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Timothy J. Craig - Japan pop!: inside the world of Japanese popular culture

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title Japan Pop Inside the World of Japanese Popular Culture author - photo 1


title:Japan Pop! : Inside the World of Japanese Popular Culture
author:Craig, Timothy J.
publisher:ME Sharpe, Inc.
isbn10 | asin:0765605600
print isbn13:9780765605603
ebook isbn13:9780585383316
language:English
subjectPopular culture--Japan, Japan--Civilization--1945-
publication date:2000
lcc:DS822.5.J386 2000eb
ddc:952.04
subject:Popular culture--Japan, Japan--Civilization--1945-

Page i

JAPAN POP!

Page ii

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Page iii

JAPAN POP!

Inside the World of Japanese Popular Culture

Timothy J. Craig, Editor

Page iv An East Gate Book Copyright 2000 by M E Sharpe Inc All rights - photo 2

Page iv

Picture 3

An East Gate Book

Copyright 2000 by M. E. Sharpe, Inc.

All rights reserved. No part of this book may be reproduced in any form without written permission from the publisher, M. E. Sharpe, Inc., 80 Business Park Drive, Armonk, New York 10504.

Library of Congress Cataloging-in-Publication Data

Japan pop! : inside the world of Japanese popular culture / edited by Timothy J. Craig
p. cm.
"An East gate book"
Includes bibliographical references and index.
ISBN 0-7656-0560-0 (alk. paper)
1. popular cultureJapan. 2. JapanCivilization1945- I. Craig, Timothy J., 1947
DS822.5 .J386 2000
952.04dc21 00-021812

Printed in the United States of America

The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences Permanence of Paper for Printed Library Materials, ANSI Z 39.48-1984.

Picture 4

BM (c) 10 9 8 7 6 5 4 3 2

Page v

Contents

Acknowledgments

vii

A Note on Language

ix

1. Introduction

Tim Craig

Part I. Popular Music

2. Can Japanese Sing the Blues? "Japanese Jazz" and the Problem of Authenticity

E. Taylor Atkins

3. The Marketing of Tears: Consuming Emotions in Japanese Popular Song

Christine R. Yano

4. Open Your File, Open Your Mind: Women, English, and Changing Roles and Voices in Japanese Pop Music

James Stanlaw

5. A Karaoke Perspective on International Relations

Hiro R. Shimatachi

Part II: Comics and Animation

6. Japanese Comic Books and Religion: Osamu Tezuka's Story of the Buddha

Mark Wheeler MacWilliams

7. The Romantic, Passionate Japanese in Anime: A Look at the Hidden Japanese Soul

Eri Izawa

8. Hadashi no Gen (Barefoot Gen): Volume 8, pages 1731

Keiji Nakazawa

Page vi

9. Gender Roles and Girls' Comics in Japan: The Girls and Guys of Picture 5Club

Maia Tsurumi

10. From Sazae-san to Crayon Shin-chan: Family Anime, Social Change, and Nostalgia in Japan

William Lee

Part III: Television and Film

11. New Role Models for Men and Women? Gender in Japanese TV Dramas

Hilaria M. Gssmann

12. A New Kind of Royalty: The Imperial Family and the Media in Postwar Japan

Jayson Chun

13. Into the Heartland with Tora-san

Mark Schilling

Part IV: Japanese Popular Culture Abroad

14. Sailor Moon: Japanese Superheroes for Global Girls

Anne Allison

15. Beauty Fighter "Sailor Chemist"

Yuka Kawada

16. Doraemon Goes Abroad

Saya S. Shiraishi

17. Pop Idols and the Asian Identity

Hiroshi Aoyagi

About the Contributors

Credits for Photographs and Illustrations

Credits for Song Lyrics

Index

Page vii

Acknowledgments

Like most books, this one benefited from the help and encouragement of a great number of people. I would first like to express my gratitude to the University of Victoria's Centre for Asia-Pacific Initiatives (CAPI) and to its Director Bill Neilson for the support and resources that allowed me to take on this project. Along the way, much-appreciated assistance was provided by Stella Chan, Tomoko Izawa, Heather MacDonald, and Wendy Farwell.

For inspiration in a variety of forms, a tip of the hat to Fosco Maraini, Fred Schodt, Steve Mindel, John, Curtis, and magic Tango. A special word of appreciation goes to the many publishers and artists in Japan who generously provided permission for the use of photographs, illustrations, and song lyrics, and to Doug Merwin and M. E. Sharpe, for their enthusiasm for a book concept that other publishers tended to view as either too academic or not academic enough. And to my wonderful familyHiroko, Danny, and Emilythanks for putting up with the project and for helping me out so much with your ideas and knowledge of Japan popI've been lucky to have such a good resource sitting around the dinner table.

Finally, I want to thank all the authors and artists who have contributed their writings and other creations to this volume. Your enchanting and insightful work has provided the real motivation. From my first encounter with it, I knew that I had something special in my hands, and I have since been driven, over a sometimes bumpy road, by a desire to share it with a larger audience. I hope you are happy with the destination.

Page viii

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Page ix

A Note on Language

In Japan, people's names are usually written with the family name first and the given name last. However, as this book is written not just for Japan specialists but for a more general audience as well, I have listed Japanese names in the usual English order: given name first and family name last.

Japanese words are generally italicized (e.g., yume, namida

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