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Andrew T. Duchowski - Eye Tracking Methodology

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Andrew T. Duchowski Eye Tracking Methodology
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Part I
Introduction to the Human Visual System (HVS)
Springer International Publishing AG 2017
Andrew T. Duchowski Eye Tracking Methodology 10.1007/978-3-319-57883-5_1
1. Visual Attention
Andrew T. Duchowski 1
(1)
School of Computing, Clemson University, Clemson, SC, USA
Andrew T. Duchowski
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In approaching the topic of eye tracking, we first have to consider the motivation for recording human eye movements. That is, why is eye tracking important? Simply put, we move our eyes to bring a particular portion of the visible field of view into high resolution so that we may see in fine detail whatever is at the central direction of gaze. Most often we also divert our attention to that point so that we can focus our concentration (if only for a very brief moment) on the object or region of interest. Thus, we may presume that if we can track someones eye movements, we can follow along the path of attention deployed by the observer. This may give us some insight into what the observer found interesting, that is, what drew their attention, and perhaps even provide a clue as to how that person perceived whatever scene she or he was viewing.
By examining attention and the neural mechanisms involved in visual attention, the first two chapters of this book present motivation for the study of eye movements from two perspectives: a psychological viewpoint examining attentional behavior and its history of study (presented briefly in this chapter); and a physiological perspective on the neural mechanisms responsible for driving attentional behavior (covered in the next chapter). In sum, both introductory chapters establish the psychological and physiological basis for the movements of the eyes.
To begin formulating an understanding of an observers attentional processes, it is instructive to first establish a rudimentary or at least intuitive sense of what attention is, and whether the movement of the eyes does in fact disclose anything about the inner cognitive process known as visual attention.
Visual attention has been studied for over a hundred years. A good qualitative definition of visual attention was given by the psychologist William James:
Everyone knows what attention is. It is the taking possession by the mind, in clear and vivid form, of one out of what seem several simultaneously possible objects or trains of thought. Focalization, concentration, of consciousness are of its essence. It implies withdrawal from some things in order to deal effectively with others...
When the things are apprehended by the senses , the number of them that can be attended to at once is small, Pluribus intentus, minor est ad singula sensus.
W. James (1981)
The Latin phrase used above by James roughly translates to Many filtered into few for perception . The faculty implied as the filter is attention.
Humans are finite beings that cannot attend to all things at once. In general, attention is used to focus our mental capacities on selections of the sensory input so that the mind can successfully process the stimulus of interest. Our capacity for information processing is limited. The brain processes sensory input by concentrating on specific components of the entire sensory realm so that interesting sights, sounds, smells, and the like, may be examined with greater attention to detail than peripheral stimuli. This is particularly true of vision. Visual scene inspection is performed minutatim , not in toto . That is, human vision is a piecemeal process relying on the perceptual integration of small regions to construct a coherent representation of the whole.
In this chapter, attention is recounted from a historical perspective following the narrative found in Van der Heijden (1992). The discussion focuses on attentional mechanisms involved in vision, with emphasis on two main components of visual attention, namely the what and the where.
1.1 Visual Attention: A Historical Review
The phenomenon of visual attention has been studied for over a century. Early studies of attention were technologically limited to simple ocular observations and oftentimes to introspection. Since then the field has grown to an interdisciplinary subject involving the disciplines of psychophysics, cognitive neuroscience, and computer science, to name three. This section presents a qualitative historical background of visual attention.
1.1.1 Von Helmholtzs Where
At the second half of the 19th century, Von Helmholtz (1925) posited visual attention as an essential mechanism of visual perception. In his Treatise on Physiological Optics , he notes, We let our eyes roam continually over the visual field, because that is the only way we can see as distinctly as possible all the individual parts of the field in turn. Noting that attention is concerned with a small region of space, Von Helmholtz observed visual attentions natural tendency to wander to new things. He also remarked that attention can be controlled by a conscious and voluntary effort, allowing attention to peripheral objects without making eye movements to that object. Von Helmholtz was mainly concerned with eye movements to spatial locations, or the where of visual attention. In essence, although visual attention can be consciously directed to peripheral objects, eye movements reflect the will to inspect these objects in fine detail. In this sense, eye movements provide evidence of overt visual attention.
1.1.2 James What
In contrast to Von Helmholtzs ideas, James (1981) believed attention to be a more internally covert mechanism akin to imagination, anticipation, or in general, thought. James defined attention mainly in terms of the what, or the identity, meaning, or expectation associated with the focus of attention. James favored the active and voluntary aspects of attention although he also recognized its passive, reflexive, non-voluntary and effortless qualities.
Both views of attention, which are not mutually exclusive, bear significantly on contemporary concepts of visual attention. The what and where of attention roughly correspond to foveal (James) and parafoveal (Von Helmholtz) aspects of visual attention, respectively. This dichotomous view of vision is particularly relevant to a bottom-up or feature-driven explanation of visual attention. That is, when considering an image stimulus, we may consider certain regions in the image that will attract ones attention. These regions may initially be perceived parafoveally, in a sense requesting further detailed inspection through foveal vision. In this sense, peripherally located image features may drive attention in terms of where to look next, so that we may identify what detail is present at those locations.
The dual what and where feature-driven view of vision is a useful preliminary metaphor for visual attention, and indeed it has formed the basis for creating computational models of visual attention, which typically simulate so-called low-level, or bottom-up visual characteristics. However, this view of attention is rather simplistic. It must be stressed that a complete model of visual attention involves high-level visual and cognitive functions. That is, visual attention cannot simply be explained through the sole consideration of visual features. There are higher-level intentional factors involved (e.g., related to possibly voluntary, preconceived cognitive factors that drive attention).
1.1.3 Gibsons How
In the 1940s Gibson (1941) proposed a third factor of visual attention centered on intention. Gibsons proposition dealt with a viewers advance preparation as to whether to react and if so, how, and with what class of responses. This component of attention explained the ability to vary the intention to react while keeping the expectation of the stimulus object fixed, and conversely, the ability to vary the expectation of the stimulus object while keeping the intention to react fixed. Experiments involving ambiguous stimuli typically evoke these reactions. For example, if the viewer is made to expect words describing animals, then the misprint sael will be read as seal. Changing the expectation to words describing ships or boats invokes the perception of sail. The reactive nature of Gibsons variant of attention specifies the what to do, or how to react behavior based on the viewers preconceptions or attitude. This variant of visual attention is particularly relevant to the design of experiments. It is important to consider the viewers perceptual expectation of the stimulus, as (possibly) influenced by the experimenters instructions.
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