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Arthur Wesley Dow - Composition: Understanding Line, Notan and Color

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Arthur Wesley Dow Composition: Understanding Line, Notan and Color
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    Composition: Understanding Line, Notan and Color
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Composition: Understanding Line, Notan and Color: summary, description and annotation

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At the turn of the twentieth century, Arthur Wesley Dow literally wrote the book on compositionand this is it! Dows Composition exercised an enormous influence on emerging modern artists of a century ago. A thought-provoking examination of the nature of visual representation, it remains ever-relevant to all the visual arts.

A well-known painter and printmaker, Dow taught for many years at Columbia University and acted as a mentor to countless young artists, including Georgia OKeeffe. His text, presented in a workbook format, offers teachers and students a systematic approach to composition. It explores the creation of freely constructed images based on harmonic relations between lines, colors, and dark and light patterns. The author draws upon the traditions of Japanese art to discuss a theory of flat formal equilibrium as an essential component of pictorial creation. Practical and well-illustrated, this classic guide offers valuable insights into modern...

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Table of Contents ACKNOWLEDGMENTS NoteThe author gratefully acknowledges - photo 1
Table of Contents

ACKNOWLEDGMENTS

Note.The author gratefully acknowledges the courtesy of those named below in according him permission to use photographs of certain paintings and objects of art as illustrations for this book.

Museum of Fine Arts, Boston
Metropolitan Museum, New York
The National Gallery. London
Muse de Cluny, Paris (J. Leroy, photographer)
Muse de Sculpture Compare. Paris

Dr. William Sturgis Bigelow, Boston (permission to photograph Japanese paintings)

Mr. Frederick W. Gookin (use of photographs from Kenzan and Kano Gyokuraku, made specially for Mr. Gookin, Boston M. F. A.

Giacomo Brogi, Florence
Fratelli Alinari. Florence
D. Anderson, Rome
W. A. Mansell & Co., London
F. Rothier, Reims, France, and
Kaltenbacher, Amiens, France (the Ruskin photographer)

License to use photographs was also obtained from the Autotype Fine Art Company, Limited, London (the Michelangelo drawing, page 51). and from Baldwin Coolidge, Boston.

Art Instruction

CALLIGRAPHY, Arthur Baker. Generous sampling of work by foremost modern calligrapher: single letters, words, sentences, ventures into abstract and Oriental calligraphy, and more. Over 100 original alphabets. Foreword by Tommy Thompson. 160pp. 11 x 8.

0-486-40950-3

THE ARTISTS GUIDE TO ANIMAL ANATOMY, Gottfried Bammes. A systematic approach to learning proportion, rules of repose and motion, and basic forms. Students learn how to modify drawings of a horse and cow to portray a dog, lion, and other subjectsin poses ranging from static to rapidly moving. 78 figures in color; 71 b/w illustrations. 143pp. 8% x 11.

0-486-43640-3

PRACTICAL GUIDE TO ETCHING AND OTHER INTAGLIO PRINTMAKING TECHNIQUES, Manly Banister. Detailed illustrated instruction in etching, engraving, aquatint, drypoint, and mezzotintfrom preparing plate to mounting print. No better guide for beginners. 128pp. 8 x 11.

0-486-25165-9

ILLUSTRATING NATURE: How TO PAINT AND DRAW PLANTS AND ANIMALS, Dorothea Barlowe and Sy Barlowe. Practical suggestions for the realistic depiction of natural subjects. Includes step-by-step demonstrations using a variety of media. More than 400 illustrations; great for pros or amateurs. 128pp. 8 x 10.

0-486-29921-X

ACRYLIC WATERCOLOR PAINTING, Wendon Blake. Excellent step-by-step coverage of painting surfaces, colors, and mediums as well as basic techniques: washes, wet-in-wet, drybrush, scumbling, opaque, and more. 75 paintings demonstrate extraordinary variety of techniques. 105 black-and-white illustrations. 32 color plates. 152pp. 8% x 11.

0-486-29912-0

FIGURE DRAWING STEP BY STEP, Wendon Blake. Profusely illustrated volume provides thorough exposition of figure drawing. More than 175 illustrations accompany demonstrations, showing how to establish major forms, refine lines, block in broad shadow areas, and finish the work. 80pp. 8% x 11.

0-486-40200-2

OIL PORTRAITS STEP BY STEP, Wendon Blake. A wealth of detailed, practical advice and valuable insights on basic techniques; planning, composing, and lighting the portrait; working with other media, and more. More than 120 illustrations (including 57 in full color) act as step-by-step guides to painting a variety of male and female subjects. 64pp. 8 x 11.

0-486-40279-7

PEN AND PENCIL DRAWING TECHNIQUES, Harry Borgman. Manual by acclaimed artist contains the best information available on pencil and ink techniques, including 28 step-by-step demonstrationsmany of them in full color. 256pp., including 48 in color. 474 black-and-white illustrations and 73 color illustrations. 8% x 11.

0-486-41801-4

CONSTRUCTIVE ANATOMY, George B. Bridgman. More than 500 illustrations; thorough instructional text. 170pp. 6 x 9.

0-486-21104-5

DRAWING THE DRAPED FIGURE, George B. Bridgman. One of the foremost drawing teachers shows how to render seven different kinds of folds: pipe, zigzag, spiral, half-lock, diaper pattern, drop, and inert. 200 b/w illustrations. 64pp. 6 x 9.

0-486-41802-2

ANIMAL SKETCHING, Alexander Calder. Undisputed master of the simple expressive line. 141 full body sketches and enlarged details of animals in characteristic poses and movements. 62pp. 5 x 8. 0-486-20129-5

CHINESE PAINTING TECHNIQUES, Alison Stilwell Cameron. The first guide to unify the philosophical and imitative methods of instruction in the art of Chinese painting explains the tools of the art and basic strokes and demonstrates their use to represent trees, flowers, boats, and other subjects. Hundreds of illustrations. 232pp. 9 x 9.

0-486-40708-X

LEARN TO DRAW COMICS, George Leonard Carlson. User-friendly guide from 1930s offers wealth of practical advice, with abundant illustrations and nontechnical prose. Creating expressions, attaining proportion, applying perspective, depicting anatomy, simple shading, achieving consistency, characterization, drawing children and animals, lettering, and more. 64pp. 8 x 11.

0-486-42311-5

CARLSONS GUIDE TO LANDSCAPE PAINTING, John F. Carlson. Authoritative, comprehensive guide covers every aspect of landscape painting; 34 reproductions of paintings by author. 58 explanatory diagrams. 144pp. 8% x 11.

0-486-22927-0

You CAN DRAW CARTOONS, Lou Darvas. Generously illustrated, user-friendly guide by popular illustrator presents abundance of valuable pointers for both beginners and experienced cartoonists: pen and brush handling; coloring and patterns; perspective; depicting people, animals, expressions, and clothing; how to indicate motion; use of comic gimmicks and props; caricatures; political and sports cartooning; and more. viii+152pp. 8% x 11.

0-486-42604-1

PATTERN DESIGN, Lewis F. Day. Master techniques for using pattern in wide range of design applications including architectural, textiles, print, and more. Absolute wealth of technical information. 272 illustrations. x+306pp. 5% x 8.

0-486-40709-8

COLOR YOUR OWN DEGAS PAINTINGS, Edgar Degas ( adapted by Marty Noble ). Excellent adaptations of 30 works by renowned French Impressionistamong them A Woman with Chrysanthemums, Dancer Resting and The Procession ( At the Race Course ) . 32pp. 8 x 11.

0-486-42376-X

METHODS AND MATERIALS OF PAINTING OF THE GREAT SCHOOLS AND

MASTERS, Sir Charles Lock Eastlake. Foremost expert offers detailed discussions of methods from Greek and Roman times to the 18th centuryincluding such masters as Leonardo, Raphael, Perugino, Correggio, Andrea del Sarto, and many others. 1,024pp. 5% x 8

0-486-41726-3

THE ART AND TECHNIQUE OF PEN DRAWING, G. Montague Ellwood. Excellent reference describes line technique; drawing the figure, face, and hands; humorous illustration; pen drawing for advertisers; landscape and architectural illustration; and more. Drawings by Drer, Holbein, Dore, Rackham, Beardsley, Klinger, and other masters. 161 figures. x+212pp. 5% x 8

0-486-42605-X

ART STUDENTS ANATOMY, Edmond J. Farris. Long a favorite in art schools. Basic elements, common positions and actions. Full text, 158 illustrations. 159pp. 5% x 8.

0-486-20744-7

ABSTRACT DESIGN AND HOW TO CREATE IT, Amor Fenn. Profusely illustrated guide covers geometric basis of design, implements and their use, borders, textile patterns, nature study and treatment. More than 380 illustrations include historical examples from many cultures and periods. 224pp. 5 x 8.

0-486-27673-2

PAINTING MATERIALS: A SHORT ENCYCLOPEDIA, R. J. Gettens and G. L. Stout. Thorough, exhaustive coverage of materials, media, and tools of painting through the ages based on historical studies. 34 illustrations. 333pp. 5% x 8.

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