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Howard Burton - Apocalypse Then: The First Crusade: A Conversation with Jay Rubenstein

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Apocalypse Then: The First Crusade: A Conversation with Jay Rubenstein: summary, description and annotation

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This book is based on an in-depth conversation between Howard Burton and Jay Rubenstein, Professor of History and Director of the Center for the Premodern World at the University of South Carolina, which provides us with fascinating insights into medieval society.

How did the First Crusade happen? What could have suddenly caused tens of thousands of knights, commoners and even nuns at the end of the 11th century to leave their normal lives behind and trek thousands of miles across hostile territory in an unprecedented vicious and bloody quest to wrest Jerusalem from its occupying powers?

Jay Rubenstein, historian of the intellectual, cultural, and spiritual worlds of Europe in the Middle Ages at USC, carefully explores those questions based on his extensive research while discussing the Apocalypse: the crusaders sincere belief that the end of the world was approaching and their opportunity to participate in the last stage of the divine plan.

This carefully-edited book includes an introduction, The Glorious End, and questions for discussion at the end of each chapter:

  • Becoming a Medievalist - Suddenly fashionable
  • Guibert of Nogent - From overlooked to oversimplified
  • Armies of Heaven - Subheading
  • Considering Impact - On history and historians
  • Moving On - Or perhaps not
  • About Ideas Roadshow Conversations Series (100 books):

    Presented in an accessible, conversational format, Ideas Roadshow books not only explore frontline academic research featuring world-leading researchers, including 3 Nobel Laureates, but also reveal the inspirations and personal journeys behind the research. Howard Burton holds a PhD in physics and an MA in philosophy, and was the Founding Director of Canadas Perimeter Institute for Theoretical Physics.

    Howard Burton: author's other books


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    Ideas Roadshow conversations present a wealth of candid insights from some of - photo 1
    Ideas Roadshow conversations present a wealth of candid insights from some of - photo 2

    Ideas Roadshow conversations present a wealth of candid insights from some of the worlds leading experts, generated through a focused yet informal setting. They are explicitly designed to give non-specialists a uniquely accessible window into frontline research and scholarship that wouldnt otherwise be encountered through standard lectures and textbooks.

    Over 100 Ideas Roadshow conversations have been held since our debut in 2012, covering a wide array of topics across the arts and sciences.

    See www.ideas-on-film.com/ideasroadshow for a full listing.

    Copyright 2014, 2021 Open Agenda Publishing. All rights reserved.

    ISBN: 978-1-77170-111-2

    Edited with an introduction by Howard Burton.

    All Ideas Roadshow Conversations use Canadian spelling.

    Contents
    A Note on the Text

    The contents of this book are based upon a filmed conversation between Howard Burton and Jay Rubenstein in Knoxville, Tennessee, on April 24, 2013.

    Jay Rubenstein is Professor of History and Director of the Center for the Premodern World at USC (when this conversation occurred he was Alvin and Sally Professor of History at University of Tennessee, Knoxville).

    Howard Burton is the creator and host of Ideas Roadshow and was Founding Executive Director of Perimeter Institute for Theoretical Physics.

    Introduction
    The Glorious End

    Weve all said it at some time or another, determined to assuage those who have, through momentary anxiety, lost their vital sense of perspective: its not the end of the world.

    For many who lived in Western Europe towards the end of the 11th century, however, thats precisely what it was, as apocalyptic fervour was all around and played a seminal role in the development of what became the First Crusade.

    Or so says medievalist Jay Rubinstein. His award-winning book, Armies of Heaven, is a detailed analysis of this intriguing thesis, one which is naturally couched in a particular religio-historical context.

    The word apocalypse is the Greek word for revelation, so when I say Apocalypse in this sense, Im talking about the last book of the Bible and not just the final conflict in human history, or what have you. The illustrated Apocalypseswhen the artist tried to imagine what a seven-headed dragon with ten horns looks like, or what a lamb covered in eyes looks likeare, to use a slightly risky word, trippy: someone was definitely in an altered mental state when he was imagining these things. Its a very powerful, abstract book where the imagery never quite comes together, but thats what makes it, at the same time, a beautiful work that you can think about constantly.

    In the course of the Apocalypse, there are, as you probably know, four horsemen who bring plagues and all sorts of trouble to the Earth; there are seven angels sounding seven trumpets; seven angels breaking seven seals; the seven-headed dragon appears; theres a whore of Babylon; theres a Beast of the Earth; and gradually it becomes a story of conflict between Good and Evil, with all these exotic beasts generally on the side of Satan. In the last battle, a Christ figure appears on a white horse. He imprisons the dragon in the Pits of Hell, he inaugurates a thousand year period of peace on Earth, and then theres one more battle before Heaven comes down from the sky and history is brought to an end.

    Trippy indeed; and a rather strong contrast with the decidedly less exalted life of your average inhabitant of late 11th century Europe. For Jay, this is hardly a coincidence.

    An essential point to appreciate, he stresses, is that for these soon-to-be crusaders, the end of the world was hardly something to be fearful of, but instead wholeheartedly embraced by all segments of society.

    One of the things about introducing apocalyptic language into medieval history is that we have trouble approaching it because we are a post-nuclear generation that has a very clear, scientific explanation for how the apocalypse is going to happen in terms of nuclear war.

    Weve got a sense that this can explain what all the images about fire coming from the sky means. And weve also naturally developed a sense, through the idea of nuclear holocaust, that this is a pretty scary thing.

    So anytime we think of the apocalypse, we tend to think its necessarily something to inspire fear and terror in the people who are experiencing it. But in the context of the Middle Ages, where they dont have these scientific explanations, its something thats kind of cool, something thats exciting.

    For them its not an end of history that they must fear but rather the climax of history, in which they might have the lucky opportunity to participate.

    Of course, it might not have been quite that straightforward; and Jay is keenly aware that not everyone is convinced by his apocalyptic arguments. History is hardly an exact science and isolating specific causes for specific events in the Middle Ages is bound to produce a spectrum of different views. Still, the First Crusade was such a remarkably unprecedented change in the behaviour of huge numbers of people that its hardly a stretch to believe that it requires some sort of explanation.

    Unsurprisingly, then, previous motivations to explain the Crusade abound in the scholarly literature. They include the thrill of plunder, the lure of spiritual absolution for chronically sinful knights, and the opportunity for cheap land driven by the economical constraints of primogeniture.

    While he doesnt deny the existence of these factors, Jay is nonetheless persuaded that most scholars have steadfastly refused to recognize the eschatological elephant in the room.

    The overall structure of the Bible is that you begin with Creation and you end with the End of the World. The Bible is the history of everything that has ever happened or ever will happen. Christian thinkers, throughout time, have been intrigued by this and have tried to find clues as to when the world is going to end and what the end of the world will look like.

    From a Christian perspective its a dicey proposition, because Christ tells his apostles, Nobody knows the hour or the day, not even the angels. Only the Father knows it. So you cant really speculate on when it will happen.

    In that same passage however, Christ says, Here are some things to look for: war, rumour of war, disease, earthquakes, signs in the skythe standard litany of apocalyptic signs, most of which then reappear in the book of Revelation.

    He says that when you see these signs, its like seeing fig trees about to sprout: when you see that happen, you know the figs are coming; when you see these signs, you know the End of Time is coming. So on the one hand, dont speculate about the day, but then: here are the signs.

    Leaping forward in time, the book of Apocalypse is about a war that is fought for the city of God, which is Jerusalem. The Crusade is a war that is fought for Jerusalem. You cant think about what Revelation is and what the Crusade was and not see the obvious parallel. Its pretty straightforward.

    Straightforward enough in retrospect, perhaps, but it took considerable time to reach that conclusion himself. The tipping point came when he started looking closely into the crusading narratives of Guibert of Nogent, an intriguingly original French monk whom he had previously written a biography of.

    As I read the chronicle narratives, I started to see a lot of this apocalyptic language. It was striking that Guibert used it. This was my entre into thinking about the question. Guibert, when he wrote about the Crusade, became just ecstatically apocalyptic about what was going on. He wouldnt just say, Look at what we have done, but We are fulfilling Gods plan. And in those same passages he would state how now that theres a Christian king in Jerusalem, can we possibly doubt that one day it will rule the world.

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