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Eric Bogosian - Operation Nemesis: The Assassination Plot that Avenged the Armenian Genocide

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Operation Nemesis: The Assassination Plot that Avenged the Armenian Genocide: summary, description and annotation

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A masterful account of the assassins who hunted down the perpetrators of the Armenian Genocide
In 1921, a tightly knit band of killers set out to avenge the deaths of almost one million victims of the Armenian Genocide. They were a humble bunch: an accountant, a life insurance salesman, a newspaper editor, an engineering student, and a diplomat. Together they formed one of the most effective assassination squads in history. They named their operation Nemesis, after the Greek goddess of retribution. The assassins were survivors, men defined by the massive tragedy that had devastated their people. With operatives on three continents, the Nemesis team killed six major Turkish leaders in Berlin, Constantinople, Tiflis, and Rome, only to disband and suddenly disappear. The story of this secret operation has never been fully told, until now.
Eric Bogosian goes beyond simply telling the story of this cadre of Armenian assassins by setting the killings in the context of Ottoman and Armenian history, as well as showing in vivid color the eras history, rife with political fighting and massacres. Casting fresh light on one of the great crimes of the twentieth century and one of historys most remarkable acts of vengeance, Bogosian draws upon years of research and newly uncovered evidence. Operation Nemesis is the result--both a riveting read and a profound examination of evil, revenge, and the costs of violence.

Eric Bogosian: author's other books


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In accordance with the US Copyright Act of 1976 the scanning uploading and - photo 1

In accordance with the U.S. Copyright Act of 1976, the scanning, uploading, and electronic sharing of any part of this book without the permission of the publisher constitute unlawful piracy and theft of the authors intellectual property. If you would like to use material from the book (other than for review purposes), prior written permission must be obtained by contacting the publisher at permissions@hbgusa.com. Thank you for your support of the authors rights.

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Copyright 2015 by Ararat Productions, Inc.

Cover design by Allison J. Warner

Cover photographs of Constantinople and Mehmet Talat Pasha (middle) Granger, NYC; Djemal Pasha (top) Underwood Archives / Getty Images; Behaeddin Shakir (bottom) public domain

Cover copyright 2015 by Hachette Book Group, Inc.

All rights reserved. In accordance with the U.S. Copyright Act of 1976, the scanning, uploading, and electronic sharing of any part of this book without the permission of the publisher constitute unlawful piracy and theft of the authors intellectual property. If you would like to use material from the book (other than for review purposes), prior written permission must be obtained by contacting the publisher at permissions@hbgusa.com. Thank you for your support of the authors rights.

Little, Brown and Company

Hachette Book Group

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First ebook edition: April 2015

Little, Brown and Company is a division of Hachette Book Group, Inc.
The Little, Brown name and logo are trademarks of Hachette Book Group, Inc.

The publisher is not responsible for websites (or their content) that are not owned by the publisher.

The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to www.hachettespeakersbureau.com or call (866) 376-6591.

Selections from The Legacy by Arshavir Shiragian reprinted with permission from Sonia Shiragian and Hairenik Association; and from The Armenian Genocide: Testimonies from the Eyewitness Survivors reprinted with permission from Verjin Svazlian.

The photograph of Aaron Sachaklian, courtesy of Marian Mesrobian MacCurdy, is published in her book Sacred Justice: The Voices and Legacy of the Armenian Operation Nemesis, Transaction Publishers, 2015.

Maps by Jeffrey L. Ward

ISBN 978-0-316-29201-6

E3

NOVELS

Mall

Wasted Beauty

Perforated Heart

SOLOS

Men Inside

funHouse

Drinking in America

Sex, Drugs, Rock & Roll

Pounding Nails in the Floor with My Forehead

Wake Up and Smell the Coffee

100 (monologues)

PLAYS

Talk Radio

subUrbia

Red Angel

1+1

NOVELLA

Notes from Underground

In memory of my grandparents, Rose, Lucy, Karekin, and Megerdich

W hen I was a little kid, there was nothing I loved better than hanging out at my grandparents house. In her sunny kitchen, my Grandma Lucy would fashion honey-drenched Armenian pastries, while out in the backyard Grampa Megerdich roasted lamb shish kebab under the apple trees. After dessert, Grampa might knock back a tiny glass of arak and tell me stories. I was held rapt by the horrific narratives he dredged up from his faraway past. In his sweetly accented English, Megerdich would describe burning churches and sadistic horsemen. The stories would always end the same way. My grandfather would instruct me, If you ever meet a Turk, kill him.

I was no more than four years old when I first heard those words.

My grandfather had spent his boyhood in the troubled eastern frontier of the Ottoman Empire more than a century ago. He had plenty of reason to hate the Turks, who had killed his father and almost killed him. In 1915, when he was barely twenty-one years old, Megerdich escaped the genocide that would exterminate hundreds of thousands of his fellow Armenians. More than once he told me the story of how his village burned while he and his mother crouched down in the middle of a wheat field, hiding from the zapiteh. Under darkness of night they fled, managed to find passage to France, and in 1916 Megerdich and my great-grandmother immigrated to the United States from Le Havre. My grandfather claimed that he had survived because he was smarter than the rest. Thats why I was such a smart little boy. But perhaps it was just luck.

Megerdichs own father was not so lucky. Ovygin Jamgochian, after successfully immigrating to the United States in the 1890s, had gained American citizenship. But he made the mistake of returning to the old country to find his wife and teenage son. The Young Turk government didnt recognize his American citizenship, and he was swept up with hundreds of thousands of other able-bodied men and drafted into the army. His conscription would become a death sentence. Within months of being drafted, Ovygin, like most of the Armenians in the Ottoman army, was disarmed, then forced into a labor battalion where Christian soldiers were worked to death. All we know is that his family never saw him again. My Grandma Lucy also lost her father, Koumjian the jeweler, who once worked in the Constantinople bazaar. As far as we know, Lucys father, like Ovygin, also died violently.

I understood from a young age that I was an Armenian, and this meant that my family, like countless other Armenian families, had lost loved ones at the hands of the Turks. But knowing this and embracing it were two different things. Most of my freckle-faced friends in Woburn, Massachusetts, were of Irish American ancestry, blissfully unaware of their own harsh history. Though I was olive-skinned and kinky-haired and attended the Armenian (not Roman Catholic) church, I saw myself, like them, as nothing more than a carefree American kid. The horrors that had touched the lives of my grandfathers generation had not touched me. I was not an immigrant, I spoke perfect English, and I had zero interest in emphasizing anything that would exaggerate the differences between me and my classmates.

Horrible things had happened back in the old country, but there was a disconnect between that carnage and my sweet existence as a suburban teenager. My life growing up in a Massachusetts subdivision was filled with pot-smoking teenagers in torn jeans who barely paid attention to school and in their spare time protested the Vietnam War. In another universe, a long time ago, Kurdish tribesmen armed with pistols and knives had terrorized villagers and abducted young Christian women. My grandfathers world was genuinely dangerous. The stories I had heard at his knee were so intense they seemed mythic, unreal, more like adventure stories than real life. These events had taken place in a land a million miles away, a place my grandfather called Armenia. I loved Armenian food, I loved Armenian weddings and the strange choral music sung in our churches, but I was an American kid, not an Armenian.

As I began my career as an author and actor, I refrained from emphasizing my roots. I didnt want to be pigeonholed as an exotic ethnic actor, and if I was going to write about the human condition, I would represent the world I

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