• Complain

Kiyoshi Kobayashi - The Sport of Judo

Here you can read online Kiyoshi Kobayashi - The Sport of Judo full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: New York, year: 2011, publisher: Tuttle Publishing, genre: Romance novel. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

Kiyoshi Kobayashi The Sport of Judo

The Sport of Judo: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "The Sport of Judo" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

Cover; Copyright; Introduction; A BRIEF HISTORY OF JUDO; Grading; The Contest; Contents; Training and Practice; Types of Techniques; UKEMI (Failing); TACHIWAZA (Throwing Techniques); KUZUSHI; TSUKURI; KAKE; RENRAKUWAZA (Combination Techniques); TAIOTOSHI (Body Drop Throw); IPPON SEOINAGE (One Arm Shoulder Throw); MOROTE SEOINAGE (Both Arm Shoulder Throw); UKI GOSHI (Floating Hip Throw); OGOSHI (Major Hip Throw); TSURIKOMI GOSHI (Life and Pull Hip Throw); SODE-TSURIKOMI GOSHI (Lift and Puulling Sleeve Hip Throw); KOSHI GURUMA (Hip Wheel Throw); HARAI GOSHI (Sweeping Loin Throw).;Judo, the gentle way based on an ancient Japanese jujutsu and now a premier modern Olympic sport, is systematically presented in The Sport of Judo . This volume, an invaluable resource for any beginning judoka or teacher, comprises a point-by-point demonstration and explanation of over fifty essential techniques, as practiced at the international home of judo, the Kodokan Institute in Tokyo. In addition, The Sport of Judo includes a brief history of development and spread of judo, as well as a discussion of judo competition, including Kodokan contest rules, and a complete glossary of terms.

Kiyoshi Kobayashi: author's other books


Who wrote The Sport of Judo? Find out the surname, the name of the author of the book and a list of all author's works by series.

The Sport of Judo — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "The Sport of Judo" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make

Table of Contents Falling Throwing Techniques Unbalancing - photo 1

Table of Contents

Falling Throwing Techniques Unbalancing Opponent Position - photo 2


(Falling)
(Throwing Techniques)
(Unbalancing Opponent)
(Position for Throwing)
(Throwing)
(Combination Techniques)
(Body Drop Throw)
(One Arm Shoulder Throw)
(Both Arm Shoulder Throw)
(Floating Hip Throw)
(Major Hip Throw)
(Lift and Pull Hip Throw)
i (Lift and Pulling Sleeve Hip Throw)
(Hip Wheel Throw)
(Sweeping Loin Thrown)
(Springing Hip Throw)
(Winding Spring Hip Throw)
(Rear Hip Throw)
(Changing Hip Throw)
(Inside Thigh Throw)
(Major Outer Reaping Throw)
(Major Outer Winding Throw)
(Major Outer Rear Drop Throw)
(Minor Outer Reaping Throw)
(Minor Outer Breaking Throw)
(Major Inner Reaping Throw)
(Minor Inner Reaping Throw)
(Knee Wheel Throw)
(Propping Ankle Throw)
(Lift Pull Foot Sweep)
(Somersault or Stomach Throw)
(Inner Winding Throw)
(Outer Winding Throw)
(Floating Technique Throw)
(Grappling Techniques)
(Holding Techniques)
(Cross-Chest Holding)
(Shoulder Holding)
(Upper Four-Corner Holding)
(Side Four-Corner Holding)
(Vertical Four-Corner Holding)
(Strangling Techniques)
(Naked Strangle)
(Sliding Lapel Strangle)
(One Side Strangle)
(Natural Cross Strangle)
(Reverse Cross Strangle)
(Half Cross Strangle)
(Armlock Techniques)
(Cross Armlock)
(Arm Coil Lock)
(Arm Lock)
All of the illustrations for THE SPORT OF JUDO were taken by Mr Sharp The - photo 3

All of the illustrations for THE SPORT OF JUDO were taken by Mr. Sharp. The contest photographs are intended as illustrations only and do not, necessarily, illustrate the lesson shown on the particular page.

The calligraphy on the back cover was written by Mr. Kobayashi. They are the characters for the word "Judo" and actually mean gentle way.

Contest Rules of Kodokan Judo

English translation by the Kodokan from the Original Japanese Text in August - photo 4

English translation by the Kodokan, from the Original Japanese Text, in August, 1951; Translation revised by the Kodokan, in June 1953.)

CONTEST AREA

Article 1. The Contest Area (or Shiaijo) shall be a square platform, 30 feet in length and width, raised one and a half feet above the ground, and covered with 50 pieces of "Tatami." (See Appendix for "Tatami") To prevent injuries and other dangers, the area around the perimeter of the Contest Area shall also have mats.

If, for lack of space or other circumstances, sufficient area cannot be provided, the conditions shown in Article 1 may not necessarily be followed. However, the demarcation line between the Contest Area and the area around the perimeter must be marked distinctly. It is permissible to substitute canvas, vinyl articles or the like for "Tatami-omote" or rush matting.

COSTUME

Article 2. The Contestant shall wear "Judogi" (Judo Costume). (See 'Appendix for "Judogi") The Judogi to be worn by the contestant shall comply with the following conditions:

(a) The jacket shall be long enough to cover the hips, when held closed at the waist by a belt or sash;

(b) The sleeves shall be loose, (there must be an opening or play of at least more than one and a quarter inches between the cuff and the forearm), and shall extend more than half way down the forearms;

(c) The trousers shall be loose, (there must be an opening or play of at least one and a quarter inches between the bottom of the trousers and the leg), and shall reach more than half way down the legs;

(d) The belt or sash must be tied properly with a square knot, tight enough to prevent the jacket from coming loose, and must be long enough to go twice around the body with its two ends left free at least three and three quarters of an inch from the knot when tied.

Article 3. The contestants must keep their finger and toe nails cut short; and must not wear any articles, such as rings, ornaments etc., liable to cause injury to the opponent.

CONTEST

Article 4. The contestants shall stand about twelve feet apart, at the centre of the Contest Area, facing each other, and exchange a salute .by bowing simultaneously. After finishing the salutation, the contest shall be started immediately upon the announcement of "Hajime" ("Start", "Begin" or "Go") by the Referee.

As a rule, the salutation for the contest shall be made in standing posture; however, the salutation in formal Japanese kneeling posture may be used instead. In the latter case, the contestants shall finish the salutation, stand up facing each other, and then the contest shall be started immediately on the announcement of "Hajime" by the Referee.

Article 5. When a contest comes to an end, the contestants shall return to the positions originally taken at the start of the contest, stand face to face and, following the indication or declaration by the Referee, the contestants shall make the salutation simultaneously.

Article 6. The result of the contest shall be judged on the basis of "Nagewaza" (throwing technique) and "Katamewaza" (grappling technique).

Article 7. The result of a contest shall be decided on the basis of not more than "Ippon" (one point).

Article 8. The contest shall be started with both contestants in standing posture.

Article 9. In the following cases, a contestant may shift into a lying position. However, if any technique applied is not continued properly, the Referee may, at his discretion, make the contestants stand up:

(a) When a contestant, after obtaining some result by his throwing techniques, shifts without interruption into a lying position and takes offensive;

(b) When a contestant falls while applying a throwing technique against his opponent; or when a contestant takes the offensive when his opponent falls down;

(c) When a contestant, after obtaining, in a standing position, some result by "Shime-waza" (strangling technique) or "Kansetsu-waza" (technique of bending and twisting the joints), shifts without interruption into a lying position and takes the offensive.

Article 10. The time limit for a contest shall be from 3 to 20 minutes. However, the above limit may be extended, in certain special cases.

Article 11. When the time allotted for the contest is expired, the Referee shall be notified by the ringing of a bell or by some other means.

Article 12. Any technique applied simultaneously with the signal notifying expiration of the time limit shall be judged as valid. In the case of an "Osaekomi" (holding) officially announced, the time limit shall be extended until the "Osaekomi" is completed or broken.

Article 13. Any technique applied when one or both of the contestants are outside of the Contest Area, shall be judged as null and void.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «The Sport of Judo»

Look at similar books to The Sport of Judo. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «The Sport of Judo»

Discussion, reviews of the book The Sport of Judo and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.