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Maria V. Ortiz Segovia - 2.5D Printing

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Maria V. Ortiz Segovia 2.5D Printing

2.5D Printing: summary, description and annotation

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A guide that examines the history and current state of 2.5D printing and explores the relationship between two and three dimensions 2.5D Printing: Bridging the Gap Between 2D and 3D Applications examines the relationship between two- and three-dimensional printing and explores the current ideas, methods, and applications. It provides insights about the diversity of our material culture and heritage and how this knowledge can be used to design and develop new methods for texture printing. The authors review the evolving research and interest in working towards developing methods to: capture, measure and model the surface qualities of 3D and 2D objects, represent the appearance of surface, material and textural qualities, and print or reproduce the material and textural qualities. The text reflects information on the topic from a broad range of fields including science, technology, art, design, conservation, perception, and computer modelling. 2.5D Printing: Bridging the Gap Between 2D and 3D Applications provides a survey of traditional methods of capturing 2.5D through painting and sculpture, and how the human perception is able to judge and compare differences. This important text: Bridges the gap between the technical and perceptual domains of 2D and 3D printing Discusses perceptual texture, color, illusion, and visual impact to offer a unique perspective Explores how to print a convincing rendering of texture that integrates the synthesis of texture in fine art paintings, with digital deposition printing Describes contemporary methods for capturing surface qualities and methods for modelling and measuring, and ways that it is currently being used Considers the impact of 2.5D for future technologies 2.5D Printing is a hands-on guide that provides visual inspiration, comparisons between traditional and digital technologies, case studies, and a wealth of references to the world of texture printing. Please visit the companion website at: www.wiley.com/go/bridging2d3d . www.wiley.com/go/bridging2d3d. Read more...
Abstract: A guide that examines the history and current state of 2.5D printing and explores the relationship between two and three dimensions 2.5D Printing: Bridging the Gap Between 2D and 3D Applications examines the relationship between two- and three-dimensional printing and explores the current ideas, methods, and applications. It provides insights about the diversity of our material culture and heritage and how this knowledge can be used to design and develop new methods for texture printing. The authors review the evolving research and interest in working towards developing methods to: capture, measure and model the surface qualities of 3D and 2D objects, represent the appearance of surface, material and textural qualities, and print or reproduce the material and textural qualities. The text reflects information on the topic from a broad range of fields including science, technology, art, design, conservation, perception, and computer modelling. 2.5D Printing: Bridging the Gap Between 2D and 3D Applications provides a survey of traditional methods of capturing 2.5D through painting and sculpture, and how the human perception is able to judge and compare differences. This important text: Bridges the gap between the technical and perceptual domains of 2D and 3D printing Discusses perceptual texture, color, illusion, and visual impact to offer a unique perspective Explores how to print a convincing rendering of texture that integrates the synthesis of texture in fine art paintings, with digital deposition printing Describes contemporary methods for capturing surface qualities and methods for modelling and measuring, and ways that it is currently being used Considers the impact of 2.5D for future technologies 2.5D Printing is a hands-on guide that provides visual inspiration, comparisons between traditional and digital technologies, case studies, and a wealth of references to the world of texture printing. Please visit the companion website at: www.wiley.com/go/bridging2d3d . www.wiley.com/go/bridging2d3d

Maria V. Ortiz Segovia: author's other books


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Table of Contents List of Illustrations Chapter 1 Chapter 2 Chapter 3 - photo 1
Table of Contents
List of Illustrations
  1. Chapter 1
  2. Chapter 2
  3. Chapter 3
  4. Chapter 5
Guide
Pages

Wiley-IS&T Series in Imaging Science and Technology

Series Editorial Board:

Susan Farnand

Raja Bala

Gaurav Sharma

Steven J. Simske

Suzanne Grinnan


Reproduction of Colour (6th Edition)

R.W.G. Hunt

Colorimetry: Fundamentals and Applications

Noburu Ohta and Alan R. Robertson

Color Constancy

Marc Ebner

Color Gamut Mapping

Jn Morovi

Panoramic Imaging: Sensor-Line Cameras and Laser Range-Finders

Fay Huang, Reinhard Klette and Karsten Scheibe

Digital Color Management (2nd Edition)

Edward J. Giorgianni and Thomas E. Madden

The JPEG 2000 Suite

Peter Schelkens, Athanassios Skodras and Touradj Ebrahimi (Eds)

Color Management: Understanding and Using ICC Profiles

Phil Green (Ed.)

Fourier Methods in Imaging

Roger L. Easton, Jr

Measuring Colour (4th Edition)

R.W.G. Hunt and M.R. Pointer

The Art and Science of HDR Imaging

John McCann and Alessandro Rizzi

Computational Colour Science Using MATLAB (2nd Edition)

Stephen Westland, Caterina Ripamonti and Vien Cheung

Color in Computer Vision: Fundamentals and Applications

Theo Gevers, Arjan Gijsenij, Joost van de Weijer and Jan-Mark Geusebroek

Color Appearance Models (3rd Edition)

Mark D. Fairchild

2.5D Printing: Bridging the Gap between 2D and 3D Applications

Carinna Parraman and Maria V. Ortiz Segovia

Published in Association with the Society for Imaging Science and Technology

25D Printing Bridging the Gap Between 2D and 3D Applications Carinna - photo 2
2.5D Printing
Bridging the Gap Between 2D and 3D Applications

Carinna Parraman

University of the West of England, UK

Maria V. Ortiz Segovia

Oc Print Logic Technologies SA, France

Copyright This edition first published 2018 2018 John Wiley Sons Ltd All - photo 3

Copyright

This edition first published 2018

2018 John Wiley & Sons Ltd

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by law. Advice on how to obtain permission to reuse material from this title is available at http://www.wiley.com/go/permissions.

The right of Carinna Parraman and Maria V. Ortiz Segovia to be identified as the authors of this work has been asserted in accordance with law.

Registered Offices

John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, USA

John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK

Editorial Office

The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK

For details of our global editorial offices, customer services, and more information about Wiley products visit us at www.wiley.com.

Wiley also publishes its books in a variety of electronic formats and by printondemand. Some content that appears in standard print versions of this book may not be available in other formats.

Limit of Liability/Disclaimer of Warranty

While the publisher and authors have used their best efforts in preparing this work, they make no representations or warranties with respect to the accuracy or completeness of the contents of this work and specifically disclaim all warranties, including without limitation any implied warranties of merchantability or fitness for a particular purpose. No warranty may be created or extended by sales representatives, written sales materials or promotional statements for this work. The fact that an organization, website, or product is referred to in this work as a citation and/or potential source of further information does not mean that the publisher and authors endorse the information or services the organization, website, or product may provide or recommendations it may make. This work is sold with the understanding that the publisher and the Society for Imaging Science and Technology are not engaged in rendering professional services. The advice and strategies contained herein may not be suitable for your situation. You should consult with a specialist where appropriate. Further, readers should be aware that websites listed in this work may have changed or disappeared between when this work was written and when it is read. Neither the publisher nor authors shall be liable for any loss of profit or any other commercial damages, including but not limited to special, incidental, consequential, or other damages.

Library of Congress CataloginginPublication Data

Names: Parraman, Carinna, author. | Ortiz Segovia, Maria V., author.

Title: 2.5D printing : bridging the gap between 2D and 3D applications / by Carinna Parraman, Maria Ortiz Segovia.

Description: First edition. | Hoboken, NJ : John Wiley & Sons, 2018. | Includes index. |

Identifiers: LCCN 2018006230 (print) | LCCN 2018012067 (ebook) | ISBN 9781118967331 (pdf) | ISBN 9781118967324 (epub) | ISBN 9781118967300 (cloth)

Subjects: LCSH: Threedimensional printing. | Texture (Art)

Classification: LCC TA1560 (ebook) | LCC TA1560 .P37 2018 (print) | DDC 621.9/88dc23

LC record available at https://lccn.loc.gov/2018006230

Cover design: Wiley

Cover image: eanjei/iStockphoto printed as a Woodburytype by Peter McCallion

Dedication

For Grace


About the Authors

Carinna Parraman's understanding of 2.5D printing has evolved through her training in fine art printmaking. She is Professor of Design, Colour and Print and Director at the Centre for Fine Print Research, University of the West of England, Bristol, UK, and has an indepth knowledge of traditional colour mixing, colour printing and photo mechanical printing processes. She collaborates with many different sectors including industry, heritage and fine art print.

Maria V. Ortiz Segovia's understanding of printing has evolved through Electrical Engineering and Imaging science. She is the leading scientist of the colour and image processing activities of the Innovation Team at Oc Print Logic Technologies, France. She is in charge of conducting collaborations and partnerships between Oc and different universities, laboratories and research institutions worldwide.

If you are reading this book in paper format, please also be aware that the electronic copy will provide you with hyper links to a wide range of extra material.


Series Editor's Preface

2.5D, you ask? Why not 2D or 3D, or both? Well, there is nothing indecisive about picking 2.5 dimensions to choose as the focus of a book. In the rapidly changing world of additive manufacturing, custom manufacturing, and hybrid 2D and 3D printing, the concerns of 2.5D Printing texture, relief, colour, reflectance, opacity, etc. become paramount. In this book, part of the WileyIS&T Series in Imaging Science and Technology

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