Michael E. Yonan - Eighteenth-Century Art Worlds: Global and Local Geographies of Art
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Fourteen essays from a distinguished group of scholars explore both cross-cultural connections and local specificities of art production and consumption in Africa, the Americas, Asia, and Europe. The result is an account of a series of interconnected and asymmetrical art worldsthat were well developed in the eighteenth century.
Capturing the full material diversity of eighteenth-century art, this book considers painting and sculpture alongside far more numerous prints and decorative objects. Analyzing the role of place in the history of eighteenth-century art, it bridges the disciplines of art history and cultural geography, and draws attention away from any one place as a privileged art-historical site, while highlighting places such as Manila, Beijing, Mexico City, and London as significant points on globalized map of the eighteenth-century art world.Eighteenth-Century Art Worldscombines a broad global perspective on the history of art with careful attention to how global artistic concerns intersect with local ones, offering a framework for future studies in global art history.
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In memory of Mary D. Sheriff
Tabhane-yi hmayun (Ottoman Military Engineering School), after William Faden, Map of the World, from Cedid atlas tercmesi. (Istanbul: 1803) Washington, D.C.: Library of Congress.
Table of Contents map (pages viii-ix): Tabhane-yi hmayun (Ottoman Military Engineering School), after William Faden, Map of the World, from Cedid atlas tercmesi. (Istanbul: 1803) Washington, D.C.: Library of Congress. https://www.loc.gov/item/2004626120/, accessed 18 September 2018.
Bed hanging from Masulipatnam, India, c. 1770. Painted and dyed cotton. Victoria and Albert Museum, London (18-1906).
Early Modern Trade Routes. Image courtesy of Jean-Paul Rodrigue, Hofstra University.
Saul Steinberg, View of the World from 9th Avenue, cover of The New Yorker, March 29, 1976. The Saul Steinberg Foundation/Artists Rights Society (ARS), New York. Cover reprinted with permission of The New Yorker magazine. All rights reserved.
Nephrite jade chrysanthemum-shaped bowl, inscribed in Chinese with a poem by the Qianlong emperor, dated 1770, Mughal, 18th century. Metropolitan Museum of Art, New York (02.18.762).
Jade chime (qing), one of twelve, 1761. Khotanese jade and gold, inscribed in seal script, with text by the Qianlong emperor. Metropolitan Museum of Art, New York (2016.179.2).
Shah Jahan cup, Mughal, 1657. White nephrite jade. Victoria and Albert Museum, London (IS.12-1962).
Gourd-shaped cup with rams head, Xinjiang, late-18thearly-19th centuries. White nephrite jade, inlaid with ruby, onyx, and gold wire. After Exquisite BeautyIslamic Jades (Taipei: National Palace Museum, 2008), p. 198.
Elephant carrying a vase, symbolic homophone with phrase, When there is peace, there are signs, Qing, 18th19th century. Nephrite jade inlaid with garnet. Metropolitan Museum of Art, New York (02.18.740).
Giuseppe Castiglione (signed), Genre Scene with Westerners, undated. Hanging scroll, ink and color on silk. Allen Memorial Art Museum, Oberlin College, Ohio.
Giuseppe Castiglione (signed), Western Figures and Architecture, undated. Hanging scroll, ink and color on silk. Sen-oku Hakukokan Museum, Sumitomo Collection, Kyoto.
Map of Beijings Inner and Outer City from Okada Gyokuzan, Morokoshi meish zue, Osaka, 1805, juan 1, pp. 8ab. Marquand Library of Art and Archaeology, Princeton University.
Unidentified artist, The Child Yanping Taking Care of His Mother, undated. Hanging scroll, ink and color on paper. National Museum of Korea, Seoul.
Seascape with Western Figures and Buildings, 18th century. Reverse-glass painting. Photo: Sothebys, London.
Vase with European Figures and Two Handles in Western Enamel Painting, Qianlong Reign, 173695. National Palace Museum, Taipei.
After Carlo Dolce, Virgin of the Thumb, c. 1700. Color on panel, 24.5 19.6 cm. Photo: Tokyo National Museum.
Tani Bunch, Still Life, after Willem van Royen, c. 1810. Color on paper, 232.8 106 cm. Photo: Kobe City Museum.
Okumura Masanobu, First Kabuki Performance of the Year, 1740. Color woodblock print on paper, 42.4 63 cm. Photo: Kobe City Museum.
Utagawa Toyoharu, The Bell that Rings for 10,000 Leagues in the Dutch Port of Frankai (properly, Grand Canal, Venice), c. 1760. Color woodblock print on paper, 26 38.7 cm. Kobe City Museum. Photo: TNM Image Archives.
Maruyama kyo, Hall of Thirty-Three Bays (Sanjsangen-d), Kyoto, c. 1770. Color on paper, 23.5 35.1 cm. Photo: Private Collection.
Shiba Kkan, Tweelandbruk (Rygoku Bridge), 1787. Hand-colored copperplate print on paper, 27.1 40.7 cm. Photo: British Museum, London (1949,1112,0.10).
Odano Naotake, Shinobazu Pond, c. 1773. Color on silk, 98.5 132.5 cm. Photo: Akita Museum of Modern Art, Yokote.
A Merchant, from Album of Costumes of China, c. 1740. Watercolor on paper. Peabody Essex Museum 2009 Peabody Essex Museum, Salem, MA. Photograph by Walter Silver.
Putting Out the Lamp, late 18th century. Hanging scroll, ink and color on silk. Gift of James Cahill and Hsingyuan Tsao. Photographed for the University of California, Berkeley Art Museum and Pacific Film Archive by Benjamin Blackwell.
A scholar, from Album of Costumes of China, c. 1740. Watercolor on paper. Peabody Essex Museum. 2009 Peabody Essex Museum, Salem, MA. Photograph by Walter Silver.
Portrait of Zhuge Liang (
) from Illustrated Masterworks of the Han and Song: Romance of the Three Kingdoms and Outlaws of the Marsh (
), 1722. Harvard-Yenching Library, Harvard University.
Wife of an Official, from Album of Costumes of China, c. 1740. Watercolor on paper. Peabody Essex Museum. 2009 Peabody Essex Museum, Salem, MA. Photograph by Walter Silver.
Meiping vase with Jun-blue glaze, early Qing, 17th century. Shiwan ware ceramic. Gift of Bei Shan Tang, Collection of the Art Museum of the Chinese University of Hong Kong (1981.0051).
Young Lady, from Album of Costumes of China, c. 1740. Watercolor on paper. Peabody Essex Museum. 2009 Peabody Essex Museum, Salem, MA. Photograph by Walter Silver.
Qing Imperial Consort, from Album of Costumes of China, c. 1740. Watercolor on paper. Peabody Essex Museum. 2009 Peabody Essex Museum, Salem, MA. Photograph by Walter Silver.
Pedro Benito Cambn, sculpture at Mission San Gabriel Arcngel, San Gabriel, California. Photo: author.
Wall niche with holy water font, Mission Dolores, San Francisco, California. Photo: author.
Holy water font at Mission San Francisco de Ass (Mission Dolores), San Francisco, California. Chinese porcelain. Photo: author.
Vestments at Mission San Gabriel Arcngel. Painted Chinese silk. Photo: author.
Mission San Francisco de Ass (Mission Dolores), San Francisco, California. Photo: author.
Gazeta de Lima, February 8March 28, 1745. Ink and paper. John Carter Brown Library, Brown University, Providence, Rhode Island.
Gazeta de Mxico, January 1730. Ink and paper. Biblioteca Nacional de Espaa, Madrid.
Jernimo de Balbs, Altar of the Kings, 1737. Mexico City Metropolitan Cathedral. Photo: Robert Harding/Alamy Stock Photo.
Simn Pereyns, Our Lady of the Pardon, 1570. Oil on canvas. Formerly Mexico City Metropolitan Cathedral, destroyed 1967. Photo: Archivo Fotogrfice Manuel Toussaint, Instituto de Investigaciones Estticas, Universidad Nacional Autnoma de Mxico.
Herman Moll, A Map of the Middle Part of America. Hand-colored engraving from William Dampier, A New Voyage Round the World (London: James Knapton, 1729). Image provided by Barry Lawrence Ruderman Antique Maps Inc. at www.RareMaps.com.
Bureau, Spain or Spanish Empire, 17th century. Wood, bronze, and tortoiseshell inlay, with forged iron handles and pulls. Museo Nacional de Cermica y Artes Suntuarias Gonzlez Mart, Valencia (Inv. No. CE3/01171).
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