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Ovid - Ovids Metamorphoses, Books 6-10

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Ovid is a poet to enjoy, declares William S. Anderson in his introduction to this textbook. And Andersons skillful introduction and enlightening textual commentary will indeed make it a joy to use.In these books Ovid begins to leave the conflict between men and the gods to concentrate on the relations among human beings. Subjects of the stories include Arachne and Niobe; Tereus, Procne, and Philomela; Medea and Jason; Orpheus and Eurydice; and many others, familiar and unfamiliar. For students of Latin-and teachers, too-they provide an interesting experience.In his introduction the editor discusses Ovids career, the reputation of the Metamorphoses during Ovids time and after, and the various manuscripts that exist or have been known to exist. He describes the general plan of the poem, its main theme, and the problem of its tone. Technical matters, such as style and meter, are also considered. In notes the editor summarizes the story being told before proceeding to the line-by-line textual comments.

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title Ovids Metamorphoses Books 6-10 American Philological Association - photo 1

title:Ovid's Metamorphoses, Books 6-10 American Philological Association. Series of Classical Texts
author:Ovid.; Anderson, William Scovil
publisher:University of Oklahoma Press
isbn10 | asin:0806114568
print isbn13:9780806114569
ebook isbn13:9780585177496
language:Latin
subjectMetamorphosis--Mythology--Poetry, Mythology, Classical--Poetry, Fables, Latin.
publication date:1972
lcc:PA6519.M4A5eb
ddc:873/.01
subject:Metamorphosis--Mythology--Poetry, Mythology, Classical--Poetry, Fables, Latin.
Page i
THE AMERICAN PHILOLOGICAL ASSOCIATION SERIES OF CLASSICAL TEXTS
Page iii
Ovid's Metamorphoses
Books 6-10
Page v
Ovids Metamorphoses Books 6-10 Edited with Introduction and - photo 2
Ovid's Metamorphoses
Books 6-10
Edited, with Introduction and Commentary, by
William S. Anderson
Published by the University of Oklahoma Press, Norman, in co-operation
with the American Philological Association
Page vi
Library of Congress Cataloging-in-Publication Data
Ovidius Naso, Publius.
Ovid's Metamorphoses, books 6-10.
Bibliography: p.
I. Anderson, William Scovil, 1927-ed. II. Title: Metamorphoses.
PA6519.M4A5 873'.01 74-160488
ISBN: 0-8061-1456-8
Copyright 1972 by the University of Oklahoma Press, Norman,
Publishing Division of the University. All rights reserved. Manufac
tured in the U.S.A.
7 8 9 10 11 12 13 14 15 16 17 18 19 20
Page vii
CONTENTS
Introduction
page 3
I. Ovid's Career
3
II. The Subsequent Reputation of the Metamorphoses
4
III. The Plan and Tone of the Metamorphoses
6
IV. Ovid the Poet at Work
14
V. The Manuscript Tradition
31
VI. Selected Bibliography
34
Text of Metamorphoses
37
Liber Sextus
39
Liber Septimus
59
Liber Octavus
82
Liber Nonus
106
Liber Decimus
128
Notes
149
Abbreviations in Notes
150
to Book 6
151
to Book 7
243
to Book 8
333
to Book 9
417
to Book 10
475
Index
537

Page ix
ILLUSTRATIONS
Niobe trying to protect her last daughter
following page 86
Marysas competing with Apollo in music
Medea about to rejuvenate the ram
Aurora in pursuit of Cephalus
Meleager as hunter
Death of Procris
Hercules attacking Nessus
Orpheus and Eurydice

Page 3
INTRODUCTION
I. Ovid's Career
Publius Ovidius Naso was born in 43 B.C., one year after the murder of Julius Caesar, and he spent his boyhood years in his relatively quiet home town of Sulmo, some ninety miles due east of Rome but separated from the metropolis and its political upheavals by the Apennine chain. Shortly after Actium, early in the twenties, Ovid came to a now peaceful Rome. His father intended him for a career that would be expected to prosper in peacetime, the law, and Ovid duly studied under Arellius Fuscus, one of the prominent teachers of the day. However, peace had also enabled Latin poetry once again to flourish, and Ovid spent much time not studying law but listening to the many exciting poets of the twenties: Horace, Tibullus, and Propertius, to name the most famous. Rather than toil at oratory, he preferred what was for him the easy task of writing poetry himself. As he modestly put it in that poem which serves as an autobiography, Tristia 4.10, when he tried to write prose, it turned into verse:
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