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Brosnan Pierce - In-depth acting

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Brosnan Pierce In-depth acting

In-depth acting: summary, description and annotation

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A book that will stand the test of time Pierce Brosnan
An essential guide to the Stanislavski technique, filtering out the complexities of the system and offering a dynamic, hands-on approach. Provides a comprehensive understanding of character, preparation, text, subtext and objectives.
How to prepare for drama school and professional auditions
How to develop a 3-dimensional, truthful character
Preparation exercises to help you get in character
Rehearsal guidelines
An appendix of Transitive/Active Verbs and more

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IN-DEPTH ACTING First published in 2012 by Oberon Books Ltd 521 Caledonian - photo 1
IN-DEPTH ACTING

First published in 2012 by Oberon Books Ltd
521 Caledonian Road, London N7 9RH
Tel: +44 (0) 20 7607 3637 / Fax: +44 (0) 20 7607 3629
e-mail:
www.oberonbooks.com

Copyright Dee Cannon, 2012

Foreword copyright Pierce Brosnan, 2012

Dee Cannon is hereby identified as author of this work in accordance with
section 77 of the Copyright, Designs and Patents Act 1988. The author has
asserted her moral rights.

You may not copy, store, distribute, transmit, reproduce or otherwise make
available this publication (or any part of it) in any form, or binding or by any
means (print, electronic, digital, optical, mechanical, photocopying, recording
or otherwise), without the prior written permission of the publisher. Any
person who does any unauthorized act in relation to this publication may be
liable to criminal prosecution and civil claims for damages.

Extracts on p.99 and pp.101-105 from The Typists and The Tiger, by Murray
Schisgal, New York: Coward-McCann, Third Impression edition (1963)

Extract on pp. 88-89 from The Woolgatherer, from Collected Plays by William
Mastrosimone, Smith and Kraus Publishers Inc. (1995)

The publisher has made every effort to trace the copyright holders of all
extracts reprinted in this book. Acknowledgement is made in all cases where
the extract source is available, but we would be grateful for information about
any extracts where sources could not be traced.

A catalogue record for this book is available from the British Library.

PB ISBN: 978-1-84943-232-0
EPUB ISBN: 978-1-84943-542-0

Cover Design and Book Illustrations by James Illman

Printed, bound and converted
by CPI Group (UK) Ltd, Croydon, CR0 4YY.

Visit www.oberonbooks.com to read more about all our books and to buy
them. You will also find features, author interviews and news of any author
events, and you can sign up for e-newsletters so that youre always first to
hear about our new releases.

To Doreen Cannon

My mother, friend and mentor
The biggest inspiration in my life.

Contents
FOREWORD

I have been a working actor all my life; for thirty-six years I have been blessed to make a living doing something which I love to do, act. I was trained as an actor at the Drama Centre in London from 1973-76 by Christopher Fettes, Yat Malmgren, and Doreen Cannon, the mother of Dee Cannon, whose book you now have in your possession.

I read from the first page of this wonderful book with a passion and a sense memory of my days as a student there under the direction and tutelage of these great teachers. To this day I still carry with me their words and their teachings, and now you, who wants to go forth into the world of theatre and film, have in your hands the gift of this great book by Dee Cannon. A book that will stand the test of time for any actor in the making, a book of knowledge and hard-earned commitment to the art of acting which will be passed on from generation to generation.

It never gets any easier to make it look effortless and real but, above all else, truthful. You will want to do it all, you must, it is the only way. You have to be fearless, compassionate and full with the humour and grace of who you are in this life, and ready at all times to share it with the world. It is constant work to be an actor, to be present in life and on stage. To deal with the many disappointments and to deal also with the success you will have when it comes your way. You must always move forward to the next challenge. This is a book that will enable you to find your way through those times when you feel lost, adrift and uninspired, it is a book for those of you who are just starting out on your path with a burning passion, and a need that consumes your days and years, and for me, who has come down the road so far and still needs direction.

So go be the actor you want to be, it takes time, be patient and hard-working; read this book, keep it close, find the best people to work with. Its all in the doing, nothing comes from nothing. Be bold.

Pierce Brosnan

I WANT TO ACT

A s a child you were very extrovert, always prancing around in front of the mirror, doing dress up, putting on shows with your siblings, performing songs, characters, possibly even speeches. Maybe you put on little shows in front of your parents, maybe even your extended family. Whenever there were family gatherings, birthdays, Easter, Christmas, it was always your cue to perform. How cute, adorable and funny you were. As you got a bit older perhaps you got involved in school plays and then went on to study drama for A level. Maybe you were encouraged to take the LAMDA exams (Graded Examinations in Communication and Performance). Or perhaps you did none of the above but could crack a good joke at parties or do funny imitations or just had a good personality. Your friends and family always told you, You would make a good actor, youre so funny, you should act. Lets face it, all you have to do is turn on the TV and see so many reality stars, singers, comedians, performing up a storm and going into acting why not you? Why not indeed! Well, it looks so easy, just watch the soaps, I mean all theyre doing is acting naturalistically, whats so difficult about that...? Anyone could do that. And then theres the movie industry, how glamorous and well paid. If only that was me up there, thats what I want to do, be an actor.

Theres nothing wrong with having aspirations and ambitions. Thousands of young hopefuls do. There are many ways to break into acting and Im not setting out to quash anyones hopes and dreams but talent is cheap and Im afraid its not enough to rely on talent alone the profession is far too competitive for that. I am going to tell you about the reality of the industry and the benefits of training. It would be churlish of me to say there was only one route re training and only one methodology re technique. There are many paths one can take and Im about to set out, from my many years of experience, what I believe is the best way to go about gaining acting skills and why technique is the key to your success as an actor.

I strongly believe that the actors who apply the system correctly are the actors who stand the better chance of nailing their auditions and booking the job. Whether it be for youth theatre, amateur or professional theatre, musical theatre, film or TV, commercials or modeling, I believe you can apply specific methodology to set you apart from other actors who are just relying on their instinct and talent. Whats wrong with using your own natural abilities, I hear you say? Nothing, but why rely solely on your charm, charisma and personality? Once you understand that winging it will only get you so far and a little bit of the right skills will get you quite far, then it seems to me, if you want to be a serious actor, there is only one choice - that is to get some acting technique under your belt now.

I believe that acting training is not just about learning skills, it is a holistic approach about grooming and preparing yourself your mind, body and spirit. You should be fine-tuning your observational, listening and concentration skills as well as developing your imagination and allowing yourself to be forever curious. Dont be afraid to ask questions. Be in touch with your feelings and emotions. You should allow yourself to be open and playful let your inner child remain active throughout your maturity, otherwise theres a danger of becoming too closed, self-conscious, reductive, serious, analytical and cynical, which is not useful for an actor. You should be aware that as you develop, learn and grow as a human being, the richer you become as a person, the richer you will be as an actor.

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