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Linda Walsh - A Guide to Eighteenth-Century Art

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A Guide to Eighteenth-Century Art offers an introductory overview of the art, artists, and artistic movements of this exuberant period in European art, and the social, economic, philosophical, and political debates that helped shape them. Covers both artistic developments and critical approaches to the period by leading contemporary scholars Uses an innovative framework to emphasize the roles of tradition, modernity, and hierarchy in the production of artistic works of the period Reveals the practical issues connected with the production, sale, public and private display of art of the period Assesses eighteenth-century arts contribution to what we now refer to as modernity Includes numerous illustrations, and is accompanied by online resources examining art produced outside Europe and its relationship with the West, along with other useful resources

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Table of Contents List of Illustrations Chapter 01 Chapter 02 Chapter 03 - photo 1
Table of Contents
List of Illustrations
  1. Chapter 01
  2. Chapter 02
  3. Chapter 03
  4. Chapter 04
  5. Chapter 05
Guide
Pages
A Guide to EighteenthCentury Art

Linda Walsh

This edition first published 2017 2017 John Wiley Sons Inc Registered - photo 2

This edition first published 2017
2017 John Wiley & Sons, Inc

Registered Office
John Wiley & Sons, Ltd, The Atrium, Southern Gate, Chichester, West Sussex,
PO19 8SQ, UK

Editorial Offices
350 Main Street, Malden, MA 021485020, USA
9600 Garsington Road, Oxford, OX4 2DQ, UK
The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK

For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com/wileyblackwell.

The right of Linda Walsh to be identified as the author of this work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher.

Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books.

Designations used by companies to distinguish their products are often claimed as trademarks. All brand names and product names used in this book are trade names, service marks, trademarks or registered trademarks of their respective owners. The publisher is not associated with any product or vendor mentioned in this book.

Limit of Liability/Disclaimer of Warranty: While the publisher and author have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents of this book and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose. It is sold on the understanding that the publisher is not engaged in rendering professional services and neither the publisher nor the author shall be liable for damages arising herefrom. If professional advice or other expert assistance is required, the services of a competent professional should be sought.

Library of Congress CataloginginPublication Data

Names: Walsh, Linda, author.
Title: A guide to eighteenthcentury art / By Linda Walsh.
Description: Hoboken : John Wiley & Sons, Inc., 2016. | Includes bibliographical references and index.
Identifiers: LCCN 2016006830 (print) | LCCN 2016008504 (ebook) | ISBN 9781118475577 (cloth) | ISBN 9781118475515 (pbk.) | ISBN 9781118475591 (pdf) | ISBN 9781118475553 (epub)
Subjects: LCSH: Art, European18th centuryStudy and teaching. | Art, EuropeanHistoriography.
Classification: LCC N6756 .W35 2016 (print) | LCC N6756 (ebook) | DDC 709.409/033dc23
LC record available at http://lccn.loc.gov/2016006830

A catalogue record for this book is available from the British Library.

Cover image: The Scullery Maid (1738) by JeanBaptiste Simeon Chardin, The Hunterian, University of Glasgow 2016

List of Figures
Gawen Hamilton (16981737): A Conversation of Virtuosis at the Kings Arms, oil on canvas, 87.6 111.5cm, 1735. National Portrait Gallery, London.
Angelica Kauffman: Sir Joshua Reynolds, oil on canvas, 127 101.5 cm, 1767, National Trust Collection, Saltram, Devon.
Martin Ferdinand Quadal (17361811): The Life Class of the Vienna Academy in the St Anne Building, oil on canvas, 144 207 cm, 1787. Academy of Fine Arts, Vienna.
Franz Anton Bustelli: Harlequina, hardpaste porcelain, h. 20.3 cm, c. 1763, German, Nymphenburg Porcelain Manufactory. The Metropolitan Museum of Art, The Lesley and Emma Sheafer Collection, Bequest of Emma A. Sheafer, 1973, Acc. no: 1974.356.524.
Roderick Chalmers: The Incorporation of Wrights and Masons in Front of the Palace of Holyrood House, oil on canvas, 104.4 182.1 cm, 1720. Trade Incorporation of Wrights and Masons of Edinburgh.
Henry Fuseli: Probably John Cartwright, black chalk, 32.4 50.2 cm, c.1779. National Portrait Gallery, London.
Nol Hall: Trajan Showing Mercy, oil on canvas, 265 302cm, 1765. Muse des Beaux Arts, Marseille.
Giovanni Battista Tiepolo: The Chariot of Aurora, oil on canvas, 90.2 72.7 cm, c.1734. The Metropolitan Museum of Art, Bequest of Lore Heinemann, in memory of her husband, Dr Rudolf J. Heinemann, 1996. Acc. No: 1997.117.7.
Franois Boucher: The Toilette of Venus, oil on canvas, 108.3 85.1cm, 1751. The Metropolitan Museum of Art, bequest of William K. Vanderbilt, 1920, Acc. No: 20.155.9.
Benjamin West: The Death of General Wolfe (17271759), oil on panel, replica c. 1771, Private collection (original, 152 214 cm, in National Gallery of Canada, Ottawa).
JosephBenot Suve: The Invention of the Art of Drawing, oil on canvas, 267 131.5 cm, 1791, Groeningemuseum, Bruges, Belgium.
Claude Michel, known as Clodion: Charles de Secondat, Baron de Montesquieu (16891755), marble, h. 164 cm. Paris, Muse du Louvre.
Sir Joshua Reynolds: Anne Dashwood (17431830), Later Countess of Galloway, oil on canvas, 133.4 118.7cm, with strip of 18.1cm folded over the top of the stretcher, 1764. The Metropolitan Museum of Art, Gift of Lillian S. Timken, 1950. Acc. No: 50.238.2.
Arthur Devis: Portrait of Lady Juliana Penn, oil on canvas, 91.8 79.1cm, 1752, Philadelphia Museum of Art.
JeanAntoine Houdon: Sabine Houdon (17871836), white marble on gray marble socle, overall, without base (confirmed): H. 27.3 W. 22.5 D. 14.9cm, 9.0719kg; H. with base (confirmed): 34.3cm, 1788. The Metropolitan Museum of Art, Bequest of Mary Stillman Harkness, 1950, Acc. No: 50.145.66.
Johan Zoffany RA: The Gore Family with George, 3rd Earl Cowper, oil on canvas, 78.7 97.8 cm, c. 1775. Yale Center for British Art, Paul Mellon Collection.
JeanBaptiste Greuze: Broken Eggs, oil on canvas, 73 94 cm, 1756. The Metropolitan Museum of Art, Bequest of William K. Vanderbilt, 1920, Acc.No: 20.155.8.
JacquesLouis David: The Lictors Bring to Brutus the Bodies of his Sons, oil on canvas, 323 422 cm, 1789, Paris, Muse du Louvre.
JeanAntoine Watteau: Pilgrimage to the Isle of Cythera, oil on canvas, 129 194cm, 1717. Paris, Muse du Louvre.
Richard Wilson: Lake Nemi and Genzano from the Terrace of the Capuchin Monastery, oil on canvas, 42.9 53.7 cm, c. 17561757. The Metropolitan Museum of Art, Gift of George A. Hearn, 1905, Acc. No.: 05.32.3.
Thomas Girtin: Lake Windermere and Belle Isle, pencil, pen and ink and watercolor on paper, 35.3 48.7cm, c.17921793. The Wordsworth Trust, Grasmere.
JeanBaptisteSimon Chardin: The White Tablecloth, oil on canvas, 96.8 123.5 cm, 1731/32. The Art Institute of Chicago, Mr. and Mrs. Lewis Larned Coburn Memorial Collection, 1944, 699.
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