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Greg Kerr - Dream Cities: Utopia and Prose by Poets in Nineteenth-Century France

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Greg Kerr Dream Cities: Utopia and Prose by Poets in Nineteenth-Century France
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Against a backdrop of dizzying urbanization, French utopian thinkers of the nineteenth century set out to explore the transformative possibilities of the modern metropolis. Linking literary analyses with diverse strands of cultural and intellectual history, this study considers how the utopian vision of the city in turn came to impinge on prose writing by poets: in Saint-Simonian literature, and in texts by Theophile Gautier, Charles Baudelaire and Arthur Rimbaud. At points steeped in the hyperbolic rhetoric of utopian projects, these texts nonetheless wear away at the internal coherence of that rhetoric and the idealizing meanings it supports. What emerges from Greg Kerrs analysis is a hitherto unfamiliar dimension of these writings, revealing the alertness of some of the greatest exponents of nineteenth-century poetry to the dynamic possibilities of utopian writing, and suggesting new ways to understand the evolution of poetic discourse across the century. Greg Kerr is Lecturer in French at the University of Lancaster.

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DREAM CITIES UTOPIA AND PROSE BY POETS IN NINETEENTH-CENTURY FRANCE LEGENDA - photo 1

DREAM CITIES
UTOPIA AND PROSE BY POETS IN NINETEENTH-CENTURY FRANCE

LEGENDA

LEGENDA, founded in 1995 by the European Humanities Research Centre of the University of Oxford, is now a joint imprint of the Modern Humanities Research Association and Routledge. Titles range from medieval texts to contemporary cinema and form a widely comparative view of the modern humanities, including works on Arabic, Catalan, English, French, German, Greek, Italian, Portuguese, Russian, Spanish, and Yiddish literature. An Editorial Board of distinguished academic specialists works in collaboration with leading scholarly bodies such as the Society for French Studies and the British Comparative Literature Association.

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The Modern Humanities Research Association (MHRA) encourages and promotes advanced study and research in the field of the modern humanities, especially modern European languages and literature, including English, and also cinema. It also aims to break down the barriers between scholars working in different disciplines and to maintain the unity of humanistic scholarship in the face of increasing specialization. The Association fulfils this purpose primarily through the publication of journals, bibliographies, monographs and other aids to research.

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Routledge is a global publisher of academic books, journals and online resources in the humanities and social sciences. Founded in 1836, it has published many of the greatest thinkers and scholars of the last hundred years, including Adorno, Einstein, Russell, Popper, Wittgenstein, Jung, Bohm, Hayek, McLuhan, Marcuse and Sartre. Today Routledge is one of the world's leading academic publishers in the Humanities and Social Sciences. It publishes thousands of books and journals each year, serving scholars, instructors, and professional communities worldwide.

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Editorial Board

Chairman Professor Colin Davis, Royal Holloway, University of London

Professor Malcolm Cook, University of Exeter (French)

Professor Robin Fiddian, Wadham College, Oxford (Spanish)

Professor Anne Fuchs, University of St Andrews (German)

Professor Paul Garner, University of Leeds (Spanish)

Professor Andrew Hadfield, University of Sussex (English)

Professor Marian Hobson Jeanneret,

Queen Mary University of London (French)

Professor Catriona Kelly, New College, Oxford (Russian)

Professor Martin McLaughlin, Magdalen College, Oxford (Italian)

Professor Martin Maiden, Trinity College, Oxford (Linguistics)

Professor Peter Matthews, St Johns College, Cambridge (Linguistics)

Dr Stephen Parkinson, Linacre College, Oxford (Portuguese)

Professor Suzanne Raitt, William and Mary College, Virginia (English)

Professor Ritchie Robertson, The Queens College, Oxford (German)

Professor David Shepherd, Keele University (Russian)

Professor Michael Sheringham, All Souls College, Oxford (French)

Professor Alison Sinclair, Clare College, Cambridge (Spanish)

Professor David Treece, Kings College London (Portuguese)

Managing Editor
Dr Graham Nelson
41 Wellington Square, Oxford OX1 2JF, UK

legenda@mhra.org.uk
www.legendabooks.com

Dream Cities

Utopia and Prose by Poets in Nineteenth-Century France

GREG KERR

Modern Humanities Research Association and Routledge 2013 First published 2013 - photo 4

Modern Humanities Research Association and Routledge 2013

First published 2013

Published by the
Modern Humanities Research Association and Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
711 Third Avenue, New York, NY 10017, USA

LEGENDA is an imprint of the
Modern Humanities Research Association and Routledge

Routledge is an imprint of the Taylor & Francis Group, an informa business

Modern Humanities Research Association and Taylor & Francis 2013

ISBN 9-781-907975-53-0 (hbk)

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, including photocopying, recordings, fax or otherwise, without the prior written permission of the copyright owner and the publisher.

Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

Contents
Guide

I would firstly like to register a debt of gratitude to David Scott for his dedicated and unfailingly perceptive supervision of the doctoral thesis on which this book is based, and for prompting me often to see images where first I saw words. Thanks are also due to my thesis examiner Patrick ODonovan for the invaluable advice he has offered on this project at different stages, and to Legendas anonymous reader who provided valuable comments on the final stages of the manuscript. At Legenda I have also benefitted from the discernment and quiet astuteness of Graham Nelson and Richard Correll who have overseen the completion of the text.

I also wish to note how indebted I am to Amrico Nunes da Silva for kindling my interest in Saint-Simonianism during a series of seminars at Universit Paris VII Diderot in 200102. I am also thankful to the Irish Research Council for the Humanities & Social Sciences for the award of a postgraduate scholarship. Additional thanks are due to Damian Catani, Susan Harrow and Michael Kelly for advice received in the latter stages of the project, as well as to my colleagues at Lancaster University. Beatrice Kerr and Eileen Kelly deserve my utmost appreciation for their unflagging encouragement. Finally, I want to thank Sara Bouskela for her measureless support, sensitivity, and the example of assiduous craft brought to the finest of details.

By kind permission of the editors, of this book feature reworked versions of some chapters from edited volumes, and one journal article, which first appeared in the following publications: Gautier, Boileau and Chenavard: Utopian Architectures of the Temple in Mid-Nineteenth-Century France, in Imagining and Making the World: Reconsidering Architecture and Utopia , ed. by Nathaniel Coleman (Oxford: Peter Lang, 2011), pp. 5780; Nous avons enlac le globe de nos rseaux...: Spatial Structure in Saint-Simonian Poetics, in Histoires de la Terre , ed. by Louise Lyle and David McCallam (Amsterdam: Rodopi, 2008), pp. 91104; The Modern Urban in the Journalistic Prose of Thophile Gautier: Crayonnons la hte... , in Aesthetics of Dislocation in French and Francophone Literature and Art: Strategies of Representation , ed. by Daisy Connon, Gillian Jein and Greg Kerr (Lampeter: Edwin Mellen, 2009), pp. 16582; Rhetorics of Transformation in Rimbauds Illuminations , Dix-neuf , 14.1 (April 2010), 2032, courtesy of W. S. Maney & Son Ltd: ; available online at .

Front Cover: Philippe-Joseph Machereau, Femme colossale assise
Frontispiece: Charles Baudelaire, Autoportrait (by permission of the Roger-Viollet photo agency)

Au milieu de flammes, jaunes et bleues, allongeant leurs langues en spirales travers un nuage de noire fume, on [voit] plus rapide quun oiseau savancer la caravane des travailleurs, ambassade de paix avec ses churs nombreux et ses danseuses pares.

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