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Katherine May - Enchantment: Awakening Wonder in an Anxious Age

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Katherine May Enchantment: Awakening Wonder in an Anxious Age
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Enchantment: Awakening Wonder in an Anxious Age: summary, description and annotation

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#1 NATIONAL BESTSELLER
I love Katherine Mays new book, Enchantment.Its a beautiful offering of light, truth and charm in these strange, dark times. New York Times bestselling author Anne Lamott
Katherine May gave so many of us language and vision for the long communal wintering of the last years. Welcome this beautiful meditation for the time weve now entered. I cannot imagine a more gracious companion. This book is a gift. New York Times bestselling author Krista Tippett
Gentle inspiration for those who feel exhausted or helpless May shows how paying deliberate attention to whats around us can surprise us with insights and reveal new connections that deepen our appreciation for the world. Washington Post
From the New York Timesbestselling author of Wintering, an invitation to rediscover the feelings of awe and wonder available to us all
Many of us feel trapped in a grind of constant change: rolling news cycles, the chatter of social media, our families split along partisan lines. We feel fearful and tired, on edge in our bodies, not quite knowing what has us perpetually depleted. For Katherine May, this low hum of fatigue and anxiety made her wonder what she was missing. Could there be a different way to relate to the world, one that would allow her to feel more rested and at ease, even as seismic changes unfold on the planet? Might there be a way for all of us to move through life with curiosity and tenderness, sensitized to the subtle magic all around?
In Enchantment, May invites the reader to come with her on a journey to reawaken our innate sense of wonder and awe. With humor, candor, and warmth, she shares stories of her own struggles with work, family, and the aftereffects of pandemic, particularly feelings of overwhelm as the world rushes to reopen. Craving a different way to live, May begins to explore the restorative properties of the natural world, moving through the elements of earth, water, fire, and air and identifying the quiet traces of magic that can be found only when we look for them. Through deliberate attention and ritual, she unearths the potency and nourishment that come from quiet reconnection with our immediate environment. Blending lyricism and storytelling, sensitivity and empathy, Enchantment invites each of us to open the door to human experience in all its sensual complexity, and to find the beauty waiting for us there.

Katherine May: author's other books


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also by katherine may Wintering The Electricity of Every Living Thing - photo 1
also by katherine may

Wintering

The Electricity of Every Living Thing

riverhead books An imprint of Penguin Random House LLC penguinrandomhousecom - photo 2

riverhead books An imprint of Penguin Random House LLC penguinrandomhousecom - photo 3

riverhead books

An imprint of Penguin Random House LLC

penguinrandomhouse.com

Copyright 2023 by Katherine May Penguin Random House supports copyright - photo 4

Copyright 2023 by Katherine May

Penguin Random House supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin Random House to continue to publish books for every reader.

Grateful acknowledgment is made for permission to reprint the following:

Gott spricht zu jedem.../God speaks to each of us... from Rilkes Book of Hours: Love Poems to God by Rainer Maria Rilke, translated by Anita Barrows and Joanna Macy, translation copyright 1996 by Anita Barrows and Joanna Macy. Used by permission of Riverhead, an imprint of Penguin Publishing Group, a division of Penguin Random House LLC. All rights reserved.

The Gates of Sweet Nectar excerpt from Chants of a Lifetime: Searching for a Heart of Gold by Krishna Das, copyright 2010 by Krishna Das. Used by permission of Hay House, Inc., Carlsbad, CA.

Lines from Encounter from New and Collected Poems: 1931-2001 by Czeslaw Milosz. Copyright 1988 by Czeslaw Milosz Royalties, Inc. Used by permission of HarperCollins Publishers.

Riverhead and the R colophon are registered trademarks of Penguin Random House LLC.

Library of Congress Cataloging-in-Publication Data

Names: May, Katherine, author.

Title: Enchantment : reawakening wonder in an anxious age / Katherine May.

Description: New York : Riverhead Books, 2023.

Identifiers: LCCN 2022023376 (print) | LCCN 2022023377 (ebook) | ISBN 9780593329993 (hardcover) | ISBN 9780593330012 (ebook)

Subjects: LCSH: Self-actualization (Psychology) | Happiness. | Self-care, Health.

Classification: LCC BF637.S4 M2297 2023 (print) | LCC BF637.S4 (ebook) | DDC 158.1dc23/eng/20220822

LC record available at https://lccn.loc.gov/2022023376

LC ebook record available at https://lccn.loc.gov/2022023377

Cover design: Lauren Peters-Collaer

Book design by Amanda Dewey, adapted for ebook by Maggie Hunt

pid_prh_6.0_142549203_c0_r0

For Bertie,
the boy who grows branches in his head

CONTENTS

142549203 Earth Lately Lately I wake in the night and a few panicked - photo 5

_142549203_

Earth
Lately Lately I wake in the night and a few panicked seconds pass in which I - photo 6
Lately

Lately I wake in the night and a few panicked seconds pass in which I cant locate myself. I could tell you my name, certainly, but not which version of me Im dealing with.

Once, I was sure I was back in my teenage bed. I could almost hear the creak of its metal frame as I ticked over my timetable in my head: science, history, art. Unstable reality that it was, the illusion dissipated, and for a few floundering moments I was no one at all, just someone who remembered being that girl. Then I was me again, the me that exists now, in my blue upholstered bed with sea air surging through the window.

That was unusual. Mostly I am nobody when I wake up, just a consciousness in the darkness trying to piece it all together. It is a strange, free-floating moment, an unanchoring of the self. It is an interlude, like held breath. Eventually it releases, the lungs fill, the world floods in. A reassuring upload of facts. A reboot. I am back.


Lately I cant read a whole page of a book. It is frictionless, this sliding of attention. I thought it would resolve once the lockdowns ended, but it did not. Its as if some kind of lubrication has been applied to my choices. I intend to do one thing, but my unconscious shunts me discreetly away. It has other plans for me. I am supposed to be watching. I am supposed to be looking over my shoulder, alert to the next threat.

I do not stop buying books. People do not stop sending them to me. The books become menacing, teetering on every table in the house, massing like the disenfranchised before a riot. Stacked by my desk, they gather alarming cauls of dust.

I resolve to build more bookshelves, but that project, too, eludes me. I am too busy watching, after all. I cannot spare the attention that would absorb.


Lately my hands itch to be occupied. I take down the hems of Berts school trousers and pin them back in place. There is no sense in buying a new pair. They will barely last the month.

He is growing so fast. I can no longer haul him onto my lap and enfold him in my arms. We make, between us, a rough approximation of it, but there are always limbs astray, and one of us ends up writhing in discomfort. We both crave it, the heft of his body against mine, but we are overbalanced now. We sit side by side instead, trying to relive the memory of contact.

So I busy myself with hems, remembering how I first learned this, sewing washrags on bored summer holiday afternoons. My grandmother would watch my overeager little hands and tell me that stitches are placed and not pulled. I must not pull too hard, but neither must I let the thread fall slack. I wonder if pins might be the answer to all my straying. Perhaps I can place careful stitches to hold me in place.


The last decade has filled so many of us with a growing sense of unreality We - photo 7

The last decade has filled so many of us with a growing sense of unreality. We seem trapped in a grind of constant change without ever getting the chance to integrate it. Those rolling news cycles, the chatter on social media, the way that our families have split along partisan lines: it feels as though weve undergone a halving, then a quartering, and now we are some kind of social rubble.

If there were a spirit of this age, it would look a lot like fear. For years now weve been running like rabbits. We glimpse a flash of white tail, read the danger signal, and run, flashing our own white tail behind us. Its a chain reaction, a river of terror surging incoherently onwards, gathering up other wild, alert bodies who in turn signal their own danger. There is no one predator from which to escape; there are many. We are in the business of running now. It is all so urgent. Every year, it seems we must run harder. There is no other solution. We can only run, and panic, and chatter out our fears to others, who will mirror them back to us.

Everything about this time conspires to make us feel so very small. Its as though the scale of things has overtaken us. The teetering numeric weight of the world has been revealed, and its like looking into the face of God: we are blasted by its terrible complexity, its stark enormity. Nothing could have prepared us for this. We are working now to maintain the basics of survival. It is an endless, thankless labour. It sometimes feels as though we are stoking a giant machine that will eventually consume us anyway. We are tired. We are the deep bone-tired of people who no longer feel at home. We can see no way out of it.

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