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Gary St. M. Nottingham - Ars Speculum: Being an Instruction on the Arte of Using Mirrors and Shewstones in Magic

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Gary St. M. Nottingham Ars Speculum: Being an Instruction on the Arte of Using Mirrors and Shewstones in Magic
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ARSSPECULUM

BEING ANINSTRUCTION ON THE ARTE OF USING MIRRORS AND SHEWSTONES IN MAGIC

FOUNDATIONS OF PRACTICALSORCERY
VOLUME VI

Gary St M. Nottingham

Ars Speculum Being an Instruction on the Arte of Using Mirrors and Shewstones in Magic - image 1

Published by Avalonia


Published by Avalonia

BM Avalonia

London

WC1N 3XX

England, UK

ARS SPECULUM

Copyright 2012 G. St. MNottingham

Cover Image by FrancesNottingham

First Edition 2012.

Revised edition, 2015.

This Kindle edition, April2015.

All rights reserved.

Design by Satori, forAvalonia.

British Library Cataloguing inPublication Data. A catalogue record for this book is available from theBritish Library.

All rights reserved. Nopart of this publication may be reproduced or utilised in any form or by anymeans, electronic or mechanical, including photocopying, microfilm, recording,or by any information storage and retrieval system, or used in another book,without written permission from the author.


Introduction

TABLEOF CONTENTS


About the Author

Gary St M Nottinghamscommitment to the study and practice of the alchemical - photo 2

Gary St. M. Nottinghamscommitment to the study and practice of the alchemical arte, ritual magic,grimoires and spirit conjuration means that he can often be found peering atbubbling flasks or a shewstone or otherwise engaged in deepening hisknowledge and understanding of such matters. His practices also draw onthe work of the 17th-century astrologer William Lilly and the arte of horaryastrology.

Gary was raised in southShropshire, where, during his mid-teens, he became involved with a small Coven,thereby gaining an excellent grounding in a wide selection of magicalpractices. Following the conjuration of a spirit, and asking it forhelp that manifested when least expected, he subsequently became involved witha group of practising alchemists. He has a background in horticulture,enjoys spending time in the garden and playing chess. He organised thelegendary Ludlow Esoteric Conference (2004-2008), helped produce Verdeletoccult magazine, has taught many free day workshops on basic occult skills andis a popular speaker at esoteric conferences.

The seven volumes of Foundations of Practical Sorceryare an unabridged collection of Garys much sought-after previously publishedwork, updated and made available to a wider readership at last.


For F M N

Mistress of that Arte with love

Introduction

Foundations of Practical Sorcery

We live in an age where we are awash with information on allsubjects, and to this the magical artes are no exception. Whilst the student ofmagic can easily access all manner of electronic files there is nothing quitelike a book.

A book can not only be picked up and read, but will, in manyinstances, over time, become a friend, guide and teacher who has assisted thereader on their journey throughout their life. Quite simply books canchange lives and this is why those who have been in positions of power throughthe centuries have tried, and often failed, to keep knowledge out of the handsof everyday folk. This is perhaps primarily because they feared the powerof the book to cause change, and change is what the seven books in theFoundations of Practical Sorcery series will cause.

Today the magical artes have never been so accessible,although that doesnt mean the demands that the arte makes upon thepractitioner have been lessened in any way. While the arte is, in principle,for all, not everyone will have the self-discipline, the will and theimagination to succeed therein. However for those who do have these basicattributes or are prepared to acquire them there is much to be gained from thepractice of magic in all levels of life. For many people their ingress into thearte will be by books, and the exploration of and working with the informationthey contain. There is nothing like experience even if your magic provesless successful than hoped for: there is no such thing as failure inmagic, because every experience will, at the very least, teach the practitionersomething, even if its just to try harder next time!

Of course some will have access to a magical group and theknowledge and collective experience to be found therein; but for many this willnot be the case. Magical groups regardless of hue by and large have muchto commend them, but not all of them do. I have in the past beenapproached by people who have gone through a coven system yet then been led toask me to help them practice and study magic. It seemed their coven didnot in fact practice the arte; which left me wondering what was it that theydid do. I am aware of similar approaches made to other magicalpractitioners, which has left me concluding that some magical groups and covenscan actually be detrimental to an individuals magical development andunderstanding - although this is certainly not the case with all by any means.

Foundations of Practical Sorcery goes some way to rectifyingthis deficit in any students magical life. They offer clearmagical instruction and accounts of magical acts to be performed, thus makingthe arte easily accessible. The methods and techniques presented are all basedupon my own personal knowledge and experience which goes back over forty years,methods and techniques that have worked successfully for me and will do so forany reader who applies them accordingly.

In many ways I was fortunate, during the autumn of1972, to meet a magical practitioner who taught me much regarding the arte,generously affording me the run of their magical library as well. Having beenschooled extensively in magical knowledge from my mid teen years I considermyself to have been extremely fortunate and lucky to have had many experiencesnot easily available to many people. Thus the present Foundations of PracticalSorcery series is the distillation of four decades of successful magicalworkings.

Each of the seven volumes gives a clear account andrendition of one or another area of magical instruction that I have receivedand have been taught. They are presented to the reader in a clear andworkable style which will provide them with a concise and firm foundation,allowing the serious magical student to explore the Western Magical Tradition,the inheritance of us all.

Gary St. M.Nottingham, February 2015

Of the Arte

CHAPTER ONE

The magic of mirrors, whether the reflectingsurface of a looking glass or the image that is seen in a woodland pool hasalways been a magic that appeals to the deeps of the human psyche. The mythsand superstitions of humanity have invested the mirror with a magic of itsown and it has become a powerful symbol in man's thoughts. This can be seenwhen we consider how mirrors appear in the myths and stories of humanity. Forexample, in classical mythology, Vulcan is the owner of a mirror that cantell past, present and all that is to come; the mirror of Merlin whichgave warnings of treason and in Chaucer's Canterbury Tales we find themirror of Cambuscan which foretold misfortune.

Perhaps the earliest mirrors would havebeen lakes and pools, particularly when they beheld the reflection of the fullmoon within them: then with the blessings of the Lunar Goddess herself thefuture could be foretold and the past revisited as well as the present known.For the moon, like the sun, sees all, and nothing can be hidden from her gaze.Yet in some cultures the reflection was seen as the soul of the person and thatdamage to the person could be inflicted by the working of water spirits shouldyou see your image reflected within a pool. In classical times the use ofmirrors in divination was known as catoptromancy and was practiced byskryers and seers of the arte. This was more apparent with the development ofmirrors of polished silver and bronze in the ancient world. One popular methodof divination when a person was sick was to dip the mirror in a bowl ofwater and hold the mirror up to their face, if the image was distorted then theperson would not get better, if however the image was clear then they wouldshortly regain their health.

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