Hatherley - A Guide to the New Ruins of Great Britain

Praise for A Guide to the New Ruins of Great Britain

An excellent vade-mecum for the disgruntled urban flaneur. Keith Miller, Times Literary Supplement Books of the Year

An exhilarating book. Owen Hatherley brings to bear a quizzing eye, venomous wit, supple prose, refusal to curry favour, rejection of received ideas, exhaustive knowledge and all-round bolshiness. This book is as much a marker for an era as English Journey and Outrage were. Jonathan Meades

The latest heir to Ruskin Hatherley blasts the architectural style of New Labour Britain. Whatever your pet-hate, Hatherley will probably have some enjoyably cruel words for it. Boyd Tonkin, Independent

Compendious, erudite and witty a man to watch. Ken Worpole, openDemocracy.net

Witty, occasionally bleak but immensely readable. Architects Journal

This is an important book that is entirely worthy of the arguments it sets out to provoke. Patrick Wright, Architecture Today

Owen Hatherley is a fulminating critic-cum-flaneur This is fear and loathing in Lost Albion riffed by a quainter version of Hunter S. Thompson. Jay Merrick, Independent

A gem of a book. Kevin Orr, Socialist Review

Wonderfully provocative Intensely passionate and bitter (I was reminded at times of the thunderous laments of the Victorian sage Thomas Carlyle) Hatherleys book is terrifying in its exposure of the human cost of the mistakes that have been made. Rupert Christiansen, Daily Telegraph

Hatherley is a formidable new voice this surgical evisceration of the cityscapes of Blairism is required reading. Hugh Pearman, RIBA Journal

This is the real Britain, and Hatherley is the most informed, opinionated and acerbic guide you could wish for. Hugh Pearman, Sunday Times

Painted with a raging energy that is exhilarating ... [Its] political, sinister, sometimes funny. Morning Star

Hatherley deserves to be widely read he has brought a welcome freshness and honesty to architectural criticism. Chris Hall, Icon

In this angry, fiercely funny book, Owen Hatherley steps forward as the Pevsner of the PFI generation, an erudite, urbane guide to the Ballardian wreckage of millennial Britain. Essential reading for anyone who ever feels their blood start to boil when they hear the word regeneration. Hari Kunzru

This eBook is licensed to John Loughlin, john@rubywhite.com on 12/31/2014

OWEN HATHERLEY is the author of the acclaimed Militant Modernism, a defence of the modernist movement. He writes on architecture, urbanism and popular culture for Building Design, Frieze, the Guardian and New Statesman. He blogs on political aesthetics at nastybrutalistandshort.blogspot.com.
He lives in London.

This eBook is licensed to John Loughlin, john@rubywhite.com on 12/31/2014

OWEN HATHERLEY

London New York

This eBook is licensed to John Loughlin, john@rubywhite.com on 12/31/2014

Trumpets around the walls of the Barbican. Trumpets
turning into penny whistles and then, reflected in the new
shining glass, suddenly and surprisingly accompanied by
a respectful and celebratory choir.
Raymond Williams

This paperback edition first published by Verso 2011
First published by Verso 2010
Owen Hatherley 2010

All rights reserved

The moral rights of the author have been asserted

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Verso is the imprint of New Left Books

eISBN: 978-1-84467-808-2

British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library

Library of Congress Cataloging-in-Publication Data
A catalog record for this book is available from the Library of Congress

Typeset by MJ Gavan, Truro, Cornwall
Printed by Scandbook AB in Sweden

This eBook is licensed to John Loughlin, john@rubywhite.com on 12/31/2014

INTRODUCTION
The Change We See

SOUTHAMPTON
Terminus City

MILTON KEYNES
Buckinghamshire Alphaville

NOTTINGHAM
The Banality of Aspiration

SHEFFIELD
The Former Socialist Republic of South Yorkshire

MANCHESTER
So Much to Answer For

TYNESIDE
From Brasilia to Baltic

GLASGOW
Looking for the Future in All the Wrong Places

CAMBRIDGE
Silicon Fences

THE WEST RIDING
Instead of a Supercity

CARDIFF
Manufacturing a Capital

GREENWICH
Estuarine Enclaves

LIVERPOOL
Exit

This eBook is licensed to John Loughlin, john@rubywhite.com on 12/31/2014

In 2009, the dying Labour government came up with one of the more amusing of its political gambits. As urban regeneration and the new public buildings of the Private Finance Initiative were so prominent and so popular, how about a campaign focusing on them, presenting the buildings that resulted as proof positive that New Labour hadnt broken its promises, that it was the party of change, that it was rebuilding Britain, and that social programmes were at its heart? The campaign was christened The Change We See. Go to the website and you find the explanation. Since 1997, weve changed this countryrebuilding the lives of children, older people and families. Make no mistake, this could not have happened without supporters like you. Now we face an opposition who wants to deny our successes and cut the public services we rescued. We must stand together and show how proud we are of these historic achievements. So, it asks the public to submit photographs of PFI Hospitals, City Academies, Sure Start centres and the like to a Flickr group.

Sadly, it met with an immediate torrent of ridicule and subversion on a wide spectrum from political opponents to the editor of the Architects Journal. The Change We See entailed barn-like buildings resembling those built in the eighties and nineties for the supermarket Asda, housing Sure Start childrens centres; a surgery that resembled the cheap woolly designs used by the developer Barratt Homes; a Law Courts (sorry, Justice Centre) constructed in lumpily jolly 1986 postmodernist style that was, astonishingly, completed in 2005; a primary school that resembles Britains Guantanamo, Belmarsh Prison; and much that is less immediately appalling, but all produced in the chillingly blank Private Finance Initiative (PFI) idiom of clean lines, bright colours, red bricks and wipe-clean surfaces, as if furnishing a childrens ward. Soon, the Flickr group was being subverted by new luxury tower blocks that looked like Soviet barracks; CCTV cameras; lampposts capped with spikes to deter vandals; stop and search cards; and images of poisoned brownfield land soon to be developed into housing all contributed by mischievous Flickr users with the tag Vote Labour. This wasnt simply some architectural criticism of a real political advance that aesthetes and snobs just didnt appreciate. The functions are as awful as the forms: the omnipresent PFI schemes, or the bizarre notion that gentrification, as represented by the penthouses of Manchesters Beetham Tower, rebuilt the lives of children, older people and families, other than the children, elderly and families of the decidedly affluent, of course.