Daniel Pinchbeck - Exploring the Edge Realms of Consciousness: Liminal Zones, Psychic Science, and the Hidden Dimensions of the Mind

Copyright 2012 by Daniel Pinchbeck and Ken Jordan. All rights reserved. No portion of this book, except for brief review, may be reproduced, stored in a retrieval system, or transmitted in any form or by any meanselectronic, mechanical, photocopying, recording, or otherwisewithout written permission of the publisher. For information contact EVOLVER EDITIONS c/o North Atlantic Books.

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Exploring the Edge Realms of Consciousness: Liminal Zones, Psychic Science, and Hidden Dimensions of the Mind is sponsored by the Society for the Study of Native Arts and Sciences, a nonprofit educational corporation whose goals are to develop an educational and cross-cultural perspective linking various scientific, social, and artistic fields; to nurture a holistic view of arts, sciences, humanities, and healing; and to publish and distribute literature on the relationship of mind, body, and nature.

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Library of Congress Cataloging-in-Publication Data

Exploring the edge realms of consciousness : liminal zones, psychic science, and the hidden dimensions of the mind / edited by Daniel Pinchbeck and Ken Jordan with Stephen Hershey & Mitch Mignano.
p. cm.
eISBN: 978-1-58394-517-9
1. Parapsychology. 2. ConsciousnessMiscellanea. 3. Occultism. I. Pinchbeck, Daniel. II. Jordan, Ken.
BF1040.E97 2012
130dc23

2012013290

v3.1

Exploring the Edge Realms of Consciousness: An Introduction
Daniel Pinchbeck

I first had the idea for this book a number of years ago after watching a long, abstract, three-panel film by the legendary artist Harry Smith. Smith was an unclassifiable genius who understood that novelty and creative breakthroughs tend to occur in those in-between or liminal zones that most people are incapable of noticingin the blind spots of our ordinary perception. A connoisseur of sound who put together the Anthology of American Folk Music, a three-record set of obscurities that had a major influence on the folk revival of the early 1960s, Smith would go to jazz concerts with his tape recorder and microphone and meander into odd corners or hunch under the piano, seeking to catch muffled echoes or reverberations of notes that interested him more than the concert itself. The films he made are invitations for the mind to unbind from linear narrative or common sense, to find meditative repose in an incessant swarm of visual imageryto find electrical pulses of insight through being cut loose, unmoored, from ordinary constraints and the accretion of habit.

After the screening, my friend Spiros said he thought Smiths work explored what happens when the center and the periphery switch places. Watching his films, what we normally consider to be of central importancenarrative, plot, characterrecedes into nonexistence, so that other thoughts, ideas usually suppressed, can emerge in the interstices. This idea that the center and the periphery switch places is also a way to consider the prophetic transition of consciousness and civilization that many indigenous cultures and mystical traditions believe is upon usa transition I explored in my book 2012: The Return of Quetzalcoatl. Over the last centuries, modern civilization put what is material and quantifiable at the center of its concerns, and suppressed and marginalized the validity of subjective perception, the unique experience of the individual, along with the subtler domains and hidden dimensions of consciousness that archaic and ancient cultures understood as most essential, despite their quicksilver evanescence.

The most interesting phenomena take place at the edgesat the furthest periphery of what is known and understood, where signal meets noise and chaos entangles order. Take, for instance, the quantum world, with its eccentric quarks and muons, where those misbehaving energy clusters we call particles jump around and in between those other constructs of language and math we call dimensions of space and time. Similarly, when we consider the economic structure of capitalism, what is most interesting is not what economists report about linear development or factory production, but what occurs at the boundaries and farthest edges of the system, where ancient cultures find ways to transmute themselves and persist; where artists, deviants, and outlaws adapt and improvise in order to maintain their individuality within a seemingly totalizing and spirit-crushing machine.

Just as every belief system and ideology is ultimately a cult, every state of consciousness is, in essence, a kind of trance. Capitalism, for instance, is a materialist cult, and its worshippers are believers in a technological progress that has no connection to a natural world or an ensouled cosmos. The normative consciousness of a worker within our capitalist society is awake to the daylight world of work and responsibility, political maneuvering and financial calculation, but unaware of the deep reaches of the shamans night, where jaguars and snakes, demons and spirits battle for primacy, where awe, ecstasy, and terror mingle inextricably. Modern society forfeited vast arenas of vision, intuition, and supersensible perception in its fixation on what can be separated, defined, and controlled.