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Gouverneur Mosher - Kyoto. A Contemplative Guide

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Gouverneur Mosher Kyoto. A Contemplative Guide
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With this guide the visitor needs no further assistance to learn all that a place has to offer. It is factual, concise, and complete. This book is generously illustrated with photographs, maps, route plans, and building plans, as well as a selection of reproductions from old prints and picture scrolls. Three appendicesa chart of Japanese art periods, a glossary and a list of useful Japanese phrasesfurther enhance its value.

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Acknowledgments

I WISH to acknowledge the generous efforts of the following persons, all of whom contributed markedly to the possibility of this book's being written: Ishida Eiji, professor at Kyoto Prefectural University; Shimojima Masao; Okubo Hiromasa; Fujitani Kiyoshi; Terasoma Shigeo; Sakabe Hiroshi. Among the priests and personnel of many temples who gave me their patient assistance, I owe special thanks to Matsumoto Daien of Kiyomizu-dera, Akamatsu Enzui of Enryaku-ji, and my good friends Kodama Kogetsu of Eifuku-ji in Osaka and Okamoto Ryuen of Enryaku-ju For hours of work and helpful suggestions I wish to thank John Philip Emerson and Austin M. Francis, Jr. I have a particular debt to Philip Yampolsky, whose translation of Daitoku-ji's own guide forms the backbone of the information on that temple appearing in Part II, and to Nagai Atsuko, who sacrificed much of her free time to my research for this book and provided many good ideas. Finally, I wish to thank Ralph Friedrich for editing the book with tireless patience, energy, and interest.

In the realm of printed sources, I wish to acknowledge the special help provided by the following, especially as indicated:

A. Akiyama: Pagodas in Sunrise Land, Tokyo, 1915 (Enryaku-ji) C. R. Boxer: "Hosokawa Tadaoki and the Jesuits, 15871645, Transactions and Proceedings, Japan Society, London, Vol. XXXII, 1934-35 (Daitoku-ji)

H. H. Coates and R. Ishizuka: Honen the Buddhist Saint, Kyoto, 1949 (Enryaku-ji, Sanzen-in, Anraku-ji and Honen-in, Daigo-ji, and others)

R. T. Paine and A. Soper: The Art and Architecture of Japan, London, 1960 (Enryaku-ji, Daigo-ji, Nijo-jo)

E. Papinot: Historical and Geographical Dictionary of Japan, Yokohama, 1909 (nearly all subjects, especially personalities)

R. A. B. Ponsonby-Fane: The Imperial House of Japan, Kyoto, 1959 (Shugaku-in Rikyu)

______: Kyoto, the Old Capital of Japan, Kyoto, 1956 (Shinsen-en, Ginkaku-ji, Nijo-jo, Shugaku-in Rikyu, Nijo jinya [Temmei Fire], and others)

A. L. Sadler: The Ten Foot Square Hut and Tales of the Heike, Sydney, 1928 (Uji Jakko-in)

G. B. Sansom: Japan, A Short Cultural History, New York, 1943 (Daigo-ji)

R. F. Sasaki: Rinzai Zen Study for Foreigners in Japan, Kyoto, 1960 (Daitoku-ji)

______: Zen: A Religion, Kyoto, 1958 (Daitoku-ji)

D. T. Suzuki: Japanese Buddhism, Tokyo, 1938 (Daitoku-ji)

M. Tatsui: Japanese Gardens, Tokyo, 1936 (Ginkaku-ji)

W. Watson: Sculpture of Japan, New York, 1959 (Enryaku-ji, Byodo-in, Daigo-ji)

I made use of pamphlets and other materials provided by the following places:Enryaku-ji, Sanzen-in, Byodo-in, Daitoku-ji, Jodo-in, Ryoan-ji, Daigo-ji, Nijo-jo, Shugaku-in Rikyu, Nijo Jinya, Kiyomizu-dera. Shugaku-ins new booklet in English is an outstanding contribution; most of the others are in Japanese.

APPENDICES


Appendix I: Japanese Art Periods

The following is the generally accepted breakdown of the major periods of Japanese art:

Archaic

-552

Pre-Buddhist, native

Asuka

552-645

Buddhism arrives, Korean influences

Nara

645-794

Capital at or near Nara, Buddhism establishes itself

Early Heian

794-897

Chinese influences

}

Buddhism now Supreme

Later Heian

897-1185

National styles emerge

Kamakura

1185-1392

The Minamoto shoguns, etc.

Muromachi

1392-1573

Ashikaga shoguns, civil war

Momoyama

1573-1615

Nobunaga and the Toyotomi

Edo

1615-1868

Tokugawa shoguns

Meiji-Taisho

1868-1926

Post-restoration, "pure" Shinto revived

Present

1926-

Present reign

Note: The Nambokucho, or period of imperial schism (1336-92), is assigned to either the Kamakura or the Muromachi period and sometimes is separated from them both.

Appendix II: Glossary

a. japanese words used in the text.

biwa: a large musical instrument like a lute

chigai-dana: a set of offset or fancy shelves in an alcove

daimyo: a feudal lord or baron

fusuma: heavier sliding screens papered on both sides and usually decorated or painted; cf. shoji

geta: wooden clogs worn on the feet

ho-o: a title given to an emperor who becomes a Buddhist priest after abdicating

horai : a mythical paradise, usually imagined as a distant islandan idea originally from China

hyotan: a gourd or gourd shape, often used as a symbol

ihai: memorial tablet to a dead person, which is thought to be inhabited by his spirit

ingu: a Shinto shrine of national importance, a great shrine, such as Heian Jingu, Kyoto; Meiji Jingu, Tokyo; and the shrines at Ise

jinja: a Shinto shrine not belonging to the above group

jinya: an "encampment house," or sub-castle, e.g., Nijo Jinya

karesansui: "lacking mountain and water"a flat dry garden, usually of raked gravel or sand and rocks

ko-an: a phrase or snatch of dialogue used as a subject of meditation by Zen Buddhists

kohai: the "halo" placed behind a Buddhist image, usually in the shape of a rising flame and gilded; often very intricate and covered with minor Buddhas

koma-inu: lit., Korean dog, a general term for "Korean dogs and Chinese lions," mythical beasts whose images guard the access routes to temples and shrines

mandala: (Sk., Jap. is mandara) an intricate schematic painting of a Buddhist afterworld which attempts in a formal way to portray all aspects of the subject; prominent in the Shingon sect, and common in those sects worshiping Amida

mikoshi: a portable shrine of the type carried through the streets by crowds during festivals

mokugyo: a wooden gong, usually in the shape of a curled fat fish, sounded during Buddhist services

monzeki: a temple having an imperial abbot or an imperial person in residence; also applied to nunneries with imperial women (ama-monzeki)

Nembutsu: the phrase " Namu Amida Butsu " repeated by worshipers of the Amidist sects as the principal part of their worship (see chapter 3)

nijiri-guchi: the "wriggling-in" or "humble" entrance, a small demeaning hole through which people enter a teahouse

Noh: a form of drama characterized by the use of masks and by dance and song accompanied by instrumental music

Ojo: in the Jodo and Shin sects, birth into Amida's Paradise immediately after death; in the Shin sect, including immediate perfect enlightenment, but not in the Jodo, where enlightenment is not achieved until long after Ojo

rikyu: a detached palace, or imperial villa

samurai: a warrior or his class, esp. of the 12th to 18th centuries, during which time the class was most powerful

satori: a religious awakening or insight which is a prominent part of Zen worship and which, if achieved, comes suddenly and intuitively

sei-i-tai-shogun: "barbarian-quelling great general," a title originally conferred by the emperor upon his generals who led expeditions against the northern aborigines around a . d . 800; later assumed by generals of the Minamoto, Ashikaga, and Tokugawa families in establishing their military regimes

shiro: a castle

shogun: an abbreviation of sei-i-tai-shogun, q.v.

shoji: lightweight sliding screens usually papered with plain white paper on one side only; cf. fusuma

sorin: the metal spire of a pagoda

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