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Norman Bryson - Visual culture: images and interpretations

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We can no longer see, much less teach, transhistorical truths, timeless works of art, and unchanging critical criteria without a highly developed sense of irony about the grand narratives of the past, declare the editors, who also coedited Visual Theory: Painting and Interpretation (1990). The field of art history is not unique in finding itself challenged and enlarged by cultural debates over issues of class, ethnicity, nationality, sexual orientation, and gender. Visual Culture assembles some of the foremost scholars of cultural studies and art history to explore new critical approaches to a history of representation seen as something different from a history of art.CONTRIBUTORS: Andres Ross, Michael Ann Holly, Mieke Bal, David Summers, Constance Penley, Kaja Silverman, Ernst Van Alphen, Norman Bryson, Wolfgang Kemp, Whitney Davis, Thomas Crow, Keith Moxey, John Tagg, Lisa Tickner.

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title Visual Culture Images and Interpretations author Bryson - photo 1

title:Visual Culture : Images and Interpretations
author:Bryson, Norman; Holly, Michael Ann.; Moxey, Keith P. F.
publisher:Wesleyan University Press
isbn10 | asin:081956267X
print isbn13:9780819562678
ebook isbn13:9780585371061
language:English
subjectArt and society--Congresses, Masculinity in art--Congresses, Art--Historiography--Congresses.
publication date:1994
lcc:N72.S6V59 1994eb
ddc:701/.03
subject:Art and society--Congresses, Masculinity in art--Congresses, Art--Historiography--Congresses.
Page iii
Visual Culture
Images and Interpretations
Edited by Norman Bryson,
Michael Ann Holly,
and Keith Moxey
Page iv Wesleyan University Press University Press of New England - photo 2
Page iv
Wesleyan University Press
University Press of New England, Hanover, NH 03755
1994 by Wesleyan University
All rights reserved
Printed in the United States of America
5 4 3 2
CIP data appear at the end of the book
Acknowledgments for previously published chapters appear at the beginning of the Notes section for each chapter; acknowledgments for illustrations appear in the captions.
Page v
Contents
List of Illustrations
vii
Preface
xiii
Introduction
xv
Feminism/FoucaultSurveillance/Sexuality
Griselda Pollock
1
Men's Work? Masculinity and Modernism
Lisa Tickner
42
The Discontinuous City: Picturing and the Discursive Field
John Tagg
83
Hieronymus Bosch and the "World Upside Down": The Case of The Garden of Earthly Delights
Keith Moxey
104
Observations on Style and History in French Painting of the Male Nude, 17851794
Thomas Crow
141
The Renunciation of Reaction in Girodet's Sleep of Endymion
Whitney Davis
168
The Theater of Revolution: A New Interpretation of Jacques-Louis David's Tennis Court Oath
Wolfgang Kemp
202
Gricault and "Masculinity"
Norman Bryson
228
Strategies of Identification
Ernst Van Alphen
260

Page vi
Fassbinder and Lacan: A Reconsideration of Gaze, Look, and Image
Kaja Silverman
272
Feminism, Psychoanalysis, and the Study of Popular Culture
Constance Penley
302
The Ecology of Images
Andrew Ross
325
Wlfflin and the Imagining of the Baroque
Michael Ann Holly
347
Dead Flesh, or the Smell of Painting
Mieke Bal
365
Form and Gender
David Summers
384
List of Contributors
413
Index
417

Page vii
Illustrations
Feminism/Foucault
Picture 3
1. Vincent van Gogh, Miners
11
Picture 4
2. Constantin Meunier, Miner of the Borinage
12
Picture 5
3. Ccile Douard, Hercheuses (Hauliers) Waiting to Descend
13
Picture 6
4. Constantin Meunier, Hercheuse (Haulier) of the Borinage at the Pit
14
Picture 7
5. Ccile Douard, Hercheuse (Haulier) Pushing Her Wagon
18
Picture 8
6. Illustration to First Report of the Commissioners on the Employment of Children in the Mines
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