounding phrase, seemingly too nebulous and sweeping to exert interpretive power. The essays brought together in Cultures of Print are, I hope, demonstrations to the contrary. Predicated on the assumption that the better we understand the production and consumption of books, the closer we come to a social history of culture, these essays employ a variety of strategies in giving weight to an otherwise enigmatic phrase.1 For the most part the setting is colonial America, but because the practices and representations described in these essays originated in early modern Europe, the frame of reference is recurrently transatlantic.
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